Book contents
- The Psychology of Contemporary Art
- The Psychology of Contemporary Art
- Copyright page
- Dedication
- Contents
- Figures
- Preface
- Acknowledgements
- Eight major trends in contemporary art
- Part I Introduction
- Part II Brain
- 2.1 Neuroaesthetics
- 2.2 Emotions in art: seeing is believing?
- 2.3 Dynamic interconnectivity
- 2.4 Convergence zones
- 2.5 Word and image in contemporary art
- 2.6 Models of aesthetic cognition
- 2.7 Relational knowledge
- 2.8 Analogical processes in relational knowledge
- 2.9 Carl Andre’sLever, 1966
- 2.10 Metaphor and art
- 2.11 The structures of metaphor in art
- Part III Body
- Part IV World
- References
- Index
2.4 - Convergence zones
from Part II - Brain
Published online by Cambridge University Press: 05 October 2013
- The Psychology of Contemporary Art
- The Psychology of Contemporary Art
- Copyright page
- Dedication
- Contents
- Figures
- Preface
- Acknowledgements
- Eight major trends in contemporary art
- Part I Introduction
- Part II Brain
- 2.1 Neuroaesthetics
- 2.2 Emotions in art: seeing is believing?
- 2.3 Dynamic interconnectivity
- 2.4 Convergence zones
- 2.5 Word and image in contemporary art
- 2.6 Models of aesthetic cognition
- 2.7 Relational knowledge
- 2.8 Analogical processes in relational knowledge
- 2.9 Carl Andre’sLever, 1966
- 2.10 Metaphor and art
- 2.11 The structures of metaphor in art
- Part III Body
- Part IV World
- References
- Index
- Type
- Chapter
- Information
- The Psychology of Contemporary Art , pp. 116 - 118Publisher: Cambridge University PressPrint publication year: 2013