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Selected Secondary Bibliography

Published online by Cambridge University Press:  15 July 2021

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Maggie McKinley
Maggie McKinley
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Harper College
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Philip Roth in Context , pp. 393 - 398
Publisher: Cambridge University Press
Print publication year: 2021

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References

Primary Sources

Avishai, Bernard. Promiscuous: Portnoy's Complaint and Our Doomed Pursuit of Happiness. Yale University Press, 2012.Google Scholar
Baumgarten, Murray, and Gottfried, Barbara. Understanding Philip Roth. University of South Carolina Press, 1990.Google Scholar
Basu, Ann. States of Trial: Manhood in Philip Roth’s Postwar America. Bloomsbury, 2014.Google Scholar
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Brühwiler, Claudia Franziska. Political Initiation in the Novels of Philip Roth. Bloomsbury, 2013.Google Scholar
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Cooper, Alan. Philip Roth and the Jews. SUNY Press, 1996.CrossRefGoogle Scholar
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Masiero, Pia. Philip Roth and the Zuckerman Books: The Making of a Storyworld. Cambria Press, 2011.Google Scholar
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Milowitz, Stephen. Philip Roth Considered: The Concentrationary Universe of the American Writer. Garland Press, 2000.Google Scholar
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Posnock, Ross. Philip Roth’s Rude Truth: The Art of Immaturity. Princeton University Press, 2006.Google Scholar
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Shechner, Mark. Up Society’s Ass, Copper!: Rereading Philip Roth. University of Wisconsin Press, 2003.Google Scholar
Shostak, Debra. Philip Roth: Countertexts, Counterlives. University of South Carolina Press, 2004.Google Scholar
Singh, Balbir. The Early Fiction of Philip Roth. Omega Publications, 2009.Google Scholar
Singh, Nandita. Philip Roth: A Novelist in Crisis. Classical Publishing, 2001Google Scholar
Wade, Stephen. The Imagination in Transit: The Fiction of Philip Roth. Sheffield University Press, 1996.Google Scholar

Secondary Sources

Bloom, Harold, ed. Philip Roth: Modern Critical Views. Chelsea House, 2003.Google Scholar
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Brühwiler, Claudia Franziska, and Trepanier, Lee, eds. A Political Companion to Philip Roth. University Press of Kentucky, 2017.CrossRefGoogle Scholar
Gooblar, David and Pozorski, Aimee, eds. Roth after Eighty: Philip Roth and the American Literary Imagination. Lexington Books, 2016.Google Scholar
Halio, Jay L., and Siegel, Ben, eds. Turning Up the Flame: Philip Roth’s Later Novels. University of Delaware Press, 2005.Google Scholar
Ivanova, Velichka, ed. Philip Roth and World Literature: Transatlantic Perspectives and Uneasy Passages. Cambria Press, 2014.Google Scholar
Ivanova, Velichka, ed. Reading Philip Roth’s American Pastoral. PU du Mirail, 2011.Google Scholar
Milbauer, Ahser and Watson, Donald, eds. Reading Philip Roth. Macmillan Press, 1988.CrossRefGoogle Scholar
Parrish, Timothy, ed. The Cambridge Companion to Philip Roth. Cambridge University Press, 2007.CrossRefGoogle Scholar
Pinsker, Sanford, ed. Critical Essays on Philip Roth. G.K. Hall, 1982.Google Scholar
Pozorski, Aimee, ed. Critical Insights: Philip Roth. Salem Press, 2013.Google Scholar
Pozorski, Aimee, ed. Roth and Celebrity. Lexington Books, 2012.Google Scholar
Royal, Derek Parker, ed. Philip Roth: New Perspectives on an American Author. Greenwood Press, 2005.Google Scholar
Searles, George J., ed. Conversations with Philip Roth. University Press of Mississippi, 1992.Google Scholar
Shostak, Debra, ed. Philip Roth: American Pastoral, The Human Stain, The Plot Against America. Continuum, 2011.Google Scholar
Siegel, Ben and Halio, Jay, eds. Playful and Serious: Philip Roth as Comic Writer. University of Delaware Press, 2009.Google Scholar
Brauner, David. “Masturbation and Its Discontents, or, Serious Relief: Freudian Comedy in Portnoy’s Complaint,” Critical Review 40 (2000), 75–90.Google Scholar
Cooper, Alan. "The Jewish Sit-Down Comedy of Philip Roth." Jewish Wry: Essays on Jewish Humor. Ed. Blacher Cohen, Sarah. Indiana University Press, 1987, 158–177.Google Scholar
Duban, James. “Sartre and Koestler: Bisociation, Nothingness, and the Creative Experience in Roth’s The Anatomy Lesson.” Philosophy and Literature 41.1 (2017), 55–69.CrossRefGoogle Scholar
Girgus, , Sam, . “Philip Roth and Woody Allen: Freud and the Humor of the Repressed.” Semites and Stereotypes: Characteristics of Jewish Humor. Ed. Ziv, Avner and Zajdman, Anat. Greenwood Press, 1993, 121–130.Google Scholar
Hadar, David. “A Course in Ghost Writing: Philip Roth, Authorship, and Death.” Connotations 26 (2016/2017), 14–38.Google Scholar
MacArthur, Kathleen L. “Shattering the American Pastoral: Philip Roth’s Vision of Trauma and the American Dream.” Studies in American Jewish Literature 23 (2004), 15–26.Google Scholar
Mills, Adelais. “Authorial Enchantments in the Fiction of Henry James, Philip Roth, and Joshua Cohen.” CounterText 4.3 (December 2018), 382–405.CrossRefGoogle Scholar
Parrish, Timothy. “Ralph Ellison: The Invisible Man in Philip Roth’s The Human Stain.” Contemporary Literature 45.3 (2004), 421–459.Google Scholar
Sabatos, Charles. “Can the Dissident Speak? The Czech Woman Writer in the Work of Philip Roth and Dominik Tatarka.” World Literature Studies 9.4 (2017), 74–88.Google Scholar
Canales, Sánchez, Gustavo, . “Interrelations between Literature and Life: Literary Mentors in Philip Roth’s The Professor of Desire.” The Icfai University Press 3.1 (2010), 68–79.Google Scholar
Stow, Simon. “Written and Unwritten America: Roth on Reading, Politics, and Theory.” Studies in American Jewish Literature 23 (2004), 77–87.Google Scholar
Abbott, Philip. “‘Bryan, Bryan, Bryan, Bryan’: Democratic Theory, Populism, and Philip Roth’s American Trilogy.” Canadian Review of American Studies 37.3 (2007), 431–452.Google Scholar
Berman, Marshall. “Dancing with America: Philip Roth, Writer on the Left.” New Labor Forum 9.3 (2001), 47–56.Google Scholar
France, Alan W. “Reconsideration: Philip Roth’s Goodbye, Columbus and the Limits of Commodity Culture.” MELUS: Multi-Ethnic Literature of the United States 15.4 (1988), 83–89.CrossRefGoogle Scholar
Goodman, Brian. “Philip Roth’s Other Europe: Counter-Realism and the Late Cold War.” American Literary History 27.4 (2015), 717–740.CrossRefGoogle Scholar
Hutchison, Anthony. “Liberalism Betrayed: Neoconservatism and the Postwar America Left in Philip Roth's American Trilogy.” Writing the Republic: Liberalism and Morality in American Political Fiction. Columbia University Press, 2007, 96–168.CrossRefGoogle Scholar
McDonald, Brian. “‘The Real American Crazy Shit’: On Adamism and Democratic Individuality in American Pastoral.” Studies in American Jewish Literature, 23 (2004), 27–40.Google Scholar
Schreier, Benjamin. “Literary-Historical Zionism: Irving Kristol, Alexander Portnoy, and the State of the Jews.” Contemporary Literature 55.4 (2014), 760–791.CrossRefGoogle Scholar
Aarons, Victoria. “Is It ‘Good-for-the-Jews or No-good-for-the-Jews’?: Philip Roth’s Registry of Jewish Consciousness.” What Happened to Abraham?: Reinventing the Covenant in American Jewish Fiction. University of Delaware Press, 2005, 64–81.Google Scholar
Budick, Emily Miller. “Performing Jewish Identity in Philip Roth's Counterlife." Key Texts in American Jewish Culture. Ed. Kugelmass, Jack. Rutgers University Press, 2003, 75–88.Google Scholar
Franco, Dean J. “Portnoy's Complaint: It’s about Race, Not Sex (Even the Sex Is about Race).” Prooftexts 21 (2009), 86–115.CrossRefGoogle Scholar
Furman, Andrew. “The Ineluctable Holocaust in the Fiction of Philip Roth.” Studies in American Jewish Literature 12 (1993), 109–212.Google Scholar
Glaser, Jennifer. “The Jew in the Canon: Reading Race and Literary History in Philip Roth's The Human Stain.” PMLA 123 (2008), 1465–1478.Google Scholar
Hwang, Jung-Suk. “‘Newark’s Just a Black Colony’: Race in Philip Roth’s American Pastoral.” Twentieth Century Literature 64.2 (June 2018), 161–190.Google Scholar
Molie, Godfrey. “Passing as Post-Racial: Philip Roth’s The Human Stain, Political Correctness, and the Post-Racial Passing Narrative.” Contemporary Literature 58.2 (Summer 2017), 233–261.Google Scholar
Royal, Derek Parker. “Fictional Realms of Possibility: Reimagining the Ethnic Subject in Philip Roth’s American Pastoral.” Studies in American Jewish Literature, 20 (2001): 1–16.Google Scholar
Rothberg, Michael. “Reading Jewish: Philip Roth, Art Spiegelman, and Holocaust Postmemory.” Traumatic Realism: The Demands of Holocaust Representation. University of Minnesota Press, 2000, 187–219.Google Scholar
Rubin-Dorsky, Jeffrey. “Philip Roth and American Jewish Identity: The Question of Authenticity.” American Literary History 13.1 (2001), 79–107.CrossRefGoogle Scholar
Spargo, R. Clifton. “To Invent as Presumptuously as Real Life: Parody and the Cultural Memory of Anne Frank in Roth’s The Ghost Writer.” Representations 76.1 (2001), 88–119.CrossRefGoogle Scholar
Tenenbaum, David. “Race, Class, and Shame in the Fiction of Philip Roth.” Shofar: An Interdisciplinary Journal of Jewish Studies 24.4 (2006): 34–49.CrossRefGoogle Scholar
Brauner, David. “Queering Philip Roth: Homosocial Discourse in ‘An Actor’s Life for Me,’ Letting Go, Sabbath’s Theater and the ‘American Trilogy.’” Studies in the Novel 48.1 (Spring 2016), 86–105.CrossRefGoogle Scholar
Cohen, Sarah Blacher. “Philip Roth's Would-Be Patriarchs and Their Shikses and Shrews.” Studies in American Jewish Literature 1.1 (1975), 16–22.Google Scholar
Fahy, Thomas. “Filling the Love Vessel: Women and Religion in Philip Roth’s Uncollected Short Fiction.” Shofar: An Interdisciplinary Journal of Jewish Studies 19.1 (2000), 117–126.CrossRefGoogle Scholar
Girgus, Sam B. “Between Goodbye, Columbus and Portnoy: Becoming a Man and Writer in Roth's Feminist ‘Family Romance.’”Studies in American Jewish Literature 8 (1989), 143–153.Google Scholar
Segal, Lynne. “The Circus of (male) Ageing: Philip Roth and the Perils of Masculinity.” Psycho-social Imaginaries: Perspectives on Temporality, Subjectivities and Activism. Ed. Frosh, Stephen. Palgrave Macmillan, 2015, 87–104.CrossRefGoogle Scholar
Shostak, Debra. “Return to the Breast: The Body, the Masculine Subject, and Philip Roth.” Twentieth Century Literature 45.3 (1999), 317–335.CrossRefGoogle Scholar
Ivanova, Velichka. “Philip Roth's Professor of Desire in the Light of Its French Translation.” Partial Answers 11.2 (2013), 293–304.CrossRefGoogle Scholar
Jarniewicz, Jerzy. “Ventriloquism in Philip Roth’s Deception and Its Polish Translation.” Partial Answers: Journal of Literature and the History of Ideas 11. 2 (2013), 321–331.CrossRefGoogle Scholar
Karasik, Olga. “Philip Roth in Russia: Translations and Reception.” Literature of the Americas 4 (2018), 280–291.CrossRefGoogle Scholar
Lewis, Cherie S. “Philip Roth on the Screen.” Studies in American Jewish Literature 8.2(1989), 204–211.Google Scholar
Masiero, Pia. “The Difference Is in One Word: The Italian Translation of Philip Roth's American Pastoral.” Partial Answers: Journal of Literature and the History of Ideas, 11.2 (2013), 305–319.CrossRefGoogle Scholar
Sánchez Canales, Gustavo. “Lectura para Personas de Amplio Criterio: Censorship in the Translations of Philip Roth’s Portnoy’s Complaint andThe Professor of Desire.” Partial Answers 11. 2 (2013), 279–291.CrossRefGoogle Scholar
Shostak, Debra. “Lateness, Timeliness, and Elegy: Philip Roth’s Dying Animal on Film.” Genre 47. 1 (2014), 81.CrossRefGoogle Scholar
Brauner, David. “Masturbation and Its Discontents, or, Serious Relief: Freudian Comedy in Portnoy’s Complaint,” Critical Review 40 (2000), 75–90.Google Scholar
Cooper, Alan. "The Jewish Sit-Down Comedy of Philip Roth." Jewish Wry: Essays on Jewish Humor. Ed. Blacher Cohen, Sarah. Indiana University Press, 1987, 158–177.Google Scholar
Duban, James. “Sartre and Koestler: Bisociation, Nothingness, and the Creative Experience in Roth’s The Anatomy Lesson.” Philosophy and Literature 41.1 (2017), 55–69.CrossRefGoogle Scholar
Girgus, , Sam, . “Philip Roth and Woody Allen: Freud and the Humor of the Repressed.” Semites and Stereotypes: Characteristics of Jewish Humor. Ed. Ziv, Avner and Zajdman, Anat. Greenwood Press, 1993, 121–130.Google Scholar
Hadar, David. “A Course in Ghost Writing: Philip Roth, Authorship, and Death.” Connotations 26 (2016/2017), 14–38.Google Scholar
MacArthur, Kathleen L. “Shattering the American Pastoral: Philip Roth’s Vision of Trauma and the American Dream.” Studies in American Jewish Literature 23 (2004), 15–26.Google Scholar
Mills, Adelais. “Authorial Enchantments in the Fiction of Henry James, Philip Roth, and Joshua Cohen.” CounterText 4.3 (December 2018), 382–405.CrossRefGoogle Scholar
Parrish, Timothy. “Ralph Ellison: The Invisible Man in Philip Roth’s The Human Stain.” Contemporary Literature 45.3 (2004), 421–459.Google Scholar
Sabatos, Charles. “Can the Dissident Speak? The Czech Woman Writer in the Work of Philip Roth and Dominik Tatarka.” World Literature Studies 9.4 (2017), 74–88.Google Scholar
Canales, Sánchez, Gustavo, . “Interrelations between Literature and Life: Literary Mentors in Philip Roth’s The Professor of Desire.” The Icfai University Press 3.1 (2010), 68–79.Google Scholar
Stow, Simon. “Written and Unwritten America: Roth on Reading, Politics, and Theory.” Studies in American Jewish Literature 23 (2004), 77–87.Google Scholar
Abbott, Philip. “‘Bryan, Bryan, Bryan, Bryan’: Democratic Theory, Populism, and Philip Roth’s American Trilogy.” Canadian Review of American Studies 37.3 (2007), 431–452.Google Scholar
Berman, Marshall. “Dancing with America: Philip Roth, Writer on the Left.” New Labor Forum 9.3 (2001), 47–56.Google Scholar
France, Alan W. “Reconsideration: Philip Roth’s Goodbye, Columbus and the Limits of Commodity Culture.” MELUS: Multi-Ethnic Literature of the United States 15.4 (1988), 83–89.CrossRefGoogle Scholar
Goodman, Brian. “Philip Roth’s Other Europe: Counter-Realism and the Late Cold War.” American Literary History 27.4 (2015), 717–740.CrossRefGoogle Scholar
Hutchison, Anthony. “Liberalism Betrayed: Neoconservatism and the Postwar America Left in Philip Roth's American Trilogy.” Writing the Republic: Liberalism and Morality in American Political Fiction. Columbia University Press, 2007, 96–168.CrossRefGoogle Scholar
McDonald, Brian. “‘The Real American Crazy Shit’: On Adamism and Democratic Individuality in American Pastoral.” Studies in American Jewish Literature, 23 (2004), 27–40.Google Scholar
Schreier, Benjamin. “Literary-Historical Zionism: Irving Kristol, Alexander Portnoy, and the State of the Jews.” Contemporary Literature 55.4 (2014), 760–791.CrossRefGoogle Scholar
Aarons, Victoria. “Is It ‘Good-for-the-Jews or No-good-for-the-Jews’?: Philip Roth’s Registry of Jewish Consciousness.” What Happened to Abraham?: Reinventing the Covenant in American Jewish Fiction. University of Delaware Press, 2005, 64–81.Google Scholar
Budick, Emily Miller. “Performing Jewish Identity in Philip Roth's Counterlife." Key Texts in American Jewish Culture. Ed. Kugelmass, Jack. Rutgers University Press, 2003, 75–88.Google Scholar
Franco, Dean J. “Portnoy's Complaint: It’s about Race, Not Sex (Even the Sex Is about Race).” Prooftexts 21 (2009), 86–115.CrossRefGoogle Scholar
Furman, Andrew. “The Ineluctable Holocaust in the Fiction of Philip Roth.” Studies in American Jewish Literature 12 (1993), 109–212.Google Scholar
Glaser, Jennifer. “The Jew in the Canon: Reading Race and Literary History in Philip Roth's The Human Stain.” PMLA 123 (2008), 1465–1478.Google Scholar
Hwang, Jung-Suk. “‘Newark’s Just a Black Colony’: Race in Philip Roth’s American Pastoral.” Twentieth Century Literature 64.2 (June 2018), 161–190.Google Scholar
Molie, Godfrey. “Passing as Post-Racial: Philip Roth’s The Human Stain, Political Correctness, and the Post-Racial Passing Narrative.” Contemporary Literature 58.2 (Summer 2017), 233–261.Google Scholar
Royal, Derek Parker. “Fictional Realms of Possibility: Reimagining the Ethnic Subject in Philip Roth’s American Pastoral.” Studies in American Jewish Literature, 20 (2001): 1–16.Google Scholar
Rothberg, Michael. “Reading Jewish: Philip Roth, Art Spiegelman, and Holocaust Postmemory.” Traumatic Realism: The Demands of Holocaust Representation. University of Minnesota Press, 2000, 187–219.Google Scholar
Rubin-Dorsky, Jeffrey. “Philip Roth and American Jewish Identity: The Question of Authenticity.” American Literary History 13.1 (2001), 79–107.CrossRefGoogle Scholar
Spargo, R. Clifton. “To Invent as Presumptuously as Real Life: Parody and the Cultural Memory of Anne Frank in Roth’s The Ghost Writer.” Representations 76.1 (2001), 88–119.CrossRefGoogle Scholar
Tenenbaum, David. “Race, Class, and Shame in the Fiction of Philip Roth.” Shofar: An Interdisciplinary Journal of Jewish Studies 24.4 (2006): 34–49.CrossRefGoogle Scholar
Brauner, David. “Queering Philip Roth: Homosocial Discourse in ‘An Actor’s Life for Me,’ Letting Go, Sabbath’s Theater and the ‘American Trilogy.’” Studies in the Novel 48.1 (Spring 2016), 86–105.CrossRefGoogle Scholar
Cohen, Sarah Blacher. “Philip Roth's Would-Be Patriarchs and Their Shikses and Shrews.” Studies in American Jewish Literature 1.1 (1975), 16–22.Google Scholar
Fahy, Thomas. “Filling the Love Vessel: Women and Religion in Philip Roth’s Uncollected Short Fiction.” Shofar: An Interdisciplinary Journal of Jewish Studies 19.1 (2000), 117–126.CrossRefGoogle Scholar
Girgus, Sam B. “Between Goodbye, Columbus and Portnoy: Becoming a Man and Writer in Roth's Feminist ‘Family Romance.’”Studies in American Jewish Literature 8 (1989), 143–153.Google Scholar
Segal, Lynne. “The Circus of (male) Ageing: Philip Roth and the Perils of Masculinity.” Psycho-social Imaginaries: Perspectives on Temporality, Subjectivities and Activism. Ed. Frosh, Stephen. Palgrave Macmillan, 2015, 87–104.CrossRefGoogle Scholar
Shostak, Debra. “Return to the Breast: The Body, the Masculine Subject, and Philip Roth.” Twentieth Century Literature 45.3 (1999), 317–335.CrossRefGoogle Scholar
Ivanova, Velichka. “Philip Roth's Professor of Desire in the Light of Its French Translation.” Partial Answers 11.2 (2013), 293–304.CrossRefGoogle Scholar
Jarniewicz, Jerzy. “Ventriloquism in Philip Roth’s Deception and Its Polish Translation.” Partial Answers: Journal of Literature and the History of Ideas 11. 2 (2013), 321–331.CrossRefGoogle Scholar
Karasik, Olga. “Philip Roth in Russia: Translations and Reception.” Literature of the Americas 4 (2018), 280–291.CrossRefGoogle Scholar
Lewis, Cherie S. “Philip Roth on the Screen.” Studies in American Jewish Literature 8.2(1989), 204–211.Google Scholar
Masiero, Pia. “The Difference Is in One Word: The Italian Translation of Philip Roth's American Pastoral.” Partial Answers: Journal of Literature and the History of Ideas, 11.2 (2013), 305–319.CrossRefGoogle Scholar
Sánchez Canales, Gustavo. “Lectura para Personas de Amplio Criterio: Censorship in the Translations of Philip Roth’s Portnoy’s Complaint andThe Professor of Desire.” Partial Answers 11. 2 (2013), 279–291.CrossRefGoogle Scholar
Shostak, Debra. “Lateness, Timeliness, and Elegy: Philip Roth’s Dying Animal on Film.” Genre 47. 1 (2014), 81.CrossRefGoogle Scholar

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