Book contents
- Frontmatter
- Contents
- Dedication
- The Names’ Two Bodies: Mary, Queen of Scots, Elizabeth I, and the Politics of Correspondence
- “Of that Wide Gap”: Liminality and the Gap of Time in The Winter’s Tale
- “To kill a Wife with Kindness”: Contextualizing Shakespeare’s The Taming of the Shrew
- The Harvest of Mysticism in English Renaissance Literature: Ascesis in Spenser and Shakespeare— “silencing the tumult of the flesh”
- A House of Spiderwebs: George Herbert and the Estate Poem
- The Judith Narrative in Margaret Tyler’s Mirror of Princely Deeds
- Knowing Owen: Merry and Satirical Epitaphs on a Butler of Christ Church, Oxford
- Margaret Cavendish and Ben Jonson: Ladies’ Spaces, Boy Actors, and Wit
- Parnassus Commodified: Ben Jonson and the Printing of Value
Contents
Published online by Cambridge University Press: 23 October 2020
Book contents
- Frontmatter
- Contents
- Dedication
- The Names’ Two Bodies: Mary, Queen of Scots, Elizabeth I, and the Politics of Correspondence
- “Of that Wide Gap”: Liminality and the Gap of Time in The Winter’s Tale
- “To kill a Wife with Kindness”: Contextualizing Shakespeare’s The Taming of the Shrew
- The Harvest of Mysticism in English Renaissance Literature: Ascesis in Spenser and Shakespeare— “silencing the tumult of the flesh”
- A House of Spiderwebs: George Herbert and the Estate Poem
- The Judith Narrative in Margaret Tyler’s Mirror of Princely Deeds
- Knowing Owen: Merry and Satirical Epitaphs on a Butler of Christ Church, Oxford
- Margaret Cavendish and Ben Jonson: Ladies’ Spaces, Boy Actors, and Wit
- Parnassus Commodified: Ben Jonson and the Printing of Value
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- Renaissance Papers 2019 , pp. v - viPublisher: Boydell & BrewerPrint publication year: 2020