Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-wtssw Total loading time: 0 Render date: 2024-08-15T02:10:05.156Z Has data issue: false hasContentIssue false

6 - The Natives’ Exclusion by the Empire's Poet? (Adam Mickiewicz, The Crimean Sonnets)

Published online by Cambridge University Press:  25 March 2020

Get access

Summary

Our departure point is a true story. In 1908, King Leopold II of Belgium, the self-appointed “liberator” of lands he had seized more than twenty years earlier and called the Congo Free State (now the Democratic Republic of Congo), finally gave up his claim on the African territories. As the author of some of the most extreme atrocities in the history of Africa, Leopold knew well the secrets held in his state archives. Aware of this inconvenient legacy, he ordered that the archives of the Congo Free State in Brussels be destroyed. It took eight days to burn the collected documents. The occasion prompted Leopold to remark to his military advisor, Gustave Stinglhamber, that “I will give them my Congo, but they have no right to know what I did there.” In this manner, he not only got rid of the evidence of the crimes committed by the hegemon but also erased the textual traces of the hegemon's presence. This anecdote demonstrates one of many strategies used in colonial discourse to solidify its position as the exclusive source and medium of authoritative knowledge about the world. As long as this discourse has institutional support and is the only voice heard within the realm of politics and culture, its status remains secure, and the image of the metropolis and the periphery it creates becomes validated and “true.” In other words, it is taken to be factual, and it is respected as uncontestable.

This strategy depends on the rhetorical rule of detraction (removal). For empires, elision and silence are convenient camouflage for the violence they perpetrated. It can be effected in various ways and pertains not only to “hard” colonial discourse, for instance the actions of the empire's administrators (as was the case in the anecdote above), but also its “soft” forms, such as literary representations. For colonialism, understood as a system of a multichannel distribution of imperial power based on territorial annexation and human exploitation, creates and promotes a myth of the colonizer to convince the subjugated populace along with the rest of the world that the values and ideas held by the metropolis are superior to those of the colonized people, that they are universal and uncontestable and thus deserving respect and acceptance. This politics of self-representation, which typifies all authoritarian rule, is an especially prominent element of the civilizing mission of modern-day empires.

Type
Chapter
Information
Polish Literature and National Identity
A Postcolonial Landscape
, pp. 116 - 135
Publisher: Boydell & Brewer
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×