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2 - Black Humour and the Children of the Disappeared

Published online by Cambridge University Press:  05 October 2014

Cecilia Sosa
Affiliation:
Received a PhD in Drama from Queen Mary, University of London. She is currently a post-doctoral research fellow at School of Arts & Digital Industries, University of East London
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Summary

In December 2010 H.I.J.O.S., the organisation created by the children of the disappeared, celebrated its 15th anniversary. A big party took place at a pub in San Telmo, a historic and bohemian area of Buenos Aires. ‘Our only revenge is to be happy’, ran the invitation flyer. Since the group was established in 1995 many fundamental aspects have changed in Argentina. While in the early 1990s those responsible for the dictatorship's crimes were free or had been ‘pardoned’, by 2010 huge trials were taking place. In 2005 the Supreme Court nullified the laws of impunity, and prosecutions were allowed once again. Today, 1,424 military personnel are involved in cases across all the country. In this context, H.I.J.O.S. became a prosecutor in court. Although these testimonies had mostly symbolic value – the descendants were children at the time of their parents' kidnapping – the courts became a major stage for witnessing the younger generation's accounts of the ongoing effects of trauma.

While attending these trials in December 2009 and January 2010, I was impressed by the affective investment of the descendants' testimonies. All those individual performances were strongly embedded in a collective spirit. I was especially moved by the words of Paula Maroni, a founder member of H.I.J.O.S., whose father was kidnapped and murdered and whose mother survived after three months of captivity and torture.

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Publisher: Boydell & Brewer
Print publication year: 2014

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  • Black Humour and the Children of the Disappeared
  • Cecilia Sosa, Received a PhD in Drama from Queen Mary, University of London. She is currently a post-doctoral research fellow at School of Arts & Digital Industries, University of East London
  • Book: Queering Acts of Mourning in the Aftermath of Argentina's Dictatorship
  • Online publication: 05 October 2014
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  • Black Humour and the Children of the Disappeared
  • Cecilia Sosa, Received a PhD in Drama from Queen Mary, University of London. She is currently a post-doctoral research fellow at School of Arts & Digital Industries, University of East London
  • Book: Queering Acts of Mourning in the Aftermath of Argentina's Dictatorship
  • Online publication: 05 October 2014
Available formats
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To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Black Humour and the Children of the Disappeared
  • Cecilia Sosa, Received a PhD in Drama from Queen Mary, University of London. She is currently a post-doctoral research fellow at School of Arts & Digital Industries, University of East London
  • Book: Queering Acts of Mourning in the Aftermath of Argentina's Dictatorship
  • Online publication: 05 October 2014
Available formats
×