Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 Shakespeare and the idea of late writing: authorship in the proximity of death
- 2 The Shakespearean caesura: genre, chronology, style
- 3 The invention of late Shakespeare: subjectivism and its discontents
- 4 Last words/late plays: the possibility and impossibility of late Shakespeare in early modern culture and theatre
- 5 How old is ‘late’? Late Shakespeare, old age, King Lear
- 6 The Tempest and the uses of late Shakespeare in the theatre: Gielgud, Rylance, Prospero
- Notes
- Index
Acknowledgements
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 Shakespeare and the idea of late writing: authorship in the proximity of death
- 2 The Shakespearean caesura: genre, chronology, style
- 3 The invention of late Shakespeare: subjectivism and its discontents
- 4 Last words/late plays: the possibility and impossibility of late Shakespeare in early modern culture and theatre
- 5 How old is ‘late’? Late Shakespeare, old age, King Lear
- 6 The Tempest and the uses of late Shakespeare in the theatre: Gielgud, Rylance, Prospero
- Notes
- Index
Summary
- Type
- Chapter
- Information
- Shakespeare and the Idea of Late WritingAuthorship in the Proximity of Death, pp. ix - xiiPublisher: Cambridge University PressPrint publication year: 2007