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Chapter 3 - Shax the App

Published online by Cambridge University Press:  22 May 2020

W. B. Worthen
Affiliation:
Barnard College, Columbia University
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Summary

Consider the postcard: a homely object, vestige of residual technologies, capturing a nexus of communications at the apogee of print culture, the moment of print’s transformation by photographic processes, the mid-nineteenth century.1 Postcards were patented in the United States in 1861, and the first penny postcards preprinted with postage by the US Post Office in 1873 depicted scenes from the Interstate Industrial Exposition. Postcards have, of course, taken a wide range of forms since, plain and illustrated, artistic, kitschy, pornographic. They’re used for advertising plays (both mailed and distributed by hand) and tourism. Inexpensive prepaid postcards facilitated popular communications in late-nineteenth-century India. They were printed with heroic illustrations for soldiers on all sides to send home during World Wars I and II.2 Postcards of British and American actors in Shakespearean roles circulated widely from the 1890s through World War I.3

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Publisher: Cambridge University Press
Print publication year: 2020

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  • Shax the App
  • W. B. Worthen, Barnard College, Columbia University
  • Book: Shakespeare, Technicity, Theatre
  • Online publication: 22 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108628464.003
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  • Shax the App
  • W. B. Worthen, Barnard College, Columbia University
  • Book: Shakespeare, Technicity, Theatre
  • Online publication: 22 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108628464.003
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Shax the App
  • W. B. Worthen, Barnard College, Columbia University
  • Book: Shakespeare, Technicity, Theatre
  • Online publication: 22 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108628464.003
Available formats
×