Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction: Psychoanalysis is an Antiphilosophy
- 1 Listening or Dispensing? Sigmund Freud on Drugs
- 2 Love as Ontology; or, Psychoanalysis against Philosophy
- 3 Revolution or Subversion? Jacques Lacan on Slavery
- 4 Messianism or Melancholia? Giorgio Agamben on Inaction
- 5 The Slave, The Fable
- 6 Torture, Psychoanalysis and Beyond
- 7 Man is a Swarm Animal
- Bibliography
- Index
5 - The Slave, The Fable
Published online by Cambridge University Press: 05 October 2013
- Frontmatter
- Contents
- Acknowledgements
- Introduction: Psychoanalysis is an Antiphilosophy
- 1 Listening or Dispensing? Sigmund Freud on Drugs
- 2 Love as Ontology; or, Psychoanalysis against Philosophy
- 3 Revolution or Subversion? Jacques Lacan on Slavery
- 4 Messianism or Melancholia? Giorgio Agamben on Inaction
- 5 The Slave, The Fable
- 6 Torture, Psychoanalysis and Beyond
- 7 Man is a Swarm Animal
- Bibliography
- Index
Summary
You can speak as openly as you like against … tyrants, as long as you can be understood differently, because you are not trying to avoid giving offence, only its dangerous repercussions. If danger can be avoided by some ambiguity of expression, everyone will admit its cunning.
Quintilian, Institutes of OratoryBy nature slaves have no share of the laws.
Anonymous Greek tragedianBACK TO SERVITUDE
Having established slavery as a key antiphilosophical theme – whether considered primarily as an essential possibility of the animal body or as a necessity of the political one – I turn here to one of the extant ancient practices of ‘slave-speech’, those texts commonly generically recognised as ‘Aesopic fables’. I will argue here that ‘the Aesopic’ is always intimately connected with the problem of slavery, ‘real’ slavery, slavery in a real political sense. But the Aesopic is not simply the discourse of the slave as such; it is rather a discourse that is at once the expression and evidence of that slavery transfigured, although not entirely abolished. A penumbra of the threat of torture halos the Aesopic. I will also argue that the particular genre that exemplifies Aesopic discourse – ‘the fable’ – is a peculiarly primordial one in regard to human community, and in a number of closely connected ways. The Aesopic fable presents the enigma of the foundations of politics in a language that hovers ambiguously between ‘nature’ and ‘culture’.
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- Psychoanalysis is an Antiphilosophy , pp. 102 - 122Publisher: Edinburgh University PressPrint publication year: 2013