Book contents
- Frontmatter
- Contents
- Preface
- Introduction
- 1 The ‘comforts’ of praise and blame
- 2 ‘Injuries’ and ‘remedies’: the first two acts
- 3 ‘Pluming up the will’: Iago's place in the play
- 4 Personal and professional identity: Othello in the first two acts
- 5 ‘Alacrity in hardness’: Othello's crisis in Acts III and IV
- 6 The ‘hollow hell’ of vengeance: Othello's attempted remedies
- 7 Self-charity and self-abnegation: the play's women in love
- 8 The ‘power to hurt’ and ‘be hurt’, ‘past all surgery’: the final scene
- Frontmatter
- Contents
- Preface
- Introduction
- 1 The ‘comforts’ of praise and blame
- 2 ‘Injuries’ and ‘remedies’: the first two acts
- 3 ‘Pluming up the will’: Iago's place in the play
- 4 Personal and professional identity: Othello in the first two acts
- 5 ‘Alacrity in hardness’: Othello's crisis in Acts III and IV
- 6 The ‘hollow hell’ of vengeance: Othello's attempted remedies
- 7 Self-charity and self-abnegation: the play's women in love
- 8 The ‘power to hurt’ and ‘be hurt’, ‘past all surgery’: the final scene
Summary
- Type
- Chapter
- Information
- Othello As TragedySome Problems of Judgement and Feeling, pp. i - viPublisher: Cambridge University PressPrint publication year: 1980