Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-lvtdw Total loading time: 0 Render date: 2024-08-14T07:22:04.149Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

The Pictures

from PART I - FAUSTROLL'S LIBRARY

Get access

Summary

Jarry was active in the world of pictorial art, and he goes to the trouble of specifying the images on Faustroll's wall. Thus they merit brief recognition here. It is reasonable to suggest that they were present in Jarry's unusual apartment at 7, rue Cassette – the ‘Grande Chasublerie’.

Panmuphle first notes ‘trois gravures pendues à la muraille’, and his punctuation (see full quotation in the Introduction above) causes doubt as to whether these are three un-named engravings, or whether the ‘trois gravures’ are in apposition with the following three (out of four) pictures. The distinction is significant in the case of Beardsley.

Let us now consider the pictures individually.

Une affiche de Toulouse-Lautrec, Jane Avril

Jarry made the acquaintance of Henri de Toulouse-Lautrec, surely the most widely recognised figure of the Belle Epoque, during his time with the Théâtre de l’Œuvre; Toulouse-Lautrec was one of the artists responsible for the set of Ubu Roi. Personal acquaintance may well play a part in the choice of this particular work, as with many of the livres pairs. However, we have no means of knowing the exact poster we are dealing with, as Toulouse-Lautrec produced several designs featuring Jane Avril, the star singer/dancer of the Moulin Rouge, most of them very familiar images to the modern eye. It is not surprising that in the 1899 Almanach, he is ‘celui qui affiche’ (OCBP I, p.561). Jarry met Jane Avril as well as the artist through the Œuvre, where she was briefly lured to play (predictably) Anitra in Peer Gynt. Her name appears immediately above Jarry's on Edvard Munch's poster for the production. Much later, she surfaces ephemerally in Jarry's Le Moutardier du Pape, where Sir John of Eggs, looking for his wife Jane, lets slip the punning Jane Avril slogan:

Où il a d'la Jane

Y a du plaisir!

(OCBP III, p.157)

Whether there is any real compliment to Avril in the choice of the poster is uncertain. Jarry was known as a misogynist, but this does not mean that there were no women he valued; the warmth of his relationship with Rachilde and (at times) his sister is a matter of record.

Type
Chapter
Information
The Pataphysician’s Library
An Exploration of Alfred Jarry’s ‘Livres Pairs’
, pp. 15 - 20
Publisher: Liverpool University Press
Print publication year: 2000

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×