Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-l82ql Total loading time: 0 Render date: 2024-07-31T02:19:59.718Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

2 - The Serpent

Get access

Summary

The encounter with Ariel continued to disturb and stimulate me for many weeks. It was not that the bizarre results of his experiment with himself had deeply affected me, but that it had served to remind me of all my previous explorations of the inner landscapes of my own psyche. Finding the triggering point for a re-examination of these was proving extremely difficult for me, and structuring them into some assimilable form even more so. To hold the totality of their images within the fragmentary and isolating focus of one's consciousness is an irredeemable task. For, having attempted to describe and explain them for other people and close friends who have embarked upon the experiment, I fall headlong into the traps formed by my own intellect and my tendency to intellectualise. This was driven home to me forcefully by my attempts to continue my narrative by recounting the history of one of my strongest friendships, but this relationship has proved to be so difficult to convey a flavour of that I have had to abandon that task.

John and I began working together on the manuscript of our three-year-long series of dialogues and mutual promptings, and during our analytical sessions it became obvious that the images we wished to explore could not yield their meaning through an intellectual approach, nor through a conventional descriptive narrative. He put on the tape recorder to document and play back my reading of the story of our times together and after three hours of tangential discourse and the hard and difficult work of listening to each other, we sat back and went over our conversation once more. We became passive parties to our own active and over-conscious interaction. It was the salutary shock that I had been waiting for.

During my reading I had become increasingly uncomfortable and unhappy about what I was trying to do. Writing about someone close to you and with whom you have achieved a rapport is a sensitive and potentially destructive task. That is why I had brought the manuscript to John for his approval, comments and contribution. Yet for all our shared interests in the occult and in the exploration of the psyche, I left feeling that the exercise was an irrelevant one.

Type
Chapter
Information
The Quest for Gold , pp. 57 - 82
Publisher: Liverpool University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×