In the Christian tradition, faith, hope, and charity have God as their object and instigator, and they are the means by which we share in his nature. Hence they are called theological or deiform virtues. But during the Reformation Luther emphatically isolated faith from the other virtues, and from the virtue tradition tout court. This understanding of faith deliberately severed faith from any idea of virtue as human deed, habit, or disposition, and from any works, for that would precisely compromise the exclusive and one-sided donation of faith as a freedom from any necessary conditions of human emotion or thought. In this chapter I examine this trajectory and its logic. I trace the integration of the theological virtues, briefly looking at the allegorical treatment of the virtues in Dante and Spenser, and discussing the implications of this severing in Calvinism especially in its pastoral implications. When it comes to Shakespeare I focus in particular on hope in The Winter’s Tale, and faith in Cymbeline, on the understanding that each play treats these examinations in the context of a ruptured and interrupted love.