Book contents
- Frontmatter
- CONTENTS
- Acknowledgements
- List of Figures
- Dedication
- Introduction: Reading from the Margins
- 1 Contesting the Jupien Effect: Annotation in the Eighteenth Century
- 2 The Author in the Margins: Annotation as Site of Conflict
- 3 Margins and Marginality: Maria Edgeworth's Castle Rackrent (1800) and Sydney Owenson's The Wild Irish Girl (1806)
- 4 The Imperial Collection: Robert Southey's Thalaba the Destroyer: A Metrical Romance (1801)
- 5 The Margins of the Nation: Robert Burns's Poems, Chiefly in the Scottish Dialect (1786) and Walter Scott's Waverley (1814)
- 6 Byron's Errantry: Lord Byron and John Cam Hobhouse's Annotation for Cantos I, II and IV of Childe Harold's Pilgrimage (1811–16)
- Conclusion: Romantic Marginality and Beyond
- Notes
- Works Cited
- Index
Notes
- Frontmatter
- CONTENTS
- Acknowledgements
- List of Figures
- Dedication
- Introduction: Reading from the Margins
- 1 Contesting the Jupien Effect: Annotation in the Eighteenth Century
- 2 The Author in the Margins: Annotation as Site of Conflict
- 3 Margins and Marginality: Maria Edgeworth's Castle Rackrent (1800) and Sydney Owenson's The Wild Irish Girl (1806)
- 4 The Imperial Collection: Robert Southey's Thalaba the Destroyer: A Metrical Romance (1801)
- 5 The Margins of the Nation: Robert Burns's Poems, Chiefly in the Scottish Dialect (1786) and Walter Scott's Waverley (1814)
- 6 Byron's Errantry: Lord Byron and John Cam Hobhouse's Annotation for Cantos I, II and IV of Childe Harold's Pilgrimage (1811–16)
- Conclusion: Romantic Marginality and Beyond
- Notes
- Works Cited
- Index
Summary
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- Chapter
- Information
- Romantic MarginalityNation and Empire on the Borders of the Page, pp. 145 - 168Publisher: Pickering & ChattoFirst published in: 2014