Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-dsjbd Total loading time: 0 Render date: 2024-11-25T17:23:05.059Z Has data issue: false hasContentIssue false

Reading list

Published online by Cambridge University Press:  16 August 2019

Adam Hansen
Affiliation:
Northumbria University, Newcastle
Get access
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abrams, Richard. ‘Rumour’s Reign in 2 Henry IV: the scope of a personification’, ELR 16:3 (Autumn, 1986), 467–95Google Scholar
Auden, W. H. The Dyer’s Hand and Other Essays, 1948Google Scholar
Baker, David J. and Maley, Willy (eds.). British Identities and English Renaissance Literature, 2002Google Scholar
Berger, Harry Jr. ‘Sneak’s noise, or rumor and detextualization in 2 Henry IV’, Kenyon Review n.s. 6:4 (Fall 1984), 5878Google Scholar
Bergeron, David. ‘Shakespeare makes history: 2 Henry IV’, SEL 31 (1991), 231–45Google Scholar
Berry, E. I.The rejection scene in 2 Henry IV’, SEL 17 (1977), 201–18Google Scholar
Bevington, David M. (ed.). Henry the Fourth Parts 1 and 2: Critical Essays, 1986Google Scholar
Calderwood, James L. Metadrama in Shakespeare’s Henriad, 1979Google Scholar
Callow, Simon. Actors on Shakespeare: Henry IV Part II, 2003Google Scholar
Campbell, Lily B. Shakespeare’s Histories: Mirrors of Elizabethan Policy, 1947Google Scholar
Chedgzoy, Kate. Shakespeare’s Queer Children: Sexual Politics and Contemporary Culture, 1995Google Scholar
Cohen, Derek. Shakespeare’s Culture of Violence, 1993CrossRefGoogle Scholar
Crewe, Jonathan. ‘Reforming Prince Hal: the sovereign inheritor in 2 Henry IV’, Renaissance Drama n.s. 21 (1990), 225–42CrossRefGoogle Scholar
Davis, Hugh. “‘Shakespeare, he’s in the alley”: My Own Private Idaho and Shakespeare in the streets’, Literature/Film Quarterly 29 (2001), 116–21Google Scholar
Findlay, Heather. ‘Renaissance pederasty and pedagogy: the “case” of Shakespeare’s Falstaff’, Yale Journal of Criticism 3 (1989), 229–38Google Scholar
Fortier, Mark. ‘Speculations on 2 Henry IV, theatre historiography, the strait gate of history, and Kenneth Branagh’, Journal of Dramatic Theory and Criticism 7:1 (1992), 4569Google Scholar
Fox, Adam. ‘Rumour, news and popular opinion in Elizabethan and early Stuart England’, Historical Journal 40 (1997), 597620CrossRefGoogle Scholar
Grady, Hugh. ‘Falstaff: subjectivity between the Carnival and the aesthetic’, MLR 96:3 (July 2001), 609–23Google Scholar
Greenblatt, Stephen. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England, 1988Google Scholar
Greenblatt, Stephen. Will in The World: How Shakespeare Became Shakespeare, 2004Google Scholar
Griffin, Benjamin. Playing the Past: Approaches to English Historical Drama 1385–1600, 2001Google Scholar
Hadfield, Andrew. Shakespeare, Spenser and the Matter of Britain, 2004CrossRefGoogle Scholar
Harrington, Gary. ‘Shakespeare’s Henry IV, part 2’, The Explicator 53:3 (Spring 1995), 131–34Google Scholar
Hattaway, Michael (ed.). The Cambridge Companion to Shakespeare’s History Plays, 2002CrossRefGoogle Scholar
Hattaway, Michael and Sokolova, Boika and Roper, Derek (eds.). Shakespeare in the New Europe, 1994Google Scholar
Helgerson, Richard. Forms of Nationhood: The Elizabethan Writing of England, 1992Google Scholar
Hodgdon, Barbara. The End Crowns All: Closure and Contradiction in Shakespeare’s History, 1991CrossRefGoogle Scholar
Hodgdon, Barbara. Henry IV, Part Two: Shakespeare in Performance, 1993Google Scholar
Barbara, Graham. Shakespeare Recycled: The Making of Historical Drama, 1992Google Scholar
Howard, Jean E. and Rackin, Phyllis. Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, 1997Google Scholar
Howard Hill, Trevor (ed.). Henry IV Part II. A Concordance to the Text of the First Quarto of 1600, 1971Google Scholar
Howlett, Kathy. ‘Utopian revisioning of Falstaff’s tavern world: Orson Welles’s Chimes at Midnight, and Gus Van Sant’s My Own Private Idaho’, in Starks, Lisa S. and Lehman, Courtney (eds.), The Reel Shakespeare: Alternative Cinema and Theory, 2002, 165–88Google Scholar
Hunter, G. K.Shakespeare’s politics and the rejection of Falstaff, CQ i (1959), 229–36Google Scholar
Hunter, G. K.Truth and art in the history plays’, S. Sur 42 (1989), 1524Google Scholar
Hunter, G. K. (ed.). Henry IV Parts I and II: A Casebook, 1970Google Scholar
Hutson, Lorna. ‘Not the King’s two bodies: reading the “Body Politic” in Shakespeare’s Henry IV, Parts 1 and 2’, in Kahn, Victoria and Hutson, Lorna (eds.), Rhetoric and Law in Early Modern Europe, 2001, 166–98Google Scholar
Joughin, John J. (ed.). Shakespeare and National Culture, 1997Google Scholar
Knowles, Ronald. Henry IV Parts I & II, 1992Google Scholar
Knowles, Ronald. Shakespeare’s Arguments with History, 2002CrossRefGoogle Scholar
Knowles, Ronald. (ed.). Shakespeare and Carnival: After Bakhtin, 1998CrossRefGoogle Scholar
Levine, Nina. ‘Extending credit in the Henry IV plays’, SQ 51:4 (Winter, 2000), 403–31Google Scholar
Loomba, Ania and Orkin, Martin (eds.). Post-Colonial Shakespeares, 1998Google Scholar
McAlindon, Thomas. Shakespeare’s Tudor History: A Study of Henry IV, Parts 1 and 2, 2001Google Scholar
McAlindon, ThomasTesting the new historicism: “invisible bullets” reconsidered’, Studies in Philology 92:4 (Fall 1995), 411–38Google Scholar
McLoughlin, Cathleen T. Shakespeare, Rabelais and the Comical-Historical, 2000Google Scholar
Melchiori, Giorgio. ‘The Corridors of History: Shakespeare the re-maker’, Proceedings of the British Academy 77 (1986), 167–85Google Scholar
Merlin, Bella. With the Rogue’s Company: Henry IV at the National Theatre, 2005Google Scholar
Patterson, Annabel. Reading Holinshed’s Chronicles, 1994Google Scholar
Rackin, Phyllis. Stages of History: Shakespeare’s English Chronicles, 1990Google Scholar
Roberts, Penny. ‘Arson, conspiracy and rumour in early modern Europe’, Continuity and Change 12:1 (May 1997), 929CrossRefGoogle Scholar
Ryan, Kiernan. Shakespeare, 2002Google Scholar
Shapiro, James. 1599: A Year in the Life of William Shakespeare, 2005Google Scholar
Simmons, J. L.Masculine negotiations in Shakespeare’s history plays: Hal, Hotspur, and “the foolish Mortimer’”, SQ 44 (1993), 440–63Google Scholar
Smallwood, Robert (ed.). Players of Shakespeare 6: Essays in the Performance of Shakespeare’s History Plays, 2004Google Scholar
Sullivan Jr, Garrett A. The Drama of Landscape: Land, Property, and Social Relations on the Early Modern Stage, 1998Google Scholar
Tillyard, E. M. W. Shakespeare’s History Plays, 1944Google Scholar
Tomlinson, Michael. ‘Shakespeare and the chronicles reassessed’, L&H 10 (1984), 4658Google Scholar
Traub, Valerie. ‘Prince Hal’s Falstaff: positioning psychoanalysis and the female reproductive body’, SQ 40 (1989), 456–74Google Scholar
Van Sant, Gus. My Own Private Idaho & Even Cowgirls Get the Blues, 1993Google Scholar
Woolf, D. R. Reading History in Early Modern England, 2000Google Scholar
Wiseman, Susan. ‘The family tree motel: subliming Shakespeare in My Own Private Idaho’, in Boose, Lynda E. and Burt, Richard (eds.), Shakespeare the Movie: Popularizing the Plays on Film, TV, and Video, 1998, 225–39Google Scholar
Young, D. P. (ed.). Twentieth Century Interpretations of Henry IV, Part Two, 1968Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×