Skip to main content Accessibility help
×
  • Cited by 24
    • Show more authors
    • You may already have access via personal or institutional login
    • Select format
    • Publisher:
      Cambridge University Press
      Publication date:
      27 February 2010
      30 January 2006
      ISBN:
      9780511550577
      9780521852821
      9780521313483
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.477kg, 252 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.37kg, 252 Pages
    You may already have access via personal or institutional login
  • Selected: Digital
    Add to cart View cart Buy from Cambridge.org

    Book description

    Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of 'popular performance theory'. This text examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire.

    Refine List

    Actions for selected content:

    Select all | Deselect all
    • View selected items
    • Export citations
    • Download PDF (zip)
    • Save to Kindle
    • Save to Dropbox
    • Save to Google Drive

    Save Search

    You can save your searches here and later view and run them again in "My saved searches".

    Please provide a title, maximum of 40 characters.
    ×

    Contents

    Bibliography
    Bibliography
    TEXTS, COMMENTARIES, AND TRANSLATIONS
    Aelian. Varia Historia, ed. and trans. Wilson, N. G.. Loeb Classical Library, 1997
    Aeschines. Orationes, ed. Dilts, Mervin R.. Teubner, 1997
    Agathon. In Tragicorum Graecorum Fragmenta, vol. I, ed. Snell, Bruno. Vandenhoeck & Ruprecht: Göttingen, 1971
    Aristophanes. Comoediae, vol. I, eds. Hall, F. W. and Geldart, W. M.. Oxford Classical Texts, 1988
    Aristophanes. Comoediae, vol. II, eds. Hall, F. W. and Geldart, W. M.. Oxford Classical Texts, 1988
    Aristotle. Ars Rhetorica, ed. Ross, W. D.. Oxford Classical Texts, 1975
    Aristotle. Ethica Nicomachea, ed. Bywater, I.. Oxford Classical Texts, 1890
    Aristotle. Poetics, ed. and trans. Stephen Halliwell; Longinus, On the Sublime, trans. W. Hamilton Fyfe, revised by Donald Russell; Demetrius, On Style, ed. and trans. Doreen C. Innes, based on the translation by W. Rhys Roberts. Loeb Classical Library, 1995
    Aristotle. Problems, vol. II, ed. Hett, W. S.. Loeb Classical Library, 1936
    Athenaeus. Deipnosophistae, vol. III, ed. and trans. Gulick, Charles Burton. Loeb Classical Library, 1927
    Athenaeus. Deipnosophistae, vol. V, ed. and trans. Gulick, Charles Burton. Loeb Classical Library, 1933
    Catulus fr. 2 in The Fragmentary Latin Poets, edited with commentary by Courtney, Edward. Oxford University Press: Oxford, 2003
    Cicero. Pro Q. Roscio Comoedo, in Orationes, ed. Clark, Albert Curtis. Oxford Classical Texts, 1962
    Demosthenes. Orationes, vol. I, ed. Dilts, M. R.. Oxford Classical Texts, 2002
    Demosthenes. Private Orations, vol. III, ed. and trans. Murray, A. T.. Loeb Classical Library, 1936
    Epicharmus. Hope or Wealth fr. 35–37 Kaibel, in Athenaeus, Deipnosophistae, vol. III, ed. and trans. Gulick, Charles Burton. Loeb Classical Library, 1927
    Henderson, Jeffrey, ed. and trans. Three Plays by Aristophanes: Staging Women. Routledge: New York and London, 1996
    Homer, Ilias, vol. I, ed. West, Martin L.. Teubner, 1998
    Juvenal, Saturae, ed. Housman, A. E.. Cambridge University Press, 1938
    Lucian, De saltatione, in Opera vol. III, ed. Macleod, M. D.. Oxford Classical Texts, 1980
    Menander. Reliquiae Selectae, ed. Sandbach, F. H.. Oxford Classical Texts, 1972
    Plato. Symposium, in Opera, vol. II, ed. Burnet, John. Oxford Classical Texts, 1991
    Plautus. Comoediae, vol. I, ed. Lindsay, W. M.. Oxford Classical Texts, 1963
    Plautus. Comoediae, vol. II, ed. Lindsay, W. M.. Oxford Classical Texts, 1963
    Plutarch. Lives, ed. and trans. Perrin, Bernadotte, vol. I. Loeb Classical Library, 1914
    Plutarch. Lives, ed. and trans. Perrin, Bernadotte, vol. V. Loeb Classical Library, 1914
    Plutarch. Lives, ed. and trans. Perrin, Bernadotte, vol. VII. Loeb Classical Library, 1914
    Plutarch. Lives, ed. and trans. Perrin, Bernadotte, vol. VIII. Loeb Classical Library, 1914
    Plutrach, Moralia, vol. I, ed. and trans. Babbitt, Frank Cole. Loeb Classical Library, 1927
    Quintilian, Institutio Oratoria, vol. II, ed. Winterbottom, M.. Oxford Classical Texts, 1970
    Segal, Erich. trans. Plautus: Four Comedies. Oxford University Press: Oxford, 1996
    Seneca, Epistulae Morales, vol. I, ed. Reynolds, L. D.. Oxford Classical Texts, 1965
    Seneca, Tragoediae, ed. Zwierlein, Otto. Oxford Classical Texts, 1986
    Sommerstein, Alan H., ed., trans. and notes Aristophanes: Thesmophoriazusae. Aris & Phillips Ltd: Warminster, 1994
    Strabo, Geography, vol. III, ed. and trans. Jones, Horace Leonard. Loeb Classical Library, 1927
    Tacitus, Annalium Libri, ed. Fisher, C. D.. Oxford Classical Texts, 1951
    Terence. Comoediae, eds. Kauer, Robert and Lindsay, Wallace M.. Oxford Classical Texts, 1961
    Theophrastos. Characteres, ed. Diels, Hermann. Oxford Classical Texts, 1961
    Xenophon. Commentarii, ed. Marchant, E. C.. Oxford Classical Texts, 1934
    BOOKS AND ARTICLES
    Adams, J. N.Words for ‘Prostitute’ in Latin.” Rheinisches Museum für Philologie 126 (1983) 321–58
    Alcorn, Marshall W., Jr. “Self-Structure as a Rhetorical Device: Modern Ethos and the Divisiveness of the Self,” in Ethos: New Essays in Rhetorical and Critical Theory, eds. Baumlin, James S. and Baumlin, Tita French. Southern Methodist University Press: Dallas, 1994
    Aldrete, Gregory S.Gestures and Acclamations in Ancient Rome. The Johns Hopkins University Press: Baltimore, 1999
    Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Verso: London and New York, 1991
    Anderson, William S.Barbarian Play: Plautus' Roman Comedy. University of Toronto Press: Toronto, Buffalo, and London, 1996
    Anderson, William S.Love Plots in Menander and His Roman Adapters.” Ramus 13, (1984) 124–34
    Anton, John P.The Agathon Interlude.” Greek Roman and Byzantine Studies 37 (1996) 209–35
    Arieti, James A.Interpreting Plato: The Dialogues as Drama. Rowman & Littlefield Publishers: Savage, MD, 1991
    Arnott, Peter D.Greek Scenic Conventions in the Fifth Century B.C.The Clarendon Press: Oxford, 1962
    Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature, trans. Willard R. Trask. Princeton University Press: Princeton, NJ, 1974
    Auguet, Roland. Cruelty and Civilization: The Roman Games. Routledge: London and New York, 1994
    Bacon, Helen. “Socrates Crowned.” Virginia Quarterly Review 35 (1959) 415–30
    Badian, E. “The Road to Prominence,” in Demosthenes: Statesman and Orator, ed. Worthington, Ian. Routledge: London and New York, 2000
    Bain, David. Actors & Audience: A Study of Asides and Related Conventions in Greek Drama. Oxford University Press: Oxford, 1977
    Baker, Susan. “Personating Persons: Rethinking Shakespearean Disguises.” Shakespeare Quarterly 43 (1992) 303–17
    Baldwin, Barry. Studies in Aulus Gellius. Coronado Press: Lawrence, KS, 1975
    Barish, Jonas. The Antitheatrical Prejudice. The University of California at Berkeley Press: Berkeley, 1981
    Barton, Carlin A.The Sorrows of the Ancient Romans: The Gladiator and the Monster. Princeton University Press: Princeton, NJ, 1993
    Bartsch, Shadi. Actors in the Audience: Theatricality and Doublespeak from Nero to Hadrian. Harvard University Press: Cambridge, MA, 1994
    Bassi, Karen. Acting like Men: Gender, Drama, and Nostalgia in Ancient Greece. The University of Michigan Press: Ann Arbor, 1998
    Bassi, Karen. “Male Nudity and Disguise in the Discourse of Greek Histrionics.” Helios 22 (1995) 3–22
    Baumlin, James S. and Baumlin, Tita French, eds. Ethos: New Essays in Rhetorical and Critical Theory. Southern Methodist University Press: Dallas, 1994
    Beacham, Richard C.Spectacle Entertainments of Early Imperial Rome. Yale University Press: New Haven and London, 1999
    Beacham, Richard C.The Roman Theatre and Its Audience. Harvard University Press: Cambridge, MA, 1991
    Beard, Mary. “The Triumph of the Absurd: Roman Street Theatre,” in Rome the Cosmopolis, eds. Edwards, Catharine and Woolf, Greg. Cambridge University Press: Cambridge, 2003
    Beck, M. “Anecdote and the Representation of Plutarch's Ethos,” in Rhetorical Theory and Praxis in Plutarch: Acta of the IVth International Congress of the International Plutarch Society, Leuven, July 3–6, 1996. Leuven, 2000
    Bellemore, Jane. “Gaius the Pantomime.” Antichthon 28 (1994) 65–79
    Bers, Victor. “Dikastic Thorubos,” in CRUX: Essays Presented to G.E.M. de Ste. Croix on his 75th Birthday, eds. Cartledge, P. A. and Harvey, F. D.. Imprint Academic: Exeter, 1985
    Bieber, Margarete. The History of the Greek and Roman Theater, revised edition. Princeton University Press: Princeton, NJ, 1961
    Blondell, Ruby. The Play of Character in Plato's Dialogues. Cambridge University Press: Cambridge, 2002
    Bobrick, Elizabeth. “The Tyranny of Roles: Playacting and Privilege in Aristophanes' Thesmophoriazusae,” in The City as Comedy: Society and Representation in Athenian Drama, ed. Dobrov, Gregory W.. The University of North Carolina Press: Chapel Hill and London, 1997
    Bolton, Robert. Person, Soul and Identity: A Neoplatonic Account of the Principle of Personality. Minerva Press: Washington and London, 1994
    Boswell, John. Christianity, Social Tolerance, and Homosexuality: Gay People in Western Europe from the Beginning of the Christian Era to the Fourteenth Century. The University of Chicago Press: Chicago, 1980
    Bourdieu, Pierre. Outline of a Theory of Practice, trans. Richard Nice. Cambridge University Press: Cambridge, 1977
    Boyle, A. J.Tragic Seneca: An Essay in the Theatrical Tradition. Routledge: London and New York, 1997
    Bradley, Keith R.Slavery and Rebellion in the Roman World, 140 B.C.–70 B.C.Indiana University Press: Bloomington and Indianapolis, and B. T. Batsford: London, 1989
    Bradley, Keith R.Masters and Slaves in the Roman Empire: A Study in Social Control. Oxford University Press: New York and Oxford, 1987
    Braund, David. “Strattis' Kallipides: The Pompous Actor from Scythia?” in The Rivals of Aristophanes: Studies in Athenian Old Comedy, eds. Harvey, David and Wilkins, John. Swansea, 2000
    Brown, Peter. The Body and Society: Men, Women and Sexual Renunciation in Early Christianity. Columbia University Press: New York, 1988
    Brown, Peter G. McC. “Actors and Actor-Managers at Rome in the Time of Plautus and Terence,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Easterling, Pat and Hall, Edith. Cambridge University Press: Cambridge, 2002
    Brown, Peter G. McC. “Menander, Frr. 745 and 746 K-T, Menander's Kolax, and Parasites and Flatterers in Greek Comedy.” Zeitschrift für Papyrologie und Epigraphik 92 (1992) 91–107
    Brown, Peter G. McC. “Plots and Prostitutes in Greek New Comedy.” Papers of the Leeds International Latin Seminar, 6 (1990) 241–66
    Buckler, John. “Aeschines and Demosthenes,” in Demosthenes: Statesman and Orator, ed. Worthington, Ian. Routledge: London and New York, 2000
    Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. Routledge: New York, 1990
    Cagniart, Pierre. “The Philosopher and the Gladiator.” Classical World 93 (2000) 607–18
    Carlson, Marvin. Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present, expanded edition. Cornell University Press: Ithaca and London, 1993
    Carnes, Jeffrey S. “This Myth Which Is Not One: Construction of Discourse in Plato's Symposium,” in Rethinking Sexuality: Foucault and Classical Antiquity, eds. Larmour, David H. J., Miller, Paul Allen, and Platter, Charles. Princeton University Press: Princeton, NJ, 1998
    Carrithers, M., Collins, S., and Lukes, S., eds. The Category of the Person: Anthropology, Philosophy, History. Cambridge University Press: Cambridge, 1985
    Carter, M.Artemidorus and the ΑΡΒΗΛΑΣ Gladiator.” Zeitschrift für Papyrologie und Epigraphik 134 (2001) 109–15
    Cawkwell, G. L. “Demosthenes,” in The Oxford Classical Dictionary, eds. Hornblower, and Spawforth, , Third Edition. Oxford University Press: Oxford, 1996
    Cawkwell, G. L.The Crowning of Demosthenes.” Classical Quarterly 19 (1969) 163–80
    Clay, Diskin. “The Tragic and Comic Poet of the Symposium,” in Essays on Ancient Greek Philosophy II, eds. Anton, John P. and Preus, Anthony. SUNY Press: Albany, 1983
    Cohen, David. Law, Sexuality, and Society: The Enforcement of Morals in Classical Athens. Cambridge: Cambridge University Press, 1991
    Cohen, Edward E.Athenian Economy and Society: A Banking Perspective. Princeton University Press: Princeton, NJ, 1992
    Coleman, K. M.Launching into History: Aquatic Displays in the Early Empire.” Journal of Roman Studies 83 (1993) 48–74
    Coleman, K. M.Fatal Charades: Roman Executions Staged as Mythological Enactments.” Journal of Roman Studies 80 (1990) 44–73
    Compton-Engle, Gwendolyn. “Control of Costume in Three Plays of Aristophanes.” American Journal of Philology 124 (2003) 507–35
    Connors, Catherine. “Monkey Business: Imitation, Authenticity, and Identity from Pithekoussai to Plautus.” Classical Antiquity 23.2 (2004) 179–207
    Cooper, Craig. “Philosophers, Politics, Academics: Demosthenes' Rhetorical Reputation in Antiquity,” in Demosthenes: Statesman and Orator, ed. Worthington, Ian. Routledge: London and New York, 2000
    Csapo, Eric. “Kallipides on the Floor-Sweepings: The Limits of Realism in Classical Acting and Performance Styles,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Easterling, Pat and Hall, Edith. Cambridge University Press: Cambridge, 2002
    Csapo, Eric, and Slater, William J.The Context of Ancient Drama. The University of Michigan Press: Ann Arbor, 1995
    Culham, Phyllis. “The Lex Oppia.” Latomus 41 (1982) 769–83
    D'Ambra, Eve. “The Calculus of Venus: Nude Portraits of Roman Matrons,” in Sexuality in Ancient Art: Near East, Egypt, Greece, and Italy, ed. Kampen, Natalie Boymel, with Bergman, Bettina, Cohen, Ada, Stehle, Eva. Cambridge University Press: Cambridge, 1996
    Damon, Cynthia. The Mask of the Parasite: A Pathology of Roman Patronage. The University of Michigan Press: Ann Arbor, 1997
    Damon, Cynthia. “Greek Parasites and Roman Patronage.” Harvard Studies in Classical Philology 97 (1995) 181–95
    Davidson, James. Courtesans and Fishcakes: The Consuming Passions of Classical Athens. St. Martin's Press: New York, 1998
    Dean-Jones, Lesley. “Literacy and the Charlatan in Ancient Greek Medicine,” in Written Texts and the Rise of Literate Culture in Ancient Greece, ed. Yunis, Harvey. Cambridge University Press: Cambridge, 2003
    Dean-Jones, Lesley. “The Politics of Pleasure: Female Sexual Appetite in the Hippocratic Corpus.” Helios 19.½ (1992) 72–91
    Dearden, C. W.The Stage of Aristophanes. Athlone Press: London, 1976
    Quiroga, Pedro Lopez. “Freedman Social Mobility in Roman Italy.” Historia 44.3 (1995) 326–48
    Dessen, Cynthia S.Plautus' Satiric Comedy: The Truculentus.” Philological Quarterly 56 (1977) 145–68
    Di Vito, Robert A.Old Testament Anthropology and the Construction of Personal Identity.” Catholic Biblical Quarterly 61 (1999) 217–38
    Dollimore, Jonathan. Sexual Dissidence: Augustine to Wilde, Freud to Foucault. Clarendon Press: Oxford, 1991
    Douglas, Mary. Purity and Danger: An Analysis of the Concepts of Pollution and Taboo. ARK Paperbacks: London and New York, 1984
    Dover, K. J.Greek Homosexuality, Updated and with a New Postscript. Harvard University Press: Cambridge, MA 1989
    Dover, K. J. “Anecdotes, Gossip, and Scandal,” in The Greeks and their Legacy: Collected Papers II. Oxford University Press: Oxford, 1988
    Dover, K. J. “Portrait-Masks in Aristophanes,” in ΚΩΜΩΔΙΟΤΡΑΓΗΜΑΤΑ: Studia Aristophanea viri Aristophanei: W. J. W. Koster in honorem, ed. Boerma, . Amsterdam, 1976
    Dover, K. J.Greek Popular Morality in the Time of Plato and Aristotle. Basil Blackwell: Oxford, 1974
    Dover, K. J.Aristophanic Comedy. The University of California Press: Berkeley and Los Angeles, 1972
    Duckworth, George E.The Nature of Roman Comedy: A Study in Popular Entertainment, Second Edition, with a Foreword and Bibliographical Appendix by Richard Hunter. University of Oklahoma Press: Norman, 1994
    Dumont, Jean Christian. Servus: Rome et l'esclavage sous la république. École Française de Rome: Palais Farnèse, 1987
    Duncan, Anne. “Gendered Interpretations: Two Fourth-Century Performances of Sophocles' Electra.” Helios 32.1 (2005a)
    Duncan, Anne. “Infamous Performers: Female Prostitutes and Actors at Rome,” in Prostitutes and Courtesans in the Ancient World, ed. Faraone, C. A. and McClure, L.. University of Wisconsin Press: Madison (2005b)
    Duncan, Anne. “Agathon, Essentialism, and Gender Subversion in Aristophanes' Thesmophoriazusae.” European Studies Journal 17 & 18 (2000–01) 25–40
    Dupont, Florence. L'orateur sans visage: Essai sur l'acteur romain et son masque. Paris, 2000
    Dupont, Florence. L'acteur-roi, ou le théâtre dans la Rome antique. Société d'Édition ≪Les Belles Lettres≫: Paris, 1985
    Dyck, Andrew R.Dressing to Kill: Attire as a Proof and Means of Characterization in Cicero's Speeches.” Arethusa 34 (2001) 119–30
    Dyck, Andrew R.The Function and Persuasive Power of Demosthenes' Portrait of Aeschines in the Speech On the Crown.” Greece & Rome 32.1 (1985) 42–8
    Easterling, Pat, and Hall, Edith, eds. Greek and Roman Actors: Aspects of an Ancient Profession. Cambridge University Press: Cambridge, UK, 2002
    Easterling, Pat. “Actor as Icon,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Easterling, Pat and Hall, Edith. Cambridge University Press: Cambridge, 2002
    Easterling, Pat. “Actors and Voices: Reading between the Lines in Aeschines and Demosthenes,” in Performance Culture and Athenian Democracy, eds. Goldhill, Simon and Osborne, Robin. Cambridge University Press: Cambridge, 1999
    Easterling, Pat. “The End of an Era? Tragedy in the Early Fourth Century,” in Tragedy, Comedy and the Polis: Papers from the Greek Drama Conference, Nottingham, 18–20 July 1990, eds. Sommerstein, Alan H., Halliwell, Stephen, Henderson, Jeffrey, and Zimmerman, Bernhard. Levante Editori: Bari, 1993
    Ebbeler, Jennifer. “Caesar's Letters and the Ideology of Literary History.” Helios 30.1 (2003) 3–20
    Edmonds, Radcliffe G. IIISocrates the Beautiful: Role Reversal and Midwifery in Plato's Symposium.” Transaction of the American Philological Association 130 (2000) 261–85
    Edwards, Catharine. “Acting and Self-Actualisation in Imperial Rome: Some Death Scenes,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Easterling, Pat and Hall, Edith. Cambridge University Press: Cambridge, 2002a
    Edwards, Catharine. “The Suffering Body: Philosophy and Pain in Seneca's Letters,” in Constructions of the Classical Body, ed. Porter, James I.. The University of Michigan Press: Ann Arbor, 2002b
    Edwards, Catharine. “Unspeakable Professions: Public Performance and Prostitution in Ancient Rome,” in Roman Sexualities, eds. Hallett, Judith P. and Skinner, Marilyn. Princeton University Press: Princeton, NJ, 1997
    Edwards, Catharine. “Beware of Imitations: Theatre and the Subversion of Imperial Identity,” in Elsner, Jas, and Masters, Jamie, eds. Reflections of Nero: Culture, History, & Representation. The University of North Carolina Press: Chapel Hill, 1994
    Edwards, Catharine. The Politics of Immorality in Ancient Rome. Cambridge University Press: Cambridge, 1993
    Else, Gerald. “On the Origin of ΤΡΑΓΩΔΙΑ.” Hermes 85 (1957) 17–46
    Elsner, Jas, and Masters, Jamie. eds. Reflections of Nero: Culture, History, & Representation. The University of North Carolina Press: Chapel Hill, 1994
    Enders, Jody. Death by Drama and Other Medieval Urban Legends. The University of Chicago Press: Chicago, 2002
    Erasmo, Mario. Roman Tragedy: Theatre to Theatricality. The University of Texas Press: Austin, 2004
    Evans, Elizabeth Cornelia. “Roman Descriptions of Personal Appearance in History and Biography.” Harvard Studies in Classical Philology 46 (1935) 43–84
    Ewigleben, Cornelia. “ ‘What These Women Love Is the Sword’: The Performers and Their Audiences,” in Gladiators and Caesars, eds. Köhne, Eckart and Ewigleben, Cornelia. British Museum Press: London, 2000
    Fantham, Elaine. “Orator and/et Actor,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Easterling, Pat and Hall, Edith. Cambridge University Press: Cambridge, 2002
    Fantham, Elaine. “Roman Experience of Menander in the Late Republic and Early Empire.” Transactions of the American Philological Association 114 (1984) 299–309
    Fantham, Elaine. “Sex, Status, and Survival in Hellenistic Athens: A Study of Women in New Comedy.” Phoenix 29 (1975) 44–74
    Ferrari, Gloria. Figures of Speech: Men and Maidens in Ancient Greece. The University of Chicago Press: Chicago and London, 2002
    Ferris, Lesley. Acting Women: Images of Women in Theatre. New York University Press: Washington Square, 1989
    Fineman, Joel. “The History of the Anecdote: Fiction and Fiction,” in The New Historicism, ed. Veeser, H. Aram. Routledge: New York, 1989
    Fishelov, David. Metaphors of Genre: The Role of Analogies in Genre Theory. The Pennsylvania State University Press: University Park, 1993
    Fisher, Nick. “Symposiasts, Fish-Eaters and Flatterers: Social Mobility and Moral Concerns,” in The Rivals of Aristophanes: Studies in Athenian Old Comedy, eds. Harvey, David and Wilkins, John. Duckworth and The Classical Press of Wales: Swansea, 2000
    Fitch, John. “Playing Seneca?” in Seneca in Performance, ed. Harrison, George W. M.. Duckworth: London, 2000
    Flemming, Rebecca. “Quae Corpore Quaestum Facit: The Sexual Economy of Female Prostitution in the Roman Empire.” Journal of Roman Studies 89 (1999) 38–61
    Flower, Harriet I.Ancestor Masks and Aristocratic Power in Roman Culture. Oxford University Press: Oxford, 1996
    Flower, Harriet I.Fabulae Praetextae in Context: When Were Plays on Contemporary Subjects Performed in Republican Rome?Classical Quarterly 45 (1995) 170–90
    Ford, Andrew. The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece. Princeton University Press: Princeton, NJ and Oxford, 2002
    Foucault, Michel. The History of Sexuality, vol. 3: The Care of the Self, trans. Robert Hurley. Vintage Books: New York, 1986
    Foucault, Michel. The History of Sexuality, vol. 2: The Use of Pleasure, trans. Robert Hurley. Random House: New York, 1985
    Frangoulidis, S. A.Counter-Theatricalization in Plautus' Captivi III.4.” Mnemosyne 42 (1996) 144–58
    Frangoulidis, S. A.The Soldier as a Storyteller in Terence's Eunuchus.” Mnemosyne 47 (1994) 586–95
    Franko, George Frederic. “Fides, Aetolia, and Plautus' Captivi.” Transactions of the American Philological Association 125 (1995) 155–76
    French, Dorothea R.Maintaining Boundaries: The Status of Actresses in Early Christian Society.” Vigiliae Christianae 52 (1998) 293–318
    Fuss, Diana. Essentially Speaking: Feminism, Nature, & Difference. Routledge: New York and London, 1989
    Gagarin, Michael. “The Torture of Slaves in Athenian Law.” Classical Philology 91 (1996) 1–18
    Gagarin, Michael. “Socrates' Hybris and Alcibiades' Failure.” Phoenix 31 (1977) 22–37
    Gallagher, Catherine, and Greenblatt, Stephen. Practicing New Historicism. The University of Chicago Press: Chicago and London, 2000
    Garber, Marjorie. Vested Interests: Cross-Dressing & Cultural Anxiety. Routledge: New York and London, 1992
    Gardner, Jane F.Women in Roman Law & Society. Croom Helm: London & Sydney, 1986
    Garton, Charles. Personal Aspects of the Roman Theatre. Hakkert: Toronto, 1972
    George, Lisa. “Domination and Duality in Plautus' Bacchides.” 2001. Available at www.stoa.org/diotima. Accessed 3.25.02
    Ghiron-Bistagne, Paulette. Recherches sur les acteurs dans la Grèce antique. Société d'Édition ≪Les Belles Lettres≫: Paris, 1976
    Gill, Christopher. “The Question of Character-Development: Plutarch and Tacitus.” Classical Quarterly 33.2 (1983) 469–87
    Gilman, Richard. Decadence: The Strange Life of an Epithet. Farrar, Straus and Giroux: New York, 1979
    Gilula, D.The Concept of the Bona Meretrix: A Study of Terence's Courtesans.” Rivista di Filologia 108 (1980) 142–65
    Gleason, Maud W.Making Men: Sophists and Self-Presentation in Ancient Rome. Princeton University Press: Princeton, NJ, 1995
    Goffman, Erving. Frame Analysis: An Essay on the Organization of Experience. Harper & Row: New York, 1974
    Goffman, Erving. The Presentation of Self in Everyday Life. Doubleday Anchor Books: Garden City, 1959
    Goldberg, Sander M.Understanding Terence. Princeton University Press: Princeton, NJ, 1986
    Goldberg, Sander M.The Making of Menander's Comedy. The University of California Press: Berkeley and Los Angeles, 1980
    Golden, Leon. Aristotle on Tragic and Comic Mimesis. Scholars Press: Atlanta, 1992
    Golden, Mark. “Demosthenes and the Social Historian,” in Demosthenes: Statesman and Orator, ed. Worthington, Ian. Routledge: London and New York, 2000
    Goldhill, Simon, and Osborne, Robin, eds. Performance Culture and Athenian Democracy. Cambridge University Press: Cambridge, 1999
    Gowers, Emily. “The Anatomy of Rome from Capitol to Cloaca.” Journal of Roman Studies 85 (1995) 23–32
    Gowers, Emily. The Loaded Table: Representations of Food in Roman Literature. Clarendon Press: Oxford, 1993
    Graf, Fritz. “Gestures and Conventions: The Gestures of Roman Actors and Orators,” in A Cultural History of Gesture, eds. Bremmer, Jan and Roodenburg, Herman. Cornell University Press: Ithaca, NY, 1991
    Green, Richard. “Towards a Reconstruction of Performance Style,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Easterling, Pat and Hall, Edith. Cambridge University Press: Cambridge, 2002
    Green, Richard. Theatre in Ancient Greek Society. Routledge: London and New York, 1994
    Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare. University of Chicago Press: Chicago and London, 1980
    Griffin, Miriam T.Nero: The End of a Dynasty. Routledge: New York, 2000
    sur l'Afrique Antique, Groupe de Recherches. Les Flavii de Cillium: Étude Architecturale, Épigraphique, Historique et Littéraire du Mausolée de Kasserine (CIL VIII, 211–16). Collection de l'École Française de Rome 169: Rome, 1993
    Gruen, Erich S.Culture and National Identity in Republican Rome. Cornell University Press: Ithaca, NY, 1992
    Gunderson, Erik. Staging Masculinity: The Rhetoric of Performance in the Roman World. The University of Michigan Press: Ann Arbor, 2000
    Gunderson, Erik. “The Ideology of the Arena.” Classical Antiquity 15 (1996) 113–51
    Gwatkin, William E. Jr. “The Legal Arguments in Aischines' Against Ktesiphon and Demosthenes' On the Crown.” Hesperia 26.2 (1957) 129–41
    Hall, Edith. “The Singing Actors of Antiquity,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Easterling, Pat and Hall, Edith. Cambridge University Press: Cambridge, 2002
    Hall, Edith. “Lawcourt Dramas: The Power of Performance in Greek Forensic Oratory.” Bulletin of the Institute of Classical Studies 40 (1995) 39–58
    Halliwell, Stephen. The Aesthetics of Mimesis: Ancient Texts and Modern Problems. Princeton University Press: Princeton, NJ, 2002
    Halliwell, Stephen. Aristotle's Poetics. The University of North Carolina at Chapel Hill Press: Chapel Hill, 1986
    Halperin, David. “Plato and the Erotics of Narrativity,” in Methods of Interpreting Plato and His Dialogues, eds. Klagge, J. C. and Smith, N.. Clarendon Press: Oxford, 1992
    Halperin, David. One Hundred Years of Homosexuality: And Other Essays on Greek Love. Routledge: New York and London, 1990
    Halperin, David, Winkler, John J., and Zeitlin, Froma I., eds. Before Sexuality: The Construction of Erotic Experience in the Ancient World. Princeton University Press: Princeton, NJ, 1990
    Handley, Eric. “Acting, Action, and Words in New Comedy,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Easterling, Pat and Hall, Edith. Cambridge University Press: Cambridge, 2002
    Harding, Phillip. “Demosthenes in the Underworld: A Chapter in the Nachleben of a rhētōr,” in Demosthenes: Statesman and Orator, ed. Worthington, Ian. Routledge: London and New York, 2000
    Harris, Edward M.Aeschines and Athenian Politics. Oxford University Press: Oxford, 1995
    Harvey, D. “Dona Ferentes: Some Aspects of Bribery in Greek Politics,” in CRUX: Essays Presented to G.E.M. de Ste. Croix on his 75th Birthday, eds. Cartledge, P. A. and Harvey, F. D.. Imprint Academic: Exeter, 1985
    Heiden, Bruce. “Emotion, Acting, and the Athenian ethos,” in Tragedy, Comedy and the Polis: Papers from the Greek Drama Conference, Nottingham, 18–20 July 1990, eds. Sommerstein, Alan H., Halliwell, Stephen, Henderson, Jeffrey, and Zimmerman, Bernhard. Levante Editori: Bari, 1993
    Henry, Denis and Henry, Elisabeth. The Mask of Power: Seneca's Tragedies and Imperial Rome. Aris & Phillips Ltd. and Bolchazy-Carducci Publishers: Warminster and Chicago, 1985
    Henry, Madeline. Menander's Courtesans and the Greek Comic Tradition. Studien zur klassisichen Philologie, vol. 20. Verlag Peter Lang: Frankfurt am Main, Bern, and New York, 1985
    Holford-Strevens, Leofranc. Aulus Gellius: An Antonine Scholar and His Achievement, rev. ed. Oxford University Press: Oxford, 2003
    Hollis, Martin. “Of Masks and Men,” in The Category of the Person: Anthropology, Philosophy, History, eds. Carrithers, M., Collins, S., and Lukes, S.. Cambridge University Press: Cambridge, 1985
    Hopkins, Keith. Death and Renewal: Sociological Studies in Roman History, vol. II. Cambridge University Press: Cambridge, 1983
    Hopkins, Keith. Conquerors and Slaves: Sociological Studies in Roman History, vol. I. Cambridge University Press: Cambridge, 1978
    Hopkins, Keith. “Élite Mobility in the Roman Empire,” in Studies in Ancient Society, ed. Finley, M. I.. Routledge and Kegan Paul: London and Boston, 1974
    Howard, Jean E.The Stage and Social Struggle in Early Modern England. Routledge: London and New York, 1994
    Hubbard, T. K.Popular Perceptions of Elite Homosexuality in Classical Athens.” Arion 6.1 (1998) 48–78
    Hunter, Richard. “‘Acting Down’: The Ideology of Hellenistic Performance,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Pat, Easterling and Edith, Hall. Cambridge University Press: Cambridge, 2002
    Hunter, Richard. The New Comedy of Greece and Rome. Cambridge University Press: Cambridge, 1985
    Jones, John. On Aristotle and Greek Tragedy. Oxford University Press: New York, 1962
    Jory, John. “Gladiators in the Theatre.” Classical Quarterly 36 (1986a) 537–8
    Jory, John. “Continuity and Change in the Roman Theatre,” in Studies in Honour of T. B. L. Webster vol. I, eds. Betts, J. H., Hooker, J. T., and Green, J. R.. Bristol Classical Press: Bristol, 1986b.
    Jory, John. “The Masks on the Propylon of the Sebasteion at Aphrodisias,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Pat, Easterling and Edith, Hall. Cambridge University Press: Cambridge, 2002
    Jory, John. “The Drama of the Dance: Prolegomena to an Iconography of Imperial Pantomime,” in Roman Theater and Society, ed. William, J. Slater. The University of Michigan Press: Ann Arbor, 1996
    Joshel, Sandra. “Female Desire and the Discourse of Empire: Tacitus's Messalina,” in Roman Sexualities, eds. Hallet, Judith P. and Marilyn, Skinner. Princeton University Press: Princeton, NJ, 1997
    Junkelmann, Marcus. “Familia Gladiatoria: The Heroes of the Amphitheatre,” in Gladiators and Caesars, eds. Eckart, Köhne and Cornelia, Ewigleben. British Museum Press: London, 2000
    Ketterer, Robert C.Stage Properties in Plautine Comedy II: Props in Four Plays of Exchange.” Semiotica 59 – ½ (1986) 93–135
    Kindstrand, Jan Fredrik. The Stylistic Evaluation of Aeschines in Antiquity. Almqvist & Wiksell International: Stockholm, 1982
    Klinger, Friedrich. “Ciceros Rede für den Schauspieler Roscius: Eine Episode in der Entwicklung seiner Kunstprosa.” Sitzungsberichte der Bayerischen Akademie der Wissenschaften Philosophisch-historische Klasse Heft 4 (1953) 1–15
    Knorr, Ortwin. “The Character of Bacchis in Terence's Heautontimoroumenos.” American Journal of Philology 116 (1995) 221–35
    Konstan, David. “Between Courtesan and Wife: Menander's Perikeiromene.” Phoenix 41 (1987) 122–39
    Konstan, David. Roman Comedy. Cornell University Press: Ithaca, NY and London, 1986
    Kyle, Donald G.Spectacles of Death in Ancient Rome. Routledge: London and New York, 2001
    Lada-Richards, Ismene. “The Subjectivity of Greek Performance,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Pat, Easterling and Edith, Hall. Cambridge University Press: Cambridge, 2002
    Lada-Richards, Ismene. Initiating Dionysus: Ritual and Theatre in Aristophanes' Frogs. Clarendon Press: Oxford, 1999
    Lada-Richards, Ismene. “‘Estrangement’ or ‘Reincarnation’? Performers and Performance on the Classical Athenian Stage.” Arion 5.2 (1997a) 66–107
    Lada-Richards, Ismene. “Drama and the Actor: Fifth Century Perceptions of Performers and Performance,” in Acta: First Panhellenic and International Conference on Ancient Greek Literature (23–26 May 1994), ed. Th, J.. Papademetriou, A.. Athens, 1997b
    Lamberton, Robert. Plutarch. Yale University Press: New Haven and London, 2001
    Fox, Lane R. J.Theophrastus' Characters and the Historian.” Proceedings of the Cambridge Philological Society 42 (1996) 127–70
    Lape, Susan. Reproducing Athens: Menander's Comedy, Democratic Culture, and the Hellenistic City. Princeton University Press: Princeton, NJ and Oxford, 2004
    Leach, Eleanor Winsor. The Social Life of Painting in Ancient Rome and on the Bay of Naples. Cambridge University Press: Cambridge, 2004
    Leach, Eleanor Winsor. “Ergasilus and the Ironies of the Captivi.” Classica et Mediaevalia 30 (1969) 263–96
    Lebek, W. D. “Moneymaking on the Roman Stage,” in Roman Theater and Society: E. Togo Salmon Papers I, ed. William, Slater. The University of Michigan Press: Ann Arbor, 1994
    Lefkowitz, Mary. Lives of the Greek Poets. The Johns Hopkins University Press: Baltimore, 1981
    Leppin, Hartmut. Histrionen: Untersuchungen zur sozialen Stellung von Bühnenkünstlern im Westen des Römischen Reiches zur Zeit der Republik und des Principats. Dr. Rudolf Habelt GmbH: Bonn, 1992
    Lévêque, Pierre. Agathon. Société d'Édition ≪Les Belles Lettres≫: Paris, 1955
    Levine, Laura. Men in Women's Clothing: Anti-theatricality and Effeminization, 1579–1642. Cambridge University Press: Cambridge, 1994
    Lightfoot, Jane L. “Nothing to Do with the technitai of Dionysus?” in Greek and Roman Actors: Aspects of an Ancient Profession, ed. Pat, Easterling and Edith, Hall. Cambridge University Press: Cambridge, 2002
    Lowe, J. C. B. “Plautus' Parasites and the Atellana,” in Studien zur vorliterarischen Periode im frühen Rom, ed. Gregor, Vogt-Spira. Gunter Narr Verlag: Tübingen, 1989
    Ludwig, Paul W.Eros and Polis: Desire and Community in Greek Political Theory. Cambridge University Press: Cambridge, 2002
    Ludwig, Paul W.Politics and Eros in Aristophanes' Speech: Symposium 191E-192A and the Comedies.” American Journal of Philology 117 (1996) 537–62
    Manuwald, Gesine. Fabulae praetextae: Spuren einer literarischen Gattun der Römer. Munich, 2001
    May, James M.Trials of Character: The Eloquence of Ciceronian Ethos. University of North Carolina Press: Chapel Hill, 1988
    MacDowell, Douglas. “The Meaning of ἀλαζών,” in “Owls to Athens”: Essays on Classical Subjects Presented to Sir Kenneth Dover, ed. Craik, E. M.. Oxford University Press: Oxford, 1990
    MacMullen, Ramsay. Roman Social Relations: 50 B.C. to A.D. 284. Yale University Press: New Haven, CT, 1974
    McCarthy, Kathleen. Slaves, Masters, and the Art of Authority in Plautine Comedy. Princeton University Press: Princeton, NJ and Oxford, 2000
    McGarrity, T. J.Reputation vs. Reality in Terence's Hecyra.” Classical Journal 76 (1980–81) 49–56
    McGinn, Thomas. Prostitution, Sexuality, and the Law in Ancient Rome. Oxford University Press: Oxford, 1998
    Mirhady, David C. “Demosthenes as Advocate: The Private Speeches,” in Demosthenes: Statesman and Orator, ed. Ian, Worthington. Routledge: London and New York, 2000
    Momigliano, A. “Marcel Mauss and the Quest for the Person in Greek Biography and Autobiography,” in The Category of the Person: Anthropology, Philosophy, History, eds. Carrithers, M., Collins, S., and Lukes, S.. Cambridge University Press: Cambridge, 1985
    Montserrat, Dominic. “Unidentified Human Remains: Mummies and the Erotics of Biography,” in Changing Bodies, Changing Meanings: Studies on the Human Body in Antiquity, ed. Dominic, Montserrat. Routledge: London and New York, 1998
    Mooney, T. Brian. “The Dialectical Interchange between Agathon and Socrates: Symposium 198b–201d.” Antichthon 28 (1994) 16–24
    Moore, Timothy J.The Theater of Plautus: Playing to the Audience. University of Texas Press: Austin, 1998
    Morford, Mark P. O.Iubes Esse Liberos: Pliny's Panegyricus and Liberty.” American Journal of Philology 113 (1992) 575–93
    Most, Glenn W. “Disiecti membra poetae: The Rhetoric of Dismemberment in Neronian Poetry,” from Innovations of Antiquity, eds. Ralph, Hexter and Daniel, Selden. Routledge: New York, and London, 1992
    Muecke, Frances. “Plautus and the Theater of Disguise.” Classical Antiquity 5 (1986) 216–29
    Muecke, Frances. “Names and Players: The Sycophant Scene of the ‘Trinummus’ (Trin. 4.2).” Transactions of the American Philological Association 115 (1985) 167–86
    Muecke, Frances. “A Portrait of the Artist as a Young Woman.” Classical Quarterly 32 (1982) 41–55
    Murnaghan, Sheila. Disguise and Recognition in the Odyssey. Princeton University Press: Princeton, NJ, 1987
    Murray, Penelope. “Bodies in Flux: Ovid's Metamorphoses,” in Changing Bodies, Changing Meanings: Studies on the Human Body in Antiquity, ed. Dominic, Montserrat. Routledge: London and New York, 1998
    Naddaff, Ramona A.Exiling the Poets: The Production of Censorship in Plato's Republic. The University of Chicago Press: Chicago and London, 2002
    Nehamas, Alexander. Virtues of Authenticity: Essays on Plato and Socrates. Princeton University Press: Princeton, NJ, 1999
    North, Helen. “The Use of Poetry in the Training of the Ancient Orator.” Traditio 8 (1952) 1–33
    Ober, Josiah. The Athenian Revolution: Essays on Ancient Greek Democracy and Political Theory. Princeton University Press: Princeton, NJ, 1996
    Ober, Josiah. Mass and Elite in Democratic Athens: Rhetoric, Ideology, and the Power of the People. Princeton University Press: Princeton, NJ, 1989
    O'Connor, John Bartholomew. Chapters in the History of Actors and Acting in Ancient Greece: Together with a Prosopographia Histrionum Graecorum. Diss. Princeton. The University of Chicago Press: Chicago, 1908
    Pack, Roger. “Textual Notes on Artemidorus Daldianus.” Transactions of the American Philological Association 88 (1957) 189–96
    Parker, Holt N. “The Observed of All Observers: Spectacle, Applause, and Cultural Poetics in the Roman Theater Audience,” in The Art of Ancient Spectacle, eds. Bettina, Bergmann and Christine, Kondoleon. Yale University Press: New Haven, CT and London, 1999
    Parker, Holt N. “Loyal Slaves and Loyal Wives: The Crisis of the Outsider-Within and Roman exemplum Literature” in Women & Slaves in Greco-Roman Culture: Differential Equations, eds. Sheila, Murnaghan and Joshel, Sandra R.. Routledge: London and New York, 1998
    Parker, Holt N. “The Teratogenic Grid,” in Roman Sexualities, eds. Hallett, Judith P. and Skinner, Marilyn. Princeton University Press: Princeton, NJ, 1997
    Parker, Holt N.Crucially Funny or Tranio on the Couch: The Servus Callidus and Jokes about Torture.” Transactions of the American Philological Association 119 (1989) 233–46
    Parry, Noel, and Parry, José. The Rise of the Medical Profession: A Study of Collective Social Mobility. Croom Helm: London, 1976
    Pearson, Lionel. The Art of Demosthenes. Verlag Anton Hain: Meisenheim am Glan, 1976
    Pelling, Christopher. Literary Texts and the Greek Historian. Routledge: London and New York, 2000
    Pelling, Christopher. “Plutarch's Adaptation of His Source-Material,” in Essays on Plutarch's Lives, ed. Barbara, Scardigli. Clarendon Press: Oxford, 1995
    Pelling, Christopher. “The Question of Character Development: Plutarch and Tacitus.” Classical Quarterly 33.2 (1983) 469–87
    Perelman, S.Quotation from Poetry in Attic Fourth-Century Orators.” American Journal of Philology 85 (1964) 155–72
    Pickard-Cambridge, Sir Arthur. The Dramatic Festivals of Athens, 2nd ed., revised by J. Gould and D. M. Lewis. Clarendon Press: Oxford, 1988
    Pickard-Cambridge, Sir Arthur. The Dramatic Festivals of Athens. Clarendon Press: Oxford, 1953
    Pitcher, Seymour Maitland. “The ‘Anthus’ of Agathon.” American Journal of Philology 60.2 (1939) 145–69
    Plass, Paul. The Game of Death in Ancient Rome: Arena Sport and Political Suicide. The University of Wisconsin Press: Madison, 1995
    Potter, David S. “Gladiators and Blood Sport,” in Gladiator: Film and History, ed. Winkler, Martin M.. Blackwell Publishing: Malden, Oxford, and Victoria, 2004
    Potter, David S. “Entertainers in the Roman Empire,” in Life, Death, and Entertainment in the Roman Empire, eds. Potter, D. S. and Mattingly, D. J.. The University of Michigan Press: Ann Arbor, 1999
    Potter, David S. “Martyrdom as Spectacle,” in Theater and Society in the Classical World, ed. Ruth, Scodel. The University of Michigan Press: Ann Arbor, 1993
    Pratt, Norman T.Seneca's Drama. The University of North Carolina Press: Chapel Hill and London, 1983
    Pucci, Pietro. Hesiod and the Language of Poetry. Johns Hopkins University Press: Baltimore, 1977
    Puchner, Walter. “Acting in the Byzantine Theater: Evidence and Problems,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Pat, Easterling and Edith, Hall. Cambridge University Press: Cambridge, 2002
    Purcell, Nicholas. “Does Caesar Mime?” in The Art of Ancient Spectacle, eds. Bettina, Bergmann and Christine, Kondoleon. Yale University Press: New Haven, CT and London, 1999
    Rawson, Elizabeth. Roman Culture and Society: Collected Papers. Oxford University Press: Oxford, 1991
    Rei, Annalisa. “Villains, Wives, and Slaves in the Comedies of Plautus,” in Women & Slaves in Greco-Roman Culture: Differential Equations, eds. Sheila, Murnaghan and Joshel, Sandra R.. Routledge: London and New York, 1998
    Richlin, Amy. “Cicero's Head,” in Constructions of the Classical Body, ed. Porter, James I.. University of Michigan Press: Ann Arbor, 2002
    Richlin, Amy. “Not before Homosexuality: The Materiality of the Cinaedus and the Roman Law against Love between Men.” Journal of the History of Sexuality 3.4 (1993) 523–73
    Robert, Louis. Les gladiateurs dans l'Orient grec. Adolf M. Hakkert: Amsterdam, 1971
    Roberts, W. Rhys. “Aristophanes and Agathon.” Journal of Hellenic Studies 20 (1900) 44–56
    Rorty, Amélie Oksenberg, ed. Essays on Aristotle's Poetics. Princeton University Press: Princeton, NJ, 1992
    Rorty, Amélie Oksenberg, ed. The Identities of Persons. University of California Press: Berkeley, 1976
    Rowe, Galen O.The Portrait of Aeschines in the Oration on the Crown.” Transactions of the American Philological Association 97 (1966) 397–406
    Rubiés, Joan-Pau. “Nero in Tacitus and Nero in Tacitism: The Historian's Craft,” in Elsner, Jas, and Masters, Jamie, eds. Reflections of Nero: Culture, History, & Representation. Chapel Hill: The University of North Carolina Press, 1994
    Russell, D. A. “On Reading Plutarch's Lives,” in Essays on Plutarch's Lives, ed. Barbara, Scardigli. Clarendon Press: Oxford, 1995
    Saïd, Suzanne. “Travestis et travestissements dans les comédies d'Aristophane.” Cahiers du groupe interdisciplinaire du thêatre antique 3 (1987) 217–48
    Saller, Richard. “Anecdotes as Historical Evidence for the Principate.” Greece & Rome 27 (1980) 69–83
    Sande, Siri. “Qualis Artifex! Theatrical Influences on Neronic Fashions.” Symbolae Osloenes 71 (1996) 135–46
    Scafuro, Adele C.The Forensic Stage: Settling Disputes in Graeco-Roman New Comedy. Cambridge University Press: Cambridge, 1997
    Schiesaro, Alessandro. The Passions in Play: Thyestes and the Dynamics of Senecan Drama. Cambridge University Press: Cambridge, 2003
    Scodel, Ruth, ed. Theater and Society in the Classical World. The University of Michigan Press: Ann Arbor, 1993
    Scullard, H. H.From the Gracchi to Nero: A History of Rome from 133 B.C. to A.D. 68, 5th ed. Methuen: London and New York, 1984
    Segal, Erich. Roman Laughter: The Comedy of Plautus, 2nd ed. Oxford University Press: New York and Oxford, 1987
    Sealey, Raphael. Demosthenes and His Time: A Study in Defeat. Oxford University Press: New York and Oxford, 1993
    Sedgwick, Eve Kosovsky. Epistemology of the Closet. University of California Press: Berkeley, 1990
    Sellén, Francisco. La muerte de Demósthenes, tragedia. Habana, 1926
    Shaw, Brent. “Body/Power/Identity: Passions of the Martyrs.” Journal of Early Christian Studies 4.3 (1996) 269–312
    Shelton, Jo-Ann. “The Spectacle of Death in Seneca's Troades,” in Seneca in Performance, ed. Harrison, George W. M.. Duckworth: London, 2000
    Sidwell, Keith. “Aristotle, Poetics 1456a25-32.1,” in Eklogai: Studies in Honour of Thomas Finan and Gerard Watson, ed. Kieran, McGroarty. Maynooth: Department of Ancient Classics, 2001
    Sifakis, Gregory M. “Looking for the Actor's Art in Aristotle,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Pat, Easterling and Edith, Hall. Cambridge University Press: Cambridge, 2002
    Slater, Niall W.Nero's Masks.” Classical World 90 (1996) 33–40
    Slater, Niall W. “From Ancient Performance to New Historicism,” in DRAMA: Beiträge zum antiken Drama und seiner Rezeption, Band 2: Intertextualität in der griechisch-römischen Komödie, eds. Slater, Niall W. and Zimmerman, Bernhard. Metzlerschen & Pöschel: Stuttgart, 1993
    Slater, Niall W. “The Idea of the Actor,” in Nothing to Do with Dionysos? Athenian Drama in its Social Context, eds. Winkler, John J. and Zeitlin, Froma I.. Princeton University Press: Princeton, NJ, 1990
    Slater, Niall W.Plautus in Performance: The Theatre of the Mind.Princeton University Press: Princeton, NJ, 1985
    Slater, William. “The Pantomime Tiberius Julius Apolaustus.” Greek Roman and Byzantine Studies 36.3 (1995) 263–92
    Slater, William. “Actors and Their Status in the Roman Theatre in the West.” Journal of Roman Archaeology 7 (1994a) 364–8
    Slater, William. “Pantomime Riots.” Classical Antiquity 13 (1994b) 120–44
    Stallybrass, Peter, & White, Allon. The Politics and Poetics of Transgression. Cornell University Press: Ithaca, NY, 1986
    Stehle, Eva. “The Male Body in Aristophanes' Thesmophoriazusae: Where Does the Costume End?American Journal of Philology 123.3 (2002) 369–406
    Stohn, Günther. “Zur Agathonszene in den ‘Thesmophoriazusen’ des Aristophanes.” Hermes 121 (1993) 196–205
    Storey, Ian. “Poets, Politicians, and Perverts: Personal Humour in Aristophanes.” ClIre 5 (1998) 85–134
    Straub, Kristina. Sexual Suspects: Eighteenth-Century Players and Sexual Ideology. Princeton University Press: Princeton, NJ, 1992
    Sumi, Geoffrey. “Impersonating the Dead: Mimes at Roman Funerals.” American Journal of Philology 123.4 (2002) 559–85
    Sutton, Dana Ferrin. Seneca on the Stage. E. J. Brill: Leiden, 1986
    Swearingen, C. Jan, “Ethos: Imitation, Impersonation, and Voice,” in Baumlin, James S. and Baumlin, Tita French, eds. Ethos: New Essays in Rhetorical and Critical Theory. Southern Methodist University Press: Dallas, 1994
    Swift Riginos, Alice. Platonica: The Anecdotes Concerning the Life and Writings of Plato. E. J. Brill: Leiden, 1976
    Taaffe, Lauren. Aristophanes and Women. Routledge: London and New York, 1993
    Taplin, Oliver. The Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek Tragedy. Clarendon Press: Oxford, 1977
    Tarrant, Dorothy. “Plato as Dramatist.” Journal of Hellenic Studies 75 (1955) 82–9
    Taylor, Rabun. “Two Pathic Subcultures in Ancient Rome.” Journal of the History of Sexuality 7 (1997) 319–71
    Thalmann, William G.Versions of Slavery in the Captivi of Plautus.” Ramus 25 (1996) 112–45
    Todd, Stephen. “The Use and Abuse of the Attic Orators.” Greece & Rome 37 (1990) 159–78
    Too, Yun Lee. The Rhetoric of Identity in Isocrates: Text, Power, Pedagogy. Cambridge University Press: Cambridge, 1995
    Trilling, Lionel. Sincerity and Authenticity. Harvard University Press: Cambridge, MA, 1972
    Tylawsky, Elizabeth Ivory. Saturio's Inheritance: The Greek Ancestry of the Roman Comic Parasite. Artists and Issues in the Theatre, vol. 9. Peter Lang: New York, 2002
    Ubersfeld, Anne. “Notes sur la dénégation théâtrale,” in La relation théâtrale, ed. Régis, Durand. Presses Universitaires de Lille, 1980
    Ussher, R. G.Old Comedy and ‘Character’: Some Comments.” Greece & Rome 24 (1977) 71–9
    Vansina, Jan. Oral Tradition as History. The University of Wisconsin Press: Madison, 1985
    Varner, Eric R. “Grotesque Vision: Seneca's Tragedies and Neronian Art,” in Seneca in Performance, ed. Harrison, George W. M.. Duckworth: London, 2000
    Veyne, Paul. Seneca: the life of a stoic, trans. David Sullivan. Routledge: New York, 2003
    Ville, Georges. La gladiature en Occident des origines à la mort de Domitien. Ecole Française de Rome: Palais Farnèse, 1981
    Blanckenagen, Peter H.Stage and Actors in Plato's Symposium.” Greek Roman and Byzantine Studies 33 (1992) 51–68
    Vout, Caroline. “The Myth of the Toga: Understanding the History of Roman Dress.” Greece & Rome 43 (1996) 204–20
    Wallace-Hadrill, Andrew. “Patronage in Roman Society: From Republic to Empire,” in Patronage in Ancient Society, ed. Wallace-Hadrill, Andrew. Routledge: London and New York, 1989
    Weaver, P. R C. “Social Mobility in the Early Roman Empire: The Evidence of the Imperial Freedmen and Slaves,” in Studies in Ancient Society, ed. Finley, M. I.. Routledge and Kegan Paul: London and Boston, 1974
    Webb, Ruth. “Female Entertainers in Late Antiquity,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Easterling, Pat and Hall, Edith. Cambridge University Press: Cambridge, 2002
    Weber, C.Roscius and the roscida dea.” Classical Quarterly 46 (1996) 298–302
    Weineck, Silke-Maria. “Talking about Homer: Poetic Madness, Philosophy, and the Birth of Criticism in Plato's Ion.” Arethusa 31 (1998) 19–42
    Wiedemann, Thomas. Emperors and Gladiators. Routledge: London and New York, 1992
    Wiles, David. Greek theatre performance: an introduction. Cambridge University Press: Cambridge and New York, 2000
    Wiles, David. The Masks of Menander: Sign and meaning in Greek and Roman Performance. Cambridge University Press: Cambridge, 1991
    Wilkins, John. The Boastful Chef: The Discourse of Food in Ancient Greek Comedy. Oxford University Press: Oxford, 2000
    Williams, Craig A.Roman Homosexuality: Ideologies of Masculinity in Classical Antiquity. Oxford University Press: New York and Oxford, 1999
    Wilson, Peter. “The Musicians among the Actors,” in Greek and Roman Actors: Aspects of an Ancient Profession, eds. Easterling, Pat and Hall, Edith. Cambridge University Press: Cambridge, 2002
    Wilson, Peter. The Athenian Institution of the Khoregia. Cambridge University Press: Cambridge, 2000
    Winkler, John J.The Constraints of Desire: The Anthropology of Sex and Gender in Ancient Greece. Routledge: New York and London, 1990
    Winkler, John J., and Zeitlin, Froma I., eds. Nothing to Do with Dionysos? Athenian Drama in Its Social Context. Princeton University Press: Princeton, NJ, 1990
    Wise, Jennifer. Dionysus Writes: The Invention of Theatre in Ancient Greece. Cornell University Press: Ithaca and London, 1998
    Wiseman, T. P. “The Games of Flora,” in The Art of Ancient Spectacle, eds. Bergmann, Bettina and Kondoleon, Christine. Yale University Press: New Haven, CT and London, 1999
    Woodruff, P. “Aristotle on Mimēsis,” in Essays on Aristotle's Poetics, ed. Rorty, Amélie Oksenberg. Princeton University Press: Princeton, NJ, 1992
    Wooten, Cecil W.A Few Observations on Form and Content in Demosthenes.” Phoenix 31.3 (1977) 258–61
    Worthington, Ian. “Introduction: Demosthenes, Then and Now,” in Demosthenes: Statesman and Orator, ed. Worthington, Ian. Routledge: London and New York, 2000a
    Worthington, Ian. ed. Demosthenes: Statesman and Orator. Routledge: New York, 2000b
    Xanthakis-Karamanos, G.Studies in Fourth Century Tragedy. Athens, 1980
    Zagagi, Netta. The Comedy of Menander: Convention, Variation & Originality. Indiana University Press: Bloomington and Indianapolis, 1995
    Zeitlin, Froma I. Playing the Other: Gender and Society in Classical Greek Literature. University of Chicago Press: Chicago, 1996
    Zoll, Amy. Gladiatrix: The True Story of History's Unknown Woman Warrior. Berkeley Publishing Group, 2002

    Metrics

    Altmetric attention score

    Full text views

    Total number of HTML views: 0
    Total number of PDF views: 0 *
    Loading metrics...

    Book summary page views

    Total views: 0 *
    Loading metrics...

    * Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

    Usage data cannot currently be displayed.

    Accessibility standard: Unknown

    Why this information is here

    This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

    Accessibility Information

    Accessibility compliance for the PDF of this book is currently unknown and may be updated in the future.