References
1958a. “All-American Virtuoso.” In Time. Volume 71, Issue 20. May 19, p. 60.
1958b. “American Sputnik.” In Time. Volume 71, Issue 17, April 28, p. 57.
1958c. “Cliburn in Salute to Rachmaninoff.” In The New York Times. June 1, p. 74.
1958d. “Common Ground.” In The Washington Post. April 18, p. A16.
1958e. “Hero's Return.” In Time. Volume 71, Issue 22, June 2, p. 40.
1958f. “Shostakovich Hails Cliburn's Success.” In The New York Times. April 21, p. 20.
2001. “Banff Quartet Competition Stirs Musical Debate.” In The Toronto Star. September 8, Arts J20.
2005a. “In the Key of China: Cliburn Showcases New Enthusiasm for Classics.” In The Dallas Morning News. June 5, 2P.
2005b. “Today's Players.” In The Fort Worth Star Telegram. May 24, 4B.
2009a. “Blind Man's Music Called ‘Miraculous.’” In The Dallas Morning News. May 27, Local News, p. 3.
2009b. “Statutes of the World Federation of International Music Competitions,” edited by the World Federation of International Music Competitions. Geneva, Switzerland.
2009c. “2009 Webcast and Media.” In Cliburn News. Special Issue No. 95, Summer, p. 2.
2010. “Russia Relaunches Tchaikovsky.” In International Piano Magazine. January/February, p. 6.
2013. “First Lady of Fort Worth: Nancy Lee Bass 1917–2013.” In Cliburn News. No. 104, Spring, p. 11.
Abercrombie, Nicholas, and Longhurst, Brian. 1998. Audiences: A Sociological Theory of Performance and Imagination. London, Thousand Oaks, and New Delhi: Sage Publications.
Adorno, Theodor W. 1962. Introduction to the Sociology of Music. New York: Seabury Press.
Adorno, Theodor W. 1991. “On the Fetish Character in Music and the Regression of Listening.” Pp. 26–52 in The Culture Industry: Selected Essays on Mass Culture, edited by Bernstein, J.M.. London: Routledge.
Adorno, Theodor W. 2002a. “On Jazz.” Pp. 470–95 in Essays On Music, edited by Leppert, Richard. Berkeley, Los Angeles and London: University of California Press.
Adorno, Theodor W. 2002b. “On the Social Situation of Music.” Pp. 391–436 in Essays on Music, edited by Leppert, Richard. Berkeley, Los Angeles and London: University of California Press.
Ahles, Andrea. 2005. “The People's Joyce.” In The Fort Worth Star Telegram. May 28, BB4.
Alexander, Jeffrey C. 1998. “The Computer as Sacred and Profane.” Pp. 29–46 in The New American Cultural Sociology, edited by Smith, Philip. Cambridge, UK: Cambridge University Press.
Alexander, Jeffrey C. 2001. “Theorizing the ‘Modes of Incorporation’: Assimilation, Hyphenation, and Multiculturalism as Varieties of Civil Participation.” Sociological Theory 19(3):237–49.
Alexander, Jeffrey C. 2004. “Cultural Pragmatics: Social Performance between Ritual and Strategy.” Sociological Theory 22(4):527–73.
Alexander, Jeffrey C. 2006. The Civil Sphere. New York: Oxford University Press.
Alexander, Jeffrey C. 2010. The Performance of Politics: Obama's Victory and the Democratic Struggle for Power. New York: Oxford University Press.
Alexander, Jeffrey, and Smith, Philip. 1998. “Cultural Sociology or Sociology of Culture? A Strong Program for Giving Sociology Its Second Wind.” Sociologie et Sociétés 30(1):107–16.
Alink, Gustav A. 1990. International Piano Competitions. The Hague: Alink–Argerich Foundation.
Appadurai, Arjun. 1986. The Social Life of Things: Commodities in Cultural Perspective. New York: Cambridge University Press.
Ardoin, John. 1977. “Triumphs and Turmoil at the Cliburn Competition.” In The New York Times. October 9, D19.
Arnold, Matthew. 1965. Culture and Anarchy. Ann Arbor: University of Michigan Press.
Auslander, Philip. 2006. “Musical Personae.” TDR/The Drama Review 50(1):100–119.
Autrey, Jennifer. 2005. “A Tale of Two Planos.” In The Fort Worth Star Telegram. June 4, BB4.
Bahari, Sarah. 2005a. “Alex in Wonderland.” In The Fort Worth Star Telegram. June 6, AA3.
Bahari, Sarah 2005b. “His Mettle Is Better than Gold.” In The Fort Worth Star Telegram. May 31, A1.
Baker, Catherine. 2008. “Wild Dances and Dying Wolves: Simulation, Essentialization, and National Identity at the Eurovision Song Contest.” Popular Communication 6(3):173–89.
Barghoorn, Frederick Charles. 1960. The Soviet Cultural Offensive: The Role of Cultural Diplomacy in Soviet Foreign Policy. Princeton, NJ: Princeton University Press.
Barry, Ellen. 2011. “Basking in Russia's Love Long after a Musical Triumph.” In The New York Times. July 1, A7.
Battersby, Christine. 1989. Gender and Genius: Towards a Feminist Aesthetics. London: The Women's Press.
Bauer, Harold. 1947. “The Paris Conservatorie: Some Reminiscences.” The Musical Quarterly 33(4):533–42.
Baumann, Shyon. 2007. Hollywood Highbrow: From Entertainment to Art. Princeton, NJ: Princeton University Press.
Bayley, Amanda (Ed.). 2010. Recorded Music: Performance, Culture and Technology. Cambridge, UK: Cambridge University Press.
Becker, Howard S. 1982. Art Worlds. Berkeley, Los Angeles, and London: University of California Press.
Bennigsen, Olga. 1939. “The Brothers Rubinstein and Their Circle.” The Musical Quarterly 25(4):407–19.
Benzecry, Claudio E. 2011. The Opera Fanatic: Ethnography of an Obsession. Chicago: University of Chicago Press.
Bernheimer, Martin. 2008. “Critics in a Hostile World.” In The Financial Times. July 5, FT Weekend Supplement, Life & Arts, 14.
Berry, Wallace. 1989. Musical Structure and Performance. New Haven, CT: Yale University Press.
Björnberg, Alf. 2007. “Return to Ethnicity: The Cultural Significance of Musical Change in the Eurovision Song Contest.” Pp. 13–23 in A Song for Europe: Popular Music and Politics in the Eurovision Song Contest, edited by Raykoff, Ivan and Deam Tobin, Robert. Aldershot and Burlington, VT: Ashgate.
Blank, Grant. 2007. Critics, Ratings, and Society: The Sociology of Reviews. Lanham: Rowman & Littlefield.
Blumer, Herbert. 1935. “Moulding of Mass Behavior through the Motion Picture.” Publications of the American Sociological Society 29:115–27.
Blumer, Herbert 1969. Symbolic Interactionism: Perspective and Method. Englewood Cliffs, NJ: Prentice-Hall.
Bolin, Göran. 2006. “Visions of Europe: Cultural Technologies of Nation-States.” International Journal of Cultural Studies 9(2):189–206.
Bouckaert, Thierry. 2001. Elisabeth's Dream, a Musical Offering: Fifty Years of the Queen Elisabeth Competition. Brussels: Editions Complexe.
Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgement of Taste. Cambridge, MA: Harvard University Press.
Bourdieu, Pierre 1993. The Field of Cultural Production: Essays on Art and Literature. Cambridge, UK: Polity Press.
Bourdieu, Pierre 1996. The Rules of Art: Genesis and Structure of the Literary Field. Cambridge, UK: Polity Press.
Bourdieu, Pierre [1980]1993. “The Production of Belief: Contribution to an Economy of Symbolic Goods.” Pp. 74–111 in The Field of Cultural Production: Essays on Art and Literature. Cambridge, UK: Polity Press.
Bowen, José A. 1999. “Finding the Music in Musicology: Performance History and Musical Works.” Pp. 424–51 in Rethinking Music, edited by Cook, Nicholas and Everist, Mark. Oxford: Oxford University Press.
Bracker, Milton. 1958. “Van Cliburn Gets a Hero's Parade.” In The New York Times. May 21, p. 35.
Brown, Angela K. 2005a. “Russian Musician Alexander Kobrin Wins Van Cliburn International Piano Competition.” In Associated Press. June 6.
Brown, Geoff. 2005b. “Geoff Brown Listens as Pianists Duel under the TexasSun.” In The Times (London). June 10, Times2, p. 16.
Burnham, Scott G. 1995. Beethoven Hero. Princeton, NJ: Princeton University Press.
Butsch, Richard. 2008. The Citizen Audience: Crowds, Publics, and Individuals. New York: Routledge.
Butt, John. 2002. Playing with History: The Historical Approach to Musical Performance. Cambridge, UK: Cambridge University Press.
Campbell, Margaret. 1982. “Why Competitions?” The Strad 93(1107):179–82.
Cantrell, Scott. 2009. “Assessing the Cliburn Finalists.” In The Dallas Morning News. June 2, 1E.
Carter, Bill. 2003. “Fox Mulls How to Exploit The Mojo of ‘American Idol.’” in The New York Times. May 23, C1.
Casstevens, David. 2005. “You Gotta Believe: After 17 Days of Chopin and Shindigs, Finalists Cling to Faith That They Are the Best.” In The Fort Worth Star Telegram. June 5, BB4.
Chambliss, Daniel F. 1989. “The Mundanity of Excellence: An Ethnographic Report on Stratification and Olympic Swimmers.” Sociological Theory 7(1):70–86.
Chapoulie, Jean-Michel. 1996. “Everett Hughes and the Chicago Tradition.” Sociological Theory 14(1):3–29.
Chignell, Hugh. 2009. Key Concepts in Radio Studies. London/Thousand Oaks, CA: Sage.
Clarke, Eric. 2004. “Empirical Methods in the Study of Performance.” Pp. 77–102 in Empirical Musicology: Aims, Methods, Prospects, edited by Clarke, Eric and Cook, Nicholas. Oxford: Oxford University Press.
Cline, Eileen T. 1985. “Piano Competitions: An Analysis of their Structure, Value, and Educational Implications.” Unpublished PhD dissertation, School of Music. Bloomington, IN: Indiana University.
Coleman, Karen. 2011. “A Return to Habermas: When High Met Low at the MoMA.” Presented at the American Sociological Association Annual Meeting. Las Vegas, NV.
Collins, Randall. 2004. Interaction Ritual Chains. Princeton, NJ and Oxford: Princeton University Press.
Cook, Nicholas. 1990. Music, Imagination, and Culture. Oxford: Clarendon Press.
Cook, Nicholas 2001. “Between Process and Product: Music and/as Performance.” Music Theory Online 7(2):22.
Cook, Nicholas 2013. Beyond the Score: Music as Performance. New York: Oxford University Press.
Crossley, Nick, and Roberts, John Michael. 2004. After Habermas: New Perspectives on the Public Sphere. Oxford: Blackwell Publishing/The Sociological Review.
Csikszentmihalyi, Mihaly. 2000. Beyond Boredom and Anxiety. San Francisco: Jossey-Bass Publishers.
Da Costa Coimbra, Daniela, and Davidson, Jane W.. 2001. “Investigating Performance Evaluation by Assessors of Singers in a Music College Setting.” Musicae scientiae: The Journal of the European Society for the Cognitive Sciences of Music 5(1):33–53.
Dahlberg, Lincoln. 2001. “The Habermasian Public Sphere Encounters Cyber-Reality.” Javnost/The Public 8(3):83–96.
Darnton, John. 1980. “Despite Love for Chopin, Contest Has Harsh Notes.” In The New York Times. October 21, A1.
Davis, Hazel. 2006 “Competing Opinions.” The Strad 117(1389):36–7.
Day, Timothy. 2000. A Century of Recorded Music: Listening to Musical History. New Haven, CT: Yale University Press.
Dayan, Daniel, and Katz, Elihu. 1992. Media Events: The Live Broadcasting of History. Cambridge, MA: Harvard University Press.
Dean, Jodi. 2003. “Why the Net Is Not a Public Sphere.” Constellations 10(1):95–112.
De La Harpe, Jacqueline E. 1949. “Goethe, Gide, and Valéry.” Comparative Literature 1(4):373–80.
DeNora, Tia. 1995. Beethoven and the Construction of Genius: Music Politics in Vienna, 1792–1803. Berkeley: University of California Press.
DeNora, Tia 2000. Music in Everyday Life. Cambridge, UK and New York: Cambridge University Press.
DeNora, Tia 2003. After Adorno: Rethinking Music Sociology. Cambridge, UK and New York: Cambridge University Press.
DeNora, Tia 2004. “Embodiment and Opportunity: Bodily Capital, Gender, and Reputation in Beethoven's Vienna.” Pp. 185–97 in The Musician as Entrepreneur, 1700–1914: Managers, Charlatans, and Idealists, edited by Weber, William. Bloomington and Indianapolis: Indiana University Press.
DeNora, Tia 2005. “The Concerto and Society.” Pp. 19–31 in The Cambridge Companion to the Concerto, edited by Keefe, Simon P.. Cambridge, UK and New York: Cambridge University Press.
DeNora, Tia 2006. “Music as Agency in Beethoven's Vienna.” Pp. 103–19 in Myth, Meaning, and Performance: Toward a New Cultural Sociology of the Arts, edited by Eyerman, Ron and McCormick, Lisa. Boulder, CO and London: Paradigm Publishers.
Demeulemeester, Thijs. 2012. “Royalement Logé.” in L’Echo:Sabato, May Issue, pp. 8–13.
Deuze, M. J. P. 2008. “Corporate Appropriation of Participatory Culture.” Pp. 27–40 in Participation and Media Production: Critical Reflections on Content Creation, edited by Carpentier, N. and De Cleen, B.. Newcastle upon Tyne: Cambridge Scholars Publishing.
Dimaggio, Paul. 1982a. “Cultural Entrepreneurship in Nineteenth-Century Boston. I.” Media, Culture & Society 4:33–50.
Dimaggio, Paul 1982b. “Cultural Entrepreneurship in Nineteenth-Century Boston. II.” Media, Culture & Society 4:303–22.
Doerschuk, Bob. 1978. “Piano Competitions: Their History and Their Effect on Modern Classical Piano.” Contemporary Keyboard 4:9–17.
Donington, Robert. 1977. The Interpretation of Early Music. Faber and Faber: London.
Douglas, Barry. 1998. “Careers That Begin in the Wrong Key.” In The Times (London). July 20, News, p. 20.
Dunoyer, Cecilia. 1993. Marguerite Long: A Life in French Music, 1874–1966. Bloomington: Indiana University Press.
Durkheim, Émile. 1995. The Elementary Forms of Religious Life. New York: Free Press.
Dybowski, Stanisław. 2010a. “Exclusively Polish?” In Chopin Express. October 12, p. 7.
Dybowski, Stanisław 2010b. “Exclusively Polish? [2].” In Chopin Express. October 13, p. 7.
Dybowski, Stanisław 2010c. “How It All Began.” In Chopin Express. October 2, p. 7.
Dybowski, Stanisław 2010d. “What Kind of a Jury Was It?” In Chopin Express. October 7, p. 7.
Eichler, Jeremy. 2005. “When Art Is Judged by Rules of Sport.” In The New York Times. April 16, B9.
Ekiert, Janusz. 2010. The Endless Search for Chopin: The History of the International Fryderyk Chopin Piano Competition in Warsaw. Warsaw: MUZA SA.
Elias, Norbert. 2000. The Civilizing Process: Sociogenetic and Psychogenetic Investigations, edited by Dunning, Eric, Goudsblom, Johan, and Mennell, Stephen. Oxford: Blackwell.
Elias, Norbert. 2001. The Society of Individuals, translated by Jephcott, Edmund, edited by Schröter, Michael. New York: Continuum.
Elias, Norbert, and Dunning, Eric. 1986. Quest for Excitement: Sport and Leisure in the Civilizing Process. Oxford and New York: Blackwell.
Ellis, Katharine. 1997. “Female Pianists and Their Male Critics in Nineteenth-Century Paris.” Journal of the American Musicological Society 50 (2–3):353–85.
English, James F. 2005. The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value. Cambridge, MA: Harvard University Press.
Espeland, Wendy Nelson, and Sauder, Michael. 2007. “Rankings and Reactivity: How Public Measures Recreate Social Worlds.” American Journal of Sociology 113(1):1–40.
Espeland, Wendy Nelson, and Stevens, Mitchell L.. 1998. “Commensuration as a Social Process.” Annual Review of Sociology 24:313–43.
Faulkner, Robert R., and Saul Becker, Howard. 2009. Do You Know…? The Jazz Repertoire in Action. Chicago: University of Chicago Press.
Feldman, David Henry, with Goldsmith, Lynn T.. 1986. Nature's Gambit: Child Prodigies and the Development of Human Potential. New York: Basic Books.
Flesch, Carl. 1937. “International Concours ‘Eugene Ysaÿe.’” The Strad 48(565):13–16.
Flesch, Carl F. 1990. And Do You Also Play the Violin? London: Toccata Press.
Gay, Wayne Lee. 2005a. “Final Round Is a 5-Day Test of Stamina.” In The Fort Worth Star Telegram. June 1, A1.
Gay, Wayne Lee 2005b. “Learning Curve.” In The Fort Worth Star Telegram. May 26, AA3.
Gay, Wayne Lee 2005c. “Many Girlhood Dreams Play Out in Cliburn Contest.” In The Times Union, Albany, NY. March 3, P9.
Gay, Wayne Lee 2005d. “Women's Movement: Female Majority Leads Field of Piano Hopefuls.” In The Fort Worth Star Telegram. March 1, A1.
Geertz, Clifford. 1973. Interpretation of Cultures: Selected Essays. New York: Basic Books.
Gibbs, Christopher Howard. 2006. “‘Just Two Words. Enormous Success’: Liszt's 1838 Vienna Concerts.” Pp. 167–230 in Franz Liszt and His World, edited by Howard Gibbs, Christopher and Gooley, Dana. Princeton, NJ: Princeton University Press.
Gimmler, Antje. 2001. “Deliberative Democracy, the Public Sphere and the Internet.” Philosophy and Social Criticism 27(4):21–39.
Godfrey, Stephen. 1986. “Quartets Try to Scale Some Musical Peaks in Banff.” In The Globe and Mail. April 19, D1.
Godt, Irving. 2003. “The Meistersingers' Hidden Heritage.” The Musical Times 144(1885):35–7.
Goehr, Lydia. 1992. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Clarendon Press.
Goffman, Erving. 1959. The Presentation of Self in Everyday Life. Garden City, NY: Doubleday.
Goffman, Erving 1961. Encounters: Two Studies in the Sociology of Interaction. Indianapolis: Bobbs-Merrill.
Goffman, Erving 1975. Frame Analysis: An Essay on the Organization of Experience. Harmondsworth: Penguin.
Goode, William Josiah. 1978. The Celebration of Heroes: Prestige as a Social Control System. Berkeley: University of California Press.
Goodloe, Katharine. 2005. “Rituals Keep Competitors Sharp.” In The Dallas Morning News. May 23, 13A.
Gooley, Dana. 2000. “Warhorses: Liszt, Weber's ‘Konzertstuck,’ and the Cult of Napoleon.” 19th-Century Music 24(1):62–88.
Gooley, Dana 2004. The Virtuoso Liszt. Cambridge, UK: Cambridge University Press.
Gooley, Dana 2005. “La commedia del violino: Paganini's Comic Strains.” The Musical Quarterly 88(3):370–427.
Gray, Caroline. 2009. “Narratives of Disability and the Movement from Deficiency to Difference.” Cultural Sociology 3(2):317–32.
Gray, Jonathan, Sandvoss, Cornel, and Lee Harrington, C (Eds.). 2007. Fandom: Identities and Communities in a Mediated World. New York: New York University Press.
Grazian, David. 2004. “Opportunities for Ethnography in the Sociology of Music.” Poetics 32:197–210.
Green, Lucy. 1997. Music, Gender, Education. Cambridge, UK: Cambridge University Press.
Greenaway, Kathryn. 2005. “The Piano Olympics.” In The Montreal Gazette. February 6, B1.
Greenhouse, Steven. 1988. “They're Battling at the Bastille Again, This Time over a Brave New Opera House.” In The New York Times. September 25, Section 2, p. 39.
Gronow, Pekka, and Saunio, Ilpo. 1998. An International History of the Recording Industry. London and New York: Cassell.
Gumpert, Matthew. 2007. “‘Everyway That I Can’: Auto-Orientalism at Eurovision 2003.” Pp. 147–57 in A Song for Europe: Popular Music and Politics in the Eurovision Song Contest, edited by Raykoff, Ivan and Deam Tobin, Robert. Aldershot and Burlington, VT: Ashgate.
Habermas, Jürgen. 1969 [1989]. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Cambridge, MA: MIT Press.
Habermas, Jürgen 1984. The Theory of Communicative Action. Boston: Beacon Press.
Hamilton, Kenneth. 2007. After the Golden Age: Romantic Pianism and Modern Performance. New York: Oxford University Press.
Hays, Tim. 1996. “Development of the Music Conservatory in Europe and the United States.” Journal of the Midwest History of Education Society 23:4–10.
Hemingway, Olivia. 2010. “Major Changes at Tchaikovsky Competition.” In Classical Music Magazine. January 13.
Hennion, Antoine. 2001. “Music Lovers: Taste as Performance.” Theory, Culture & Society 18(5):1–22.
Hennion, Antoine 2014. “‘Blowing in the Wind’?…A Response to the Author of ‘Mastering the Jazz Standard: Sayings and Doings of Artistic Valuation.’” American Journal of Cultural Sociology 2(2):253–9.
Herring, Susan C., Lois Ann, Scheidt, Elijah, Wright, and Sabrina, Bonus. 2005. “Weblogs as a Bridging Genre.” Information Technology & People 18(2):142.
Hewett, Ivan. 2007. “Joining the Queue: The Proms Audiences.” Pp. 210–31 in The Proms: A New History, edited by Doctor, J.R., Wright, D., and Kenyon, N.. London: Thames & Hudson.
Hixson, Walter L. 1997. Parting the Curtain: Propaganda, Culture, and the Cold War, 1945–1961. New York: St. Martin's Press.
Hodouchi, Ayano. 2010. “Half of the Tchaikovsky Competition to Be Held in St. Petersburg.” In Moscow News. July 9.
Hohendahl, Peter Uwe. 1995. Prismatic Thought: Theodor W. Adorno. Lincoln: University of Nebraska Press.
Holland, Bernard. 1989. “Can a Pianist Sway a Competition Jury?” In The New York Times. May 25, C21.
Horowitz, Joseph. 1990. The Ivory Trade: Music and the Business of Music at the Van Cliburn International Piano Competition. New York: Summit Books.
Horowitz, Joseph 2005. Classical Music in America: A History of Its Rise and Fall. New York: Norton.
Hunter, Mary. 2005. “‘To Play as If from the Soul of the Composer’: The Idea of the Performer in Early Romantic Aesthetics.” Journal of the American Musicological Society 58(2):357–98.
Jacobs, Ronald N. 2012. “Entertainment Media and the Aesthetic Public Sphere.” Pp. 318–40 in The Oxford Handbook of Cultural Sociology, edited by Alexander, Jeffrey C., Jacobs, Ronald N., and Smith, Philip. New York: Oxford University Press.
Jenkins, Henry. 1992. Textual Poachers: Television Fans and Participatory Culture. New York and London: Routledge.
Johnson, Cathryn, Dowd, Timothy J., and Ridgeway, Cecilia L.. 2006. “Legitimacy as a Social Process.” Annual Review of Sociology 32(1):53–78.
Johnson, Peter. 2010. “Illusion and Aura in the Classical Music Audio Recording.” Pp. 37–51 in Recorded Music: Performance, Culture and Technology, edited by Bayley, Amanda. Cambridge, UK: Cambridge University Press.
Kawabata, Maiko. 2004. “Virtuoso Codes of Violin Performance: Power, Military Heroism, and Gender (1789–1830).” 19th-Century Music 28(2):89–107.
Keefe, Simon P. 2005. “Theories of the Concerto from the Eighteenth Century to the Present Day.” Pp. 7–18 in The Cambridge Companion to the Concerto, edited by Keefe, Simon P.. Cambridge, UK: Cambridge University Press.
Kelleher, Tom, and Miller., Barbara M. 2006. “Organizational Blogs and the Human Voice: Relational Strategies and Relational Outcomes.” Journal of Computer-Mediated Communication 11(2):395–414.
Kennedy, Dennis. 2009. The Spectator and the Spectacle: Audiences in Modernity and Postmodernity. New York: Cambridge University Press.
Kenyon, Nicholas (Ed.). 1988. Authenticity and Early Music: A Symposium. Oxford: Oxford University Press.
Kingsbury, Henry. 1988. Music, Talent, and Performance: A Conservatory Cultural System. Philadelphia: Temple University Press.
Kivy, Peter. 2001. The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius. New Haven, CT and London: Yale University Press.
KNAU. 2001. “Interview with Olga Kern.” National Public Radio. Released 17 September 2005.
Kozinn, Allan. 1990. “Review/Television; Backstage at the Tchaikovsky Music Competition.” In The New York Times. December 25, p. 62.
Kris, Ernst, and Kurz, Otto. 1979. Legend, Myth, and Magic in the Image of the Artist: A Historical Experiment. New Haven, CT and London: Yale University Press.
Lamont, Michèle. 2009. How Professors Think: Inside the Curious World of Academic Judgment. Cambridge, MA: Harvard University Press.
Larson, Magali Sarfatti. 1994. “Architectural Competitions as Discursive Events.” Theory and Society 23(4):469–504.
Le Bon, Gustave. 2001. The Crowd: A Study of the Popular Mind. Mineola, NY: Dover Publications.
Lebrecht, Norman. 1997. Who Killed Classical Music? Maestros, Managers, and Corporate Politics. Secaucus, NJ: Carol Pub. Group.
Lebrecht, Norman 2011. “Comment.” The Strad 122(1457):27.
Lee, Jooyoung. 2009. “Battlin' on the Corner: Techniques for Sustaining Play.” Social Problems 56(3):578–98.
Leppert, Richard D. 1993. The Sight of Sound: Music, Representation, and the History of the Body. Berkeley: University of California Press.
Leppert, Richard D. 1999. “Cultural Contradiction, Idolatry, and the Piano Virtuoso: Franz Liszt.” Pp. 236–81 in Piano Roles: Three Hundred Years of Life with the Piano, edited by Parakilas, James. New Haven, CT: Yale University Press.
Lerdahl, Fred. 1988. “Cognitive Constraints on Compositional Systems.” Pp. 231–59 in Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition, edited by Sloboda, John A.. Oxford: Oxford University Press.
Lévi-Strauss, Claude. 1966 [1962]. The Savage Mind. Chicago and London: University of Chicago Press.
Levine, Lawrence W. 1984. “William Shakespeare and the American People: A Study in Cultural Transformation.” The American Historical Review 89(1):34–66.
Littler, William. 2004. “American Quartets Take Banff by Storm.” In The Toronto Star. September 7, D08.
Loomis, George. 2007. “Future Stars Shine in Moscow.” In Financial Times. July 4. ARTS, p. 11.
Love, Harold. 2004. “How Music Created a Public.” Criticism 46(2):257–71.
Lu, Julia. 2011. “Les origines du prix de Rome de musique: genèse et fonctionnement sous l’Empire.” Pp. 45–57 in Le Concours du prix de Rome de musique (1803–1968), edited by Lu, Julia and Dratwicki, Alexandre. Lyon: Symétrie.
Madigan, Tim. 2005a. “A Teacher's Torment.” In The Fort Worth Star-Telegram. June 7, 1A.
Madigan, Tim 2005b. “Fan, Competitor Share Similar Backgrounds.” In The Fort Worth Star Telegram. May 23, 1B.
Madigan, Tim 2005c. “Veda's Children Play On.” In The Fort Worth Star Telegram. May 15, D4.
Magnúsdóttir, Rósa. 2006. “‘Be Careful in America, Premier Khrushchev!’ Soviet Perceptions of Peaceful Coexistence with the United States in 1959.” Cahiers du Monde Russe 47(1/2):109–30.
Mann, Robert. 1985. “The Naumburg Competition at 60.” In The New York Times. October 27, p. 19.
Markus, Hazel, and Nurius, Paula. 1986. “Possible Selves.” American Psychologist 41(9):954–69.
Marton, Andrew. 2005. “The Invisible Medalist,” In The Fort Worth Star Telegram. May 8, D1.
McCormick, Lisa. 2006. “Music as Social Performance.” Pp. 121–44 in Myth, Meaning, and Performance: Toward a New Cultural Sociology of the Arts, edited by Eyerman, Ron and McCormick, Lisa. Boulder, CO and London: Paradigm Publishers.
McCormick, Lisa 2012. “Music Sociology in a New Key.” Pp. 722–42 in The Oxford Handbook of Cultural Sociology, edited by Alexander, Jeffrey C., Jacobs, Ronald N., and Smith, Philip. New York: Oxford University Press.
McCormick, Lisa 2014. “Don't Play It Again, Sam.” American Journal of Cultural Sociology 2(2):260–65.
McGinnis, Pearl Yeadon. 2010. The Opera Singer's Career Guide: Understanding the European Fach System, edited by Willis, Marith McGinnis. Lanham, MD: Scarecrow Press.
McGuigan, Jim. 2005. “The Cultural Public Sphere.” European Journal of Cultural Studies 8(4):427–43.
Mellers, Wilfred. 1989. “What Is Musical Genius?” Pp. 166–80 in Genius: The History of an Idea, edited by Murray, Penelope. New York: Basil Blackwell.
Melograni, Piero. 2007. Wolfgang Amadeus Mozart: A Biography. Chicago: University of Chicago Press.
Mennell, Stephen. 1992. Norbert Elias: An Introduction. Oxford: Blackwell Publishers.
Merton, Robert King. 1968. Social Theory and Social Structure. New York: Free Press.
Moeran, Brian. 2010. “The Book Fair as a Tournament of Values.” Journal of the Royal Anthropological Institute 16(1):138–54.
Murray, Penelope (Ed.). 1989. Genius: The History of an Idea. Oxford: Blackwell.
NPR. 2001. “Profile: Eleventh Van Cliburn International Piano Competition,” on Weekend All Things Considered. United States: National Public Radio. Broadcast June 9.
Nylander, Erik. 2014. “Mastering the Jazz Standard: Sayings and Doings of Artistic Valuation.” American Journal of Cultural Sociology 2(1):66–96.
Osaka, Chika. 2009. “Award Turns Blind Japan Pianist into Music Sensation.” In Reuters. July 9.
Parks, J. D. 1983. Culture, Conflict, and Coexistence: American–Soviet Cultural Relations, 1917–1958. Jefferson, NC: McFarland.
Parmenter, Ross. 1960. “Music World: Fanfare or Nothing.” In The New York Times. October 30, X9.
Pasler, Jann. 2005. “State Politics and the ‘French’ Aesthetics of Prix-de-Rome Cantatas, 1870–1900.” Pp. 585–622 in Musical Education in Europe (1770–1914), edited by Fend, Michael and Noiray, Michel. Berlin: BWV Berliner Wissenscharts-Verglag GmbH.
Patoski, Joe Nick. 1998. “Wowtown!” in Texas Monthly. April, p. 122.
Peterson, Richard, and Anand, N.. 2004. “The Production of Culture Perspective.” Annual Review of Sociology 30:311–34.
Pfeifer, Ellen. 2001. “Key Changes with a New Name, a New Look, and a New Maturity, Olga Kern Overcame Disappointment and Emerged with Van Cliburn Gold New Look, Sound for Olga Kern.” In Boston Globe. June 29, C14.
Philippon, Charles. 1985. Douze Lauréats pour un Concerto. Bruxelles: Editions G carré.
Potter, Jonathan. 2002. “Two Kinds of Natural.” Discourse Studies 4(4):539–42.
Raykoff, Ivan. 2007. “Camping on the Borders of Europe.” Pp. 1–12 in A Song for Europe: Popular Music and Politics in the Eurovision Song Contest, edited by Raykoff, Ivan and Deam Tobin, Robert. Aldershot and Burlington, VT: Ashgate.
Ritterman, Janet. 2002. “On Teaching Performance.” Pp. 75–88 in Musical Performance: A Guide to Understanding, edited by Rink, John. Cambridge, UK: Cambridge University Press.
Ritzer, George, and Jurgenson, Nathan. 2010. “Production, Consumption, Prosumption: The Nature of Capitalism in the Age of the Digital ‘Prosumer.’”Journal of Consumer Culture 10(1):13–36.
Roche, Maurice. 2000. Mega-events and Modernity: Olympics and Expos in the Growth of Global Culture. London and New York: Routledge.
Roche, Maurice 2003. “Mega-events, Time and Modernity: On Time Structures in Global Society.” Time & Society 12(1):99–126.
Rodzinski, Richard. 2005. “Beyond the Score.” The 12th International Van Cliburn Piano Competition Program Book: 32–3.
Rosen, Charles. 2002. Piano Notes: The World of the Pianist. New York: Free Press.
Rosen, Peter. 2004. “Van Cliburn Concert Pianist.” RCA.
Rothstein, Edward. 1994. “Music Review: Cliburn Competition Winner's Debut.” In The New York Times. November 16, C21.
Samson, Jim. 1992. “Myth and Reality: A Biographical Introduction.” Pp. 1–8 in The Cambridge Companion to Chopin, edited by Samson, Jim. Cambridge, UK and New York: Cambridge University Press.
Samson, Jim 2003. Virtuosity and the Musical Work: The Transcendental Studies of Liszt. Cambridge, UK and New York: Cambridge University Press.
Sand, Barbara Lourie. 2000. Teaching Genius: Dorothy DeLay and the Making of a Musician. Portland, OR: Amadeus Press.
Sandvoss, Cornel. 2005. Fans: The Mirror of Consumption. Cambridge, UK: Polity.
Santoro, Marco, and Peterson, Richard A.. 2008. “Producing Cultural Sociology: An Interview with Richard A. Peterson.” Cultural Sociology 2(1):33–55.
Sargeant, Lynn M. 2011. Harmony and Discord: Music and the Transformation of Russian Cultural Life. Oxford: Oxford University Press.
Schmemann, Serge. 1982. “Tchaikovsky: U.S. Finalists Wait Tensely.” In The New York Times. July 2, Section 1, p. 11.
Schmidt, Dana Adams. 1957. “Soviet Gestures on Amity Studied: State Department is Wary of New Moscow Efforts to Lessen Tensions.” In The New York Times. June 20, p. 4.
Schonberg, Harold C. 1961. “A Matter of Bias.” In The New York Times. October 1, X11.
Schonberg, Harold C. 1978. “Competitions – Good for Music?” In The New York Times. December 3, D17.
Schonberg, Harold C. 1987[1963]. The Great Pianists. New York: Simon & Schuster.
Schubart, Mark. 1958. “Moscow Rolls Out Red Carpet.” In The New York Times. April 29, X9.
Sennett, Richard. 1977. The Fall of Public Man. New York: Knopf.
Shlachter, Barry. 2009a. “At the Only Rehearsal, a Moment of Tension and Then Natural Timing.” In The Fort Worth Star Telegram. May 28, B10.
Shlachter, Barry 2009b. “Getting a Break from ‘Nobu Fever.’” In The Fort Worth Star Telegram. August 5, B10.
Shlachter, Barry 2009c. “Japanese Pianist Doesn't Need to See to Dazzle Cliburn Audiences.” In The Fort Worth Star Telegram. May 25, B01.
Shlachter, Barry 2009d. “Learning Piano – and How to Cope.” In The Fort Worth Star Telegram. June 3, B14.
Silverman, David. 2007. A Very Short, Fairly Interesting and Reasonably Cheap Book about Qualitative Research. Los Angeles: Sage Publications.
Simmel, Georg. 1950. The Sociology of Georg Simmel, translated, edited, and with an Introduction by Wolff, Kurt H.. Glencoe, IL: Free Press.
Singer, Mark. 2007. “Fantasia for Piano.” In The New Yorker. Volume 83, Issue 27, p. 66.
Slocum, Kay Brainerd. 1995. “‘Confrérie, Bruderschaft’ and Guild: The Formation of Musicians’ Fraternal Organisations in Thirteenth- and Fourteenth-Century Europe.” Early Music History 14:257–74.
Small, Christopher. 1998. Musicking: The Meanings of Performing and Listening. Hanover and London: Wesleyan University Press.
Smith, Philip. 2005. Why War? The Cultural Logic of Iraq, the Gulf War, and Suez. Chicago: University of Chicago Press.
Stanley, Alessandra. 1994. “Musical Tradition of Acrimony.” In The New York Times. July 2, Sect. 1, p. 9.
Stockfelt, Ola. 1997. “Adequate Modes of Listening.” Pp. 129–46 in Keeping Score: Music, Disciplinarity, Culture, edited by Schwarz, David, Kassabian, Anahid, and Siegel, Lawrence. Charlottesville: University Press of Virginia.
Stockhem, Michel. 1993. La Chapelle Musicale Reine Elisabeth. Louvain-la-Neuve: Duculot.
Strachan, Alex 2008. “In Strikebound TV-land, Idol Seen as a Godsend,” in The Gazette (Montreal). January 15, Arts & Life, D7.
Street, John. 2005. “‘Showbusiness of a Serious Kind’: A Cultural Politics of the Arts Prize.” Media, Culture & Society 27(6):819–40.
Stults, Raymond. 1998. “Scandal at Tchaikovsky.” In The Moscow Times. July 4.
Sutton, Anne F. 1992. “Merchants, Music and Social Harmony: The London Puy and its French and London Contexts, circa 1300.” The London Journal 17(1):1–17.
Tait, Simon. 1994. “These Hands Are Made for Winning.” In The Times (London). September 16, p. 34.
Taruskin, Richard. 1995. Text and Act: Essays on Music and Performance. New York: Oxford University Press.
Taruskin, Richard 2005a. “Getting Rid of Glue.” Pp. 59–129 in The Oxford History of Western Music. Oxford and New York: Oxford University Press.
Taruskin, Richard 2005b. “Music of Feudalism and Fin' Amors.” Pp. 105–46 in The Oxford History of Western Music. New York: Oxford University Press.
Taruskin, Richard 2005c. “Virtuosos.” Pp. 251–88 in The Oxford History of Western Music. Oxford: Oxford University Press.
Taubman, Howard. 1958. “A Winner on His Merits.” In The New York Times. April 20, X9.
Taylor, Philip. 2007. Anton Rubinstein: A Life in Music. Bloomington: Indiana University Press.
Teviotdale, Elizabeth C. 1993. “The Invitation to the Puy d'Évreux.” Current Musicology 52:7.
Thompson, Wendy, and Waterman, Fanny. 1990. Piano Competition: The Story of the Leeds. London: Faber and Faber.
Tommasini, Anthony. 2001. “Still Seeking a Successor to Cliburn.” In The New York Times. May 27, AR19.
Tommasini, Anthony 2008. “Cold War, Hot Pianist. Now Add Fifty Years.” In The New York Times. March 9, AR1.
Topping, Seymour. 1960. “Van Cliburn Wins Moscow Ovation.” In The New York Times. June 3, p. 17.
Tremayne, Mark. 2007. Blogging, Citizenship, and the Future of Media. London: Routledge.
Tsay, Chia-Jung. 2013. “Sight over Sound in the Judgment of Music Performance.” Proceedings of the National Academy of Sciences 110(36):14580–85.
Turley, Alan C. 2001. “Max Weber and the Sociology of Music.” Sociological Forum 16(4):633–53.
Turner, Victor Witter. 1982. From Ritual to Theatre: The Human Seriousness of Play. New York: Performing Arts Journal Publications.
Turner, Victor Witter 1995. The Ritual Process: Structure and Anti-Structure. New York: Aldine de Gruyter.
Validire, Jean-Louis. 2005. “Le violoncelle continue son ascension.” In Le Figaro. November 22, p. 35.
Wagner-Pacifici, Robin Erica. 2000. Theorizing the Standoff: Contingency in Action. Cambridge, UK and New York: Cambridge University Press.
Ward, Alyson. 2005. “Blinded by the Flight: Pianists Feel the Need for Speed – but Fast Doesn't Equal Finesse.” In The Fort Worth Star Telegram. June 5.
Ward, Alyson 2009. “2 Share Gold for Only Second Time.” In The Fort Worth Star Telegram. June 8, B06.
Ward, Charles. 2001. “Cliburn Competition Slated.” In The Houston Chronicle. May 20, p. 12.
Wayne, Leslie. 2006. “Perry R. Bass, 91, Patriarch of Famed Texas Oil Family, Dies.” In The New York Times. June 2, B8.
Weber, Max. 1958. The Rational and Social Foundations of Music. Carbondale: Southern Illinois University Press.
Weber, William. 1975. Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna. London: Croom Helm.
Weber, William 2004. “The Musician as Entrepreneur and Opportunist, 1700–1914.” Pp. 3–24 in The Musician as Entrepreneur, 1700–1914: Managers, Charlatans, and Idealists, edited by Weber, William. Bloomington and Indianapolis: Indiana University Press.
Weintraub, Jeff Alan. 1997. “The Theory and Politics of the Public/Private Distinction.” Pp. 1–42 in Public and Private in Thought and Practice: Perspectives on a Grand Dichotomy, edited by Weintraub, Jeff Alan and Kumar, Krishan. Chicago: University of Chicago Press.
Weirich, Robert. 1984. “A Look at the Competition Syndrome.” In Clavier. May–June, pp. 25–7.
Weiss, Piero, and Taruskin, Richard. 1984. Music in the Western World: A History in Documents. New York and London: Schirmer Books, Collier Macmillan.
Williamon, Aaron. 1999. “The Value of Performing from Memory.” Psychology of Music 27:84–95.
Williams, Rod. 2007. “The Great Classical Piano Swindle.” In Intelligent Life. Autumn, pp. 66–75.
Wilson, Elizabeth. 1999. Jacqueline du Pré: Her Life, Her Music, Her Legend. New York: Arcade.
Winter, Robert S. 2004. “Orthodoxies, Paradoxes, and Contradictions.” Pp. 16–54 in Nineteenth-Century Piano Music, edited by Todd, R. Larry. New York and London: Routledge.
Witkin, Robert W. 1998. Adorno on Music. London and New York: Routledge.
Woodall, Tim. 2012. “Coming to a Screen Near You.” In Classical Music Magazine (The Competition Issue). Pp. 23–5.
Zeeble, Bill. 2009. “Asian Pianists Sweep Van Cliburn Competition.” In Voice of America News. June 9.
