Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-tsvsl Total loading time: 0 Render date: 2024-07-25T16:14:04.444Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Introduction: Shakespeare and the Vulnerable Self

Patrick Gray
Affiliation:
Durham University
Get access

Summary

It would generally be a decisive refutation of a moral philosophy to show that moral agency on its own account of the matter could never be socially embodied; and it also follows that we have not yet fully understood the claims of any moral philosophy until we have spelled out what its social embodiment would be.

Alasdair MacIntyre, After Virtue

The central claim of this study is that Shakespeare is deeply sceptical of neoclassical as well as classical glorification of the kind of personal autonomy Seneca describes as ‘constancy’. Shakespeare sees this pursuit of individual invulnerability, not only as a defining feature of Roman culture, but also as the most fundamental cause of the fall of the Roman Republic. The tragic protagonists of his Roman plays strive to transcend the limits of their own physical bodies, as well as their susceptibility to passions such as pity, grief and fear, and instead come crashing back down to earth. The ‘frailty’ that they hope to escape proves instead an intransigent given of the human condition. Unsuccessful efforts to achieve what Hannah Arendt calls ‘sovereignty’ backfire politically, as well. The untrammelled freedom from dependence on all others that Shakespeare's Romans idealise leaves no room for power-sharing between political rivals or for compromise across social classes, but instead leads them inexorably towards violence and, finally, civil war. As a thought-experiment, Shakespeare's Roman plays provide a prescient critique of the vision of the good that animates present-day political liberalism, the ethical ideal Quentin Skinner calls ‘neo-Roman liberty’.

For Peter Holbrook, ‘Shakespeare's poetic personality is deeply wedded to one particular value: individual freedom.’ ‘More than any other pre-Romantic writer,’ Holbrook argues, ‘Shakespeare is committed to fundamentally modern values: freedom, individuality, self-realization, authenticity.’ For Ewan Fernie, as well, ‘freedom’ is ‘a supreme Shakespearean value’. ‘But what is freedom,’ he asks, ‘and what does it mean to invoke it as a surpassing value in Shakespeare?’ ‘Shakespearean drama doesn't give us a smug and sentimental liberalism.’ Fernie sees an analogy between ‘the politics of Shakespearean form’ and ‘the classic statement of liberalism’, John Stuart Mill's treatise On Liberty, in which Mill speaks of ‘a necessary tension between individual freedom and social flourishing’.

Type
Chapter
Information
Shakespeare and the Fall of the Roman Republic
Selfhood, Stoicism and Civil War
, pp. 1 - 46
Publisher: Edinburgh University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×