Shakespeare, from Stage to Screen

Sarah Hatchuel

doi:10.1017/CBO9780511483615

References

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Shakespeare, from Stage to Screen

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Contents

Frontmatter
pp i-vi

Contents
pp vii-vii

Acknowledgments
pp viii-x

1 - Shakespeare, from stage to screen: a historical and aesthetic approach
pp 1-32

2 - From theatre showing to cinema telling
pp 33-65

3 - Masking film construction: towards a ‘real’ world
pp 66-93

4 - Reflexive constructions: from meta-theatre to meta-cinema?
pp 94-126

5 - Screenplay, narration and subtext: the example of Hamlet
pp 127-151

6 - Case studies
pp 152-176

Bibliography
pp 177-185

Index
pp 186-190

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