Book contents
- Producing Women’s Poetry, 1600–1730
- Frontispiece
- Producing Women’s Poetry, 1600–1730
- Copyright page
- Table of contents
- Illustrations
- Acknowledgements
- Textual conventions
- Abbreviations
- Introduction
- Chapter 1 The resources of manuscript: Anne Southwell, readership and literary property
- Chapter 2 The material muse: Anne Bradstreet in manuscript and print
- Chapter 3 The extraordinary Katherine Philips
- Chapter 4 The anxieties of agency: compilation, publicity and judgement in Anne Finch’s poetry
- Chapter 5 Publishing Marinda: Robert Molesworth, Mary Monck and Caroline of Ansbach
- Conclusion: producing women’s poetry
- Select bibliography
- Index
Producing Women’s Poetry, 1600–1730
Published online by Cambridge University Press: 05 May 2013
Book contents
- Producing Women’s Poetry, 1600–1730
- Frontispiece
- Producing Women’s Poetry, 1600–1730
- Copyright page
- Table of contents
- Illustrations
- Acknowledgements
- Textual conventions
- Abbreviations
- Introduction
- Chapter 1 The resources of manuscript: Anne Southwell, readership and literary property
- Chapter 2 The material muse: Anne Bradstreet in manuscript and print
- Chapter 3 The extraordinary Katherine Philips
- Chapter 4 The anxieties of agency: compilation, publicity and judgement in Anne Finch’s poetry
- Chapter 5 Publishing Marinda: Robert Molesworth, Mary Monck and Caroline of Ansbach
- Conclusion: producing women’s poetry
- Select bibliography
- Index
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Producing Women's Poetry, 1600–1730Text and Paratext, Manuscript and Print, pp. iPublisher: Cambridge University PressPrint publication year: 2013