As Writer/Director

House of Games (1987, Orion, US, 102 min.)

Things Change (1988, Columbia, US, 100 min.)

Homicide (1991, Triumph Releasing Corporation, US, 102 min.)

Oleanna (1994, Samuel Goldwyn Company, US, 89 min.)

The Spanish Prisoner (1997, Sony Pictures Classics, US, 110 min.)

The Winslow Boy (1998, Sony Pictures Classics, US, 104 min.)

State and Main (2000, Fine Line Features, US, 105 min.)

Heist (2001, Warner, US, 109 min.)

Spartan (2004, Warner, US, 106 min.)

Redbelt (2008, Sony Pictures Classics, US, 99 min.)

As Screenwriter

The Postman Always Rings Twice (Rafelson, 1981, MGM/Lorimar, US, 122 min.)

The Verdict (Lumet, 1982, Fox, US, 129 min.)

The Untouchables (De Palma, 1987, Paramount, US, 119 min.)

We're No Angels (N. Jordan, 1989, Paramount, US, 101 min.)

Hoffa (De Vito, 1992, Fox, US, 140 min.)

Vanya on 42nd Street (Malle, 1994, Sony Classics, US, 119 min.)

The Edge (Tamahori, 1997, Fox, US, 117 min.)

Wag the Dog (Levinson, 1997, New Line Cinema, US, 97 min.)

Ronin (Frankenheimer, 1998, MGM/UA, US, 121 min.)

Hannibal (R. Scott, 2001, Universal, US, 131 min.; co-written with Steven Zaillian)

As Screenwriter Adapting his Own Plays for the Cinema

Glengarry Glen Ross (Foley, 1992, New Line Cinema, US, 100 min.)

American Buffalo (Corrente, 1996, Samuel Goldwyn Company, US, 88 min.)

Lakeboat (Mantegna, 2000, Cowboy Bookings International, US, 98 min.)

Edmond (Gordon, 2005, First Independent, US, 82 min.)

As Screenwriter Adapting his Own Plays for Television

A Life in the Theater (K. Browning and G. Gutierrez, 1979, PBS, US)

The Water Engine (Schachter, 1992, Amblin/Brandman/Majestic Films, US, 110 min.)