Book contents
- Frontmatter
- Contents
- Foreword by Kathleen Cioffi
- Preface
- Acknowledgments
- List of Illustrations
- Introduction
- Part I Our Auschwitz: Grotowski's Akropolis
- Part II Our Memory: Kantor's Dead Class
- Chapter 22 Tadeusz Kantor: A Very Short Introduction
- Chapter 23 Dead Class: The Making of the Legend
- Chapter 24 Dead Class in Poland
- Chapter 25 The Polish History Lesson
- Chapter 26 Dead Class Abroad
- Chapter 27 On Not Knowing Polish, Again
- Chapter 28 The Visual and the Puerile
- Chapter 29 The National and the Transnational
- Chapter 30 Witkiewicz's Tumor
- Chapter 31 An Age of Genius: Bruno Schulz and the Return to Childhood
- Chapter 32 Conversing with Gombrowicz: The Dead, the Funny, the Sacred and the Profane
- Chapter 33 Panirony: “A pain with a smile and a shrug”
- Chapter 34 Raising the Dead
- Chapter 35 Dead Class as Kaddish…
- Chapter 36 Dead Class as Dybbuk, or the Absence
- Chapter 37 The Dead and the Marionettes
- Chapter 38 Men and Objects
- Chapter 39 Dead Class as Forefathers' Eve
- Chapter 40 Dead Class: The Afterlife
- Postscript
- Appendix
- Notes
- Bibliography
- Index
Chapter 23 - Dead Class: The Making of the Legend
from Part II - Our Memory: Kantor's Dead Class
- Frontmatter
- Contents
- Foreword by Kathleen Cioffi
- Preface
- Acknowledgments
- List of Illustrations
- Introduction
- Part I Our Auschwitz: Grotowski's Akropolis
- Part II Our Memory: Kantor's Dead Class
- Chapter 22 Tadeusz Kantor: A Very Short Introduction
- Chapter 23 Dead Class: The Making of the Legend
- Chapter 24 Dead Class in Poland
- Chapter 25 The Polish History Lesson
- Chapter 26 Dead Class Abroad
- Chapter 27 On Not Knowing Polish, Again
- Chapter 28 The Visual and the Puerile
- Chapter 29 The National and the Transnational
- Chapter 30 Witkiewicz's Tumor
- Chapter 31 An Age of Genius: Bruno Schulz and the Return to Childhood
- Chapter 32 Conversing with Gombrowicz: The Dead, the Funny, the Sacred and the Profane
- Chapter 33 Panirony: “A pain with a smile and a shrug”
- Chapter 34 Raising the Dead
- Chapter 35 Dead Class as Kaddish…
- Chapter 36 Dead Class as Dybbuk, or the Absence
- Chapter 37 The Dead and the Marionettes
- Chapter 38 Men and Objects
- Chapter 39 Dead Class as Forefathers' Eve
- Chapter 40 Dead Class: The Afterlife
- Postscript
- Appendix
- Notes
- Bibliography
- Index
Summary
The premiere of Dead Class inaugurated the period of the Theatre of Death. Kantor was no longer experimenting as he had before. Dead Class was his first fully grown, fully mature work, standing on its own, testifying to Kantor's fully developed, individual aesthetic as a director and an artist. Dead Class was followed by four major plays, which all belong to Kantor's Theatre of Death: Wielopole, Wielopole (1980), Let the Artists Die (1984), I Shall Never Return (1988), and Today Is My Birthday (1991). The less well-known cricotages, Where Are the Snows of Yesterday (1982) and Machine of Love and Death (1987), also belong to this period, but are generally not considered fully developed productions.
Rehearsals for Dead Class began, according to various accounts, in December 1974 or January 1975. Fragments of the spectacle were first performed on 11 September 1975, for the 140 participants of the XI Congress of the International Association of Art Critics (AICA). Its official premiere, however, took place on 15 November 1975, at the Krzysztofory Gallery in Cracow. Located underground in a Gothic basement off Cracow's Main Market Square, the Krzysztofory Gallery had a somber, tomblike atmosphere ideally suited to Kantor's play.
- Type
- Chapter
- Information
- The Post-traumatic Theatre of Grotowski and KantorHistory and Holocaust in 'Akropolis' and 'Dead Class', pp. 193 - 195Publisher: Anthem PressPrint publication year: 2012