Book contents
- Frontmatter
- Contents
- List of Figures
- Series Editor's Preface
- Acknowledgements
- Abbreviations
- 1 Exteriority: Women Readers at the British Museum
- 2 Translation Work and Women's Labour from the British Museum
- 3 Poetry in the Round: Mutual Mentorships
- 4 Researching Romola: George Eliot and Dome Consciousness
- 5 Reading Woolf's Roomscapes
- Coda: Closing Years and Afterlives
- Appendix: Notable Readers
- Bibliography
- Index
2 - Translation Work and Women's Labour from the British Museum
Published online by Cambridge University Press: 05 September 2013
- Frontmatter
- Contents
- List of Figures
- Series Editor's Preface
- Acknowledgements
- Abbreviations
- 1 Exteriority: Women Readers at the British Museum
- 2 Translation Work and Women's Labour from the British Museum
- 3 Poetry in the Round: Mutual Mentorships
- 4 Researching Romola: George Eliot and Dome Consciousness
- 5 Reading Woolf's Roomscapes
- Coda: Closing Years and Afterlives
- Appendix: Notable Readers
- Bibliography
- Index
Summary
In a large folio book with the title ‘Applications for Reading Room Tickets, 1872–79’, and archived at the British Library on Euston Road, is a letter dated 15 October 1877:
Sir,
I am desirous of obtaining a card of admission to the Reading Room of the British Museum, & should be much obliged if you would kindly send me one. I do not know whether it is necessary to mention references. If so I suppose it will suffice to say that my father, Dr. Karl Marx visited the Reading Room daily for nearly 30 years.
I am, Sir, Yours truly Eleanor Marx
Eleanor Marx, the youngest of three sisters, addressed this letter to John Winter Jones, Principal Librarian of the British Museum from 1866–78. Archived at the British Library today, there are four folio books of selected letters and applications, from 1824–81. Together, these volumes provide a spotty glimpse of the occasions, affiliations and purposes of readers seeking admission to the Bloomsbury national library. The pages – scrapbooks in effect – offer a sense of the array of stationery and handwriting of the era, with pastel sheets of assorted shapes patched across the surfaces of the volume by some invisible hand; a librarian or archivist, possibly in the early twentieth century, collected this medley of requests to read at the British Museum.
- Type
- Chapter
- Information
- RoomscapeWomen Writers in the British Museum from George Eliot to Virginia Woolf, pp. 33 - 73Publisher: Edinburgh University PressPrint publication year: 2013