Book contents
- The Shakespearean Archive
- The Shakespearean Archive
- Copyright page
- Dedication
- Contents
- Figures
- Preface
- Abbreviations
- 1 Introduction: scenes from the prehistory of digitization
- 2 Leaves of brass: Shakespeare and the idea of the archive
- 3 The archive and the book: information architectures from Folio to variorum
- 4 The counterfeit presentments of Victorian photography
- 5 Inventing Shakespeare’s voice: early sound transmission and recording
- 6 Networks of deep impression: Shakespeare and the modern invention of information
- 7 Data and the ghosts of materiality
- 8 Conclusion: sites of Shakespearean memory
- Bibliography
- Index
4 - The counterfeit presentments of Victorian photography
Published online by Cambridge University Press: 05 October 2014
- The Shakespearean Archive
- The Shakespearean Archive
- Copyright page
- Dedication
- Contents
- Figures
- Preface
- Abbreviations
- 1 Introduction: scenes from the prehistory of digitization
- 2 Leaves of brass: Shakespeare and the idea of the archive
- 3 The archive and the book: information architectures from Folio to variorum
- 4 The counterfeit presentments of Victorian photography
- 5 Inventing Shakespeare’s voice: early sound transmission and recording
- 6 Networks of deep impression: Shakespeare and the modern invention of information
- 7 Data and the ghosts of materiality
- 8 Conclusion: sites of Shakespearean memory
- Bibliography
- Index
Summary
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- Type
- Chapter
- Information
- The Shakespearean ArchiveExperiments in New Media from the Renaissance to Postmodernity, pp. 118 - 157Publisher: Cambridge University PressPrint publication year: 2014