Book contents
- Frontmatter
- Content
- Note on Terminology
- About the Author
- Acknowledgements
- Preface
- Beyond the Wall
- 1 Reimagining a Black Art Infused Criminology
- 2 The People Speak: The Importance of Black Arts Movements
- 3 Shadow People: Black Crime Fiction as Counter-Narrative
- 4 Staging the Truth: Black Theatre and the Politics of Black Criminality
- 5 Beyond The Wire: The Racialization of Crime in Film and TV
- 6 Strange Fruit: Black Music (Re)presenting the Race and Crime
- 7 Of Mules and Men: Oral Storytelling and the Racialization of Crime
- 8 Seeing the Story: Visual Art and the Racialization of Crime
- 9 Speaking Data and Telling Stories
- 10 Locating the Researcher: (Auto)-Ethnography, Race, and the Researcher
- 11 Towards a Black Arts Infused Criminology
- Bibliography
- Index
11 - Towards a Black Arts Infused Criminology
Published online by Cambridge University Press: 23 December 2021
- Frontmatter
- Content
- Note on Terminology
- About the Author
- Acknowledgements
- Preface
- Beyond the Wall
- 1 Reimagining a Black Art Infused Criminology
- 2 The People Speak: The Importance of Black Arts Movements
- 3 Shadow People: Black Crime Fiction as Counter-Narrative
- 4 Staging the Truth: Black Theatre and the Politics of Black Criminality
- 5 Beyond The Wire: The Racialization of Crime in Film and TV
- 6 Strange Fruit: Black Music (Re)presenting the Race and Crime
- 7 Of Mules and Men: Oral Storytelling and the Racialization of Crime
- 8 Seeing the Story: Visual Art and the Racialization of Crime
- 9 Speaking Data and Telling Stories
- 10 Locating the Researcher: (Auto)-Ethnography, Race, and the Researcher
- 11 Towards a Black Arts Infused Criminology
- Bibliography
- Index
Summary
Chapter summary
Presenting a counter-narrative to the dominant majoritarian narrative that currently exists will not only challenge the myth of criminological meritocracy, but expose criminological white privilege in the process. By placing ‘race and the racialization of crime’ at the centre of their analysis and moving away from paradigms that hold whiteness within criminology as the norm, critical race criminologists must identify research agendas that incorporate collective actions taken by an inclusive cohort of activists scholars committed to the struggle for academic validation, transformation, and change.
Racialized perceptions
Gabbidon et al (2004) understand that in spite of the moderate gains made to increase the inclusivity of black scholars in relation to criminology and criminal justice, more needs to be done to incorporate perspectives and theoretical ideas that deviate from socalled ‘mainstream criminology’. Fanon (1952: 3) begins to unpack and set a tone for further discussion when he writes:
The white man is sealed in his whiteness
The Black man in his blackness
We shall seek to ascertain the directions of this ‘dual narcissism
And the motivations that inspire it.
The significance of Fanon's position is in the envisioning of a critical race criminological imagination that requires a struggle to end any criminological hegemony that desires to subordinate the black voice within the discipline. Zinn (1959) has a word of caution for so-called mainstream criminology's currently monopoly on the discipline and argues that the day-to-day discipline centring on issues of race and racialization should depend on the compliance of a vast number of people. When that compliance is withdrawn, en masse, even force is inadequate to hold back the impulse for justice. Zinn clearly understands that exclusion of a diverse range of criminological theories and perspectives can only lead to division and internal conflict among those who ultimately have one common aim, to ensure the understandings and insights around crime and criminal justice are strong, unified, and robust. Gilroy (1987) argues that ‘race’ must be retained as an analytic category, not because it corresponds to any biological or epistemological absolute, but because it refers investigation to the power that collective identities acquire by means of their roots in tradition.
- Type
- Chapter
- Information
- Reimagining Black Art and CriminologyA New Criminological Imagination, pp. 151 - 174Publisher: Bristol University PressPrint publication year: 2021