Book contents
- Style and Meaning in Late Antique Art
- Style and Meaning in Late Antique Art
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Abbreviations
- Introduction
- Part I Moderns
- One Exploring the “Dark Continent”
- Two Rome on the Danube
- Three East Meets West
- Four Building Vocabulary in the “Epoch of the Great Spiritual”
- Part II Ancients
- Conclusion
- Bibliography
- Index
Two - Rome on the Danube
Late Antique Art and Austrian Identity
from Part I - Moderns
Published online by Cambridge University Press: aN Invalid Date NaN
Book contents
- Style and Meaning in Late Antique Art
- Style and Meaning in Late Antique Art
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Abbreviations
- Introduction
- Part I Moderns
- One Exploring the “Dark Continent”
- Two Rome on the Danube
- Three East Meets West
- Four Building Vocabulary in the “Epoch of the Great Spiritual”
- Part II Ancients
- Conclusion
- Bibliography
- Index
Summary
Chapter Two argues that the interest in and definition of late antique art promoted by Franz Wickhoff and Alois Riegl was in part spurred by political conditions in the Austro-Hungarian Empire.
- Type
- Chapter
- Information
- Style and Meaning in Late Antique ArtAncients and Moderns on Seeing and Thinking, pp. 47 - 57Publisher: Cambridge University PressPrint publication year: 2024