Book contents
- Frontmatter
- Contents
- Acknowledgments
- List of abbreviations
- A note on the text
- Introduction: Romanticism's “pageantry of fear”
- 1 Gothic, reception, and production
- 2 Gothic and its contexts
- 3 “Gross and violent stimulants”: producing Lyrical Ballads 1798 and 1800
- 4 National supernaturalism: Joanna Baillie, Germany, and the gothic drama
- 5 “To foist thy stale romance”: Scott, antiquarianism, and authorship
- Notes
- Index
- CAMBRIDGE STUDIES IN ROMANTICISM
- Frontmatter
- Contents
- Acknowledgments
- List of abbreviations
- A note on the text
- Introduction: Romanticism's “pageantry of fear”
- 1 Gothic, reception, and production
- 2 Gothic and its contexts
- 3 “Gross and violent stimulants”: producing Lyrical Ballads 1798 and 1800
- 4 National supernaturalism: Joanna Baillie, Germany, and the gothic drama
- 5 “To foist thy stale romance”: Scott, antiquarianism, and authorship
- Notes
- Index
- CAMBRIDGE STUDIES IN ROMANTICISM
Summary
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- Type
- Chapter
- Information
- Romanticism and the GothicGenre, Reception, and Canon Formation, pp. 246 - 255Publisher: Cambridge University PressPrint publication year: 2000