Book contents
- Frontmatter
- Editing Shakespeare’s Plays in the Twentieth Century
- Crisis in Editing?
- On Being a General Editor
- Altering the Letter of Twelfth Night: ‘Some are born great’ and the Missing Signature
- ‘A Thousand Shylocks’: Orson Welles and The Merchant of Venice
- The Date and Authorship of Hand D’s Contribution to Sir Thomas More: Evidence from ‘Literature Online’
- Ferdinand’s Wife and Prospero’s Wise
- Editing Stefano’s Book
- Manuscript, Print and the Authentic Shakespeare: The Ireland Forgeries Again
- The Author, the Editor and the Translator: William Shakespeare, Alexander Chalmers and Sándor Petofi or the Nature of a Romantic Edition
- Women Edit Shakespeare
- The Shakespeare Edition in Industrial Capitalism
- Print and Electronic Editions Inspired by the New Variorum Hamlet Project
- The Evolution of Online Editing: Where Will it End?
- The Director as Shakespeare Editor
- The Editor as Translator
- Performance Editions, Editing and Editors
- Editing Collaborative Drama
- Will in the Universe: Shakespeare’s Sonnets, Plato’s Symposium, Alchemy and Renaissance Neoplatonism
- Giants and Enemies of God: The Relationship between Caliban and Prospero from the Perspective of Insular Literary Tradition
- Shakespeare’s Ages
- Who Wrote William Basse’s ‘Elegy on Shakespeare’?: Rediscovering a Poem Lost from the Donne Canon
- ‘Sometime a Paradox’: Shakespeare, Diderot and the Problem of Character
- Shakespeare Performances in England, 2005
- Professional Shakespeare Productions in the British Isles, January–December 2004
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Index
Professional Shakespeare Productions in the British Isles, January–December 2004
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- Editing Shakespeare’s Plays in the Twentieth Century
- Crisis in Editing?
- On Being a General Editor
- Altering the Letter of Twelfth Night: ‘Some are born great’ and the Missing Signature
- ‘A Thousand Shylocks’: Orson Welles and The Merchant of Venice
- The Date and Authorship of Hand D’s Contribution to Sir Thomas More: Evidence from ‘Literature Online’
- Ferdinand’s Wife and Prospero’s Wise
- Editing Stefano’s Book
- Manuscript, Print and the Authentic Shakespeare: The Ireland Forgeries Again
- The Author, the Editor and the Translator: William Shakespeare, Alexander Chalmers and Sándor Petofi or the Nature of a Romantic Edition
- Women Edit Shakespeare
- The Shakespeare Edition in Industrial Capitalism
- Print and Electronic Editions Inspired by the New Variorum Hamlet Project
- The Evolution of Online Editing: Where Will it End?
- The Director as Shakespeare Editor
- The Editor as Translator
- Performance Editions, Editing and Editors
- Editing Collaborative Drama
- Will in the Universe: Shakespeare’s Sonnets, Plato’s Symposium, Alchemy and Renaissance Neoplatonism
- Giants and Enemies of God: The Relationship between Caliban and Prospero from the Perspective of Insular Literary Tradition
- Shakespeare’s Ages
- Who Wrote William Basse’s ‘Elegy on Shakespeare’?: Rediscovering a Poem Lost from the Donne Canon
- ‘Sometime a Paradox’: Shakespeare, Diderot and the Problem of Character
- Shakespeare Performances in England, 2005
- Professional Shakespeare Productions in the British Isles, January–December 2004
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare in Performance
- 3 Editions and Textual Studies
- Index
Summary
Most of the productions listed are by professional companies, but some amateur productions are included. The information is taken from Touchstone (www.touchstone.bham.ac.uk), a Shakespeare website maintained by the Shakespeare Institute Library. Touchstone includes a monthly list of current and forthcoming UK Shakespeare productions from listings information. The Traffic of the Stage database, also available on Touchstone, archives UK Shakespeare production information since January 1993, correlating information from listings and reviews held in the Shakespeare Institute Library. The websites provided for theatre companies were accurate at the time of going to press.
AS YOU LIKE IT
Forkbeard Fantasy, Theatre Royal Bath Young People’s Theatre, Ustinov Studio, Bath, 12– 13 March.
www.forkbeardfantasy.co.uk
Director: Katherine Lazare
Rosalind: Sophie Andrews
Part of the Bath Shakespeare Festival
Mad Dogs and Englishmen, Tour 17 June – 1 August.
www.mad-dogs.org.uk
Groundlings Theatre Company, Tour 2 July – 29 August.
www.groundlings.co.uk
Centurion Theatre Company, Courtyard Theatre, London, 28 October – 21 November.
Director: Michael Sargent
Rosalind: Charlotte Endacott
Peter Hall Company, Rose of Kingston Theatre, 3–18 December.
members.aol.com/dramaddict/petrhall.htm
Director: Peter Hall
Rosalind: Rebecca Hall
THE COMEDY OF ERRORS
Oxford Stage Company, Lincoln’s Inn, London, 3 August–3 September.
www.oxfordstage.co.uk
Director: Chris Pickles
Antipholus: Henry Everett
Dromio: Cory English
Heartbreak Productions, Tour 9 June – 15 July.
www.heartbreakproductions.co.uk
Director: Maddy Kerr
CYMBELINE
Ludlow Shakespeare Festival, Ludlow Castle, Ludlow, 26 June – 9 July.
www.ludlowfestival.co.uk
Director: Michael Bogdanov
Cymbeline: John Labanowski
Imogen: Nia Roberts
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 338 - 346Publisher: Cambridge University PressPrint publication year: 2006