Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction: the sonnets
- 1 Performatives: the sonnets, Antony and Cleopatra and As You Like It
- 2 Embodiment: the sonnets, Love's Labour's Lost, Romeo and Juliet and Twelfth Night
- 3 Interiority: the sonnets, Hamlet and King Lear
- 4 Names: the sonnets, Romeo and Juliet, Troilus and Cressida and Othello
- 5 Transformations: the sonnets and All's Well that Ends Well
- Conclusion
- Bibliography
- Index
- References
Bibliography
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- Acknowledgements
- Introduction: the sonnets
- 1 Performatives: the sonnets, Antony and Cleopatra and As You Like It
- 2 Embodiment: the sonnets, Love's Labour's Lost, Romeo and Juliet and Twelfth Night
- 3 Interiority: the sonnets, Hamlet and King Lear
- 4 Names: the sonnets, Romeo and Juliet, Troilus and Cressida and Othello
- 5 Transformations: the sonnets and All's Well that Ends Well
- Conclusion
- Bibliography
- Index
- References
Summary
- Type
- Chapter
- Information
- Speech and Performance in Shakespeare's Sonnets and Plays , pp. 243 - 252Publisher: Cambridge University PressPrint publication year: 2002