Book contents
- Frontmatter
- Acknowledgments
- Contents
- Volume XVII 2009
- Editorial Note
- The Founding and the Founder: Medievalism and the Legacy of Leslie J. Workman
- Medievalism: Its Linguistic History in Nineteenth-Century Britain
- Medievalism and Medieval Reception: A Terminological Question
- Medievalisms and Why They Matter
- Medievalism, Authority, and the Academy
- The Tropes of Medievalism
- Medievalism and the Middle Ages
- Medievalism from Here
- A Steam-Whistle Modernist?: Representations of King Alfred in Dickens's A Child's History of England and The Battle of Life
- Writing Medieval Women (and Men): Sigrid Undset's Kristin Lavransdatter
- J. K. Rowling's Medieval Bestiary
- Seamus Heaney's Audio Beowulf: An Analysis of the Omissions
- The King's Phantom: Staging Majesty in Bale's Kynge Johan
- Rodelinda Goes Opera: The Lombard Queen's Journey from Medieval Backstage to Händel's “dramma per musica”
- The Ring of the Nibelung and the Nibelungenlied: Wagner's Ambiguous Relationship to a Source
- Notes on Contributors
- Previously published volumes
Volume XVII 2009
Published online by Cambridge University Press: 12 September 2012
- Frontmatter
- Acknowledgments
- Contents
- Volume XVII 2009
- Editorial Note
- The Founding and the Founder: Medievalism and the Legacy of Leslie J. Workman
- Medievalism: Its Linguistic History in Nineteenth-Century Britain
- Medievalism and Medieval Reception: A Terminological Question
- Medievalisms and Why They Matter
- Medievalism, Authority, and the Academy
- The Tropes of Medievalism
- Medievalism and the Middle Ages
- Medievalism from Here
- A Steam-Whistle Modernist?: Representations of King Alfred in Dickens's A Child's History of England and The Battle of Life
- Writing Medieval Women (and Men): Sigrid Undset's Kristin Lavransdatter
- J. K. Rowling's Medieval Bestiary
- Seamus Heaney's Audio Beowulf: An Analysis of the Omissions
- The King's Phantom: Staging Majesty in Bale's Kynge Johan
- Rodelinda Goes Opera: The Lombard Queen's Journey from Medieval Backstage to Händel's “dramma per musica”
- The Ring of the Nibelung and the Nibelungenlied: Wagner's Ambiguous Relationship to a Source
- Notes on Contributors
- Previously published volumes
Summary
- Type
- Chapter
- Information
- Studies in Medievalism XVIIDefining Medievalism(s), pp. ix - xPublisher: Boydell & BrewerPrint publication year: 2009