Skip to main content Accessibility help
×
  • Cited by 51
Publisher:
Cambridge University Press
Online publication date:
February 2015
Print publication year:
2008
Online ISBN:
9780511817021

Book description

Providing thorough coverage of the methods and tools required in studying historical and contemporary theatre, this Introduction examines the complexities of a rapidly changing and dynamic discipline. Following a cross-cultural perspective, the book surveys the ways theatre and performance are studied by looking initially at key elements such as performers, spectators and space. The central focus is on methodology, which is divided into sections covering theatre theory, historiography and textual and performance analysis. The book covers all the main theatrical genres - drama, opera and dance - providing students with a comparative, integrated perspective. Designed to guide students through the academic dimension of the discipline, the volume emphasizes questions of methodology, research techniques and approaches, and will therefore be relevant for a wide variety of theatre studies courses. Informative textboxes provide background on key topics, and suggestions for further reading are included at the end of each chapter.

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Bibliography and other resources
Abbate, Carolyn (ed.) 1989. Analyzing Opera: Verdi and Wagner. Berkeley, Calif.: University of California Press
Ackroyd, Judith 2000. ‘Applied Theatre: Problems and Possibilities’, Applied Theatre Researcher 1: www.griffith.edu.au/centre/cpci/atr/journal/article1_number1.htm, last accessed 1 March 2008
Adshead, Janet (ed.) 1988. Dance Analysis: Theory and Practice. London: Dance Books
Allen, Garthet al. 1999. ‘Ideology, Practice and Evaluation: Developing the Effectiveness of Theatre in Education’, Research in Drama Education 4(1): 21–36
Anderson, Laurie 1994. Stories from the Nerve Bible: A Retrospective: 1972–1992. New York, NY: HarperCollins
, Aristotle 1965. On the Art of Poetry, in Classical Literary Criticism, tr. Dorsch, T. S.. Harmondsworth: Penguin
, Aristotle 1995. Politics, tr. Barker, Ernest. Oxford: Oxford University Press
Rudolf, Arnheim 2006 [1932]. Film as Art. Berkeley, Calif.: University of California Press
Arnott, James (ed.) 1977. Theatre Space: An Examination of the Interaction between Space, Technology, Performance and Society. Contributions to the Congress (8th World Congress, Munich, 18–25 September 1977). Munich: Schottenheim
Aronson, Arnold 2005. Looking into the Abyss: Essays on Scenography. Ann Arbor, Mich.: University ofMichigan Press
Artaud, Antonin 1970. The Theatre and Its Double, tr. Corti, Victor. London: Calder & Boyars
Aston, Elaine 1995. An Introduction to Feminism and Theatre. London: Routledge
Aston, Elaine and Savona, George 1991. Theatre as Sign-system: A Semiotics of Text and Performance. London: Routledge
Auslander, Philip 1999. Liveness: Performance in a Mediatized Culture. London: Routledge
Austin, John L. 1962. How to Do Things with Words. Cambridge, Mass.: Harvard University Press
Baer, Nancy van Norman (ed.) 1988. The Art of Enchantment: Diaghilev's Ballets Russes 1909–1929. New York, NY: Universe Books
Balme, Christopher B. 1993. ‘Giorgio Strehler's Faust-project: Signification and Reception Strategies of a Work in Progress’, New Theatre Quarterly 9 (35): 211–24
Balme, Christopher B. 1997. ‘Interpreting the Pictorial Record: Theatre Iconography and the Referential Dilemma’, Theatre Research International 22(3): 190–201
Balme, Christopher B. 2004. ‘Intermediality: Rethinking the Relationship between Theatre and Other Media’, Theaterwelten 1: www.thewis.de, last accessed 3 March 2008
Balme, Christopher B. 2007. Pacific Performances: Theatricality and Cross-cultural Encounter in the South Seas. Basingstoke: Palgrave Macmillan
Balme, Christopher B., Erenstein, , Robert, and Molinari, Cesare (eds.) 2002. European Theatre Iconography. Rome: Bulzoni
Barba, Eugenio and Savarese, Nicola 1991. A Dictionary of Theatre Anthropology: The Secret Art of the Performer. London: Routledge
Barish, Jonas 1981. The Antitheatrical Prejudice. Berkeley, Calif.: University of California Press
Barry, Peter 2002. Beginning Theory, 2nd edn. Manchester: Manchester University Press
Barthes, Roland 1972. Critical Essays, tr. Howard, Richard. Evanston, Ill.: Northwestern University Press
Barthes, Roland 1975. The Pleasure of the Text, tr. Miller, Richard. New York, NY: Hill and Wang
Baugh, Christopher 2005. Theatre Performance and Technology: The Development of Scenography in the Twentieth Century. Houndmills and New York, NY: Palgrave Macmillan
Baumol, William J. and Bowen, William 1973 [1966]. ‘Audiences – Some Fact-sheet Data’, in Burns, Elizabeth and Burns, Tom (eds.). Sociology of Literature and Drama. Harmondsworth: Penguin: 445–70 (first published in Baumol and Bowen 1966. Performing Arts: The Economic Dilemma. Cambridge, Mass.: MIT Press: 71–97)
Beaumont, Cyril 1981. Michel Fokine and His Ballets. New York, NY: Dance Horizons
Beckerman, Bernard 1970. Dynamics of Drama: Theory and Method of Analysis. New York, NY: Alfred A. Knopf
Bennett, Susan 1990. Theatre Audiences: A Theory of Production and Reception. London and New York, NY: Routledge
Bentley, Eric 1965. The Life of the Drama. London: Methuen
Bial, Henry (ed.) 2007. The Performance Studies Reader. London: Routledge
Birringer, Johannes H. 1998. Media and Performance: Along the Border. Baltimore, Md.: Johns Hopkins University Press
Blatner, Adam 2000. Foundations of Psychodrama: History, Theory and Practice, 4th edn. Berlin: Springer
Blau, Herbert 1990. The Audience. Baltimore, Md.: Johns Hopkins University Press
Boal, Augusto 1985 [1979]. Theatre of the Oppressed. New York, NY: Theatre Communications Group
Boal, Augusto 1995. The Rainbow of Desire: The Boal Method of Theatre and Therapy, tr. Jackson, Adrian. London: Routledge
Boenisch, Peter 2003. ‘CoMEDIA electrONica: Performing Intermediality in Contemporary Theatre’, Theatre Research International 28(1): 34–45.
Boon, Richard and Plastow, Jane (eds.) 2004. Theatre and Empowerment: Community Drama on the World Stage. Cambridge: Cambridge University Press
Boswell, James 1770. ‘Remarks on the Profession of a Player’, London Magazine August: 397–98; September: 468–517.
Bourdieu, Pierre 1984 [1979]. Distinction: A Social Critique of the Judgement of Taste, tr. Nice, Richard. Cambridge, Mass.: Harvard University Press
Bourdieu, Pierre 1986. ‘Forms of Capital’, in Richardson, John G. (ed.). Handbook of Theory and Research for the Sociology of Education. New York, NY: Greenwood Press: 241–58.
Bratton, Jacky 2003. New Readings in Theatre History. Cambridge: Cambridge University Press
Brecht, Bertolt 1964. Brecht on Theatre: The Development of an Aesthetic, tr. and ed. Willett, John. London: Methuen
Brewster, Ben and Jacobs, Lea 1997. Theatre to Cinema: Stage Pictorialism and the Early Feature Film. Oxford: Oxford University Press
Brockett, Oscar and Hildy, Franklin J. 2007. History of the Theatre, 10th edn. Boston, Mass.: Allyn & Bacon
Brook, Peter 1968. The Empty Space. Harmondsworth: Penguin
Brook, Peter 1988. The Shifting Point: Forty Years of Theatrical Exploration 1946–1987. London: Methuen
Brown, John Russell 1966. Shakespeare's Plays in Performance. London: Edward Arnold
Brown, John Russell 1998. The Oxford Illustrated History of Theatre. Oxford: Oxford University Press
Brown, Stephen T. 2001. Theatricalities of Power: The Cultural Politics of Noh. Stanford, Calif.: Stanford University Press
Burns, Elizabeth 1972. Theatricality: A Study of Convention in the Theatre and Social Life. London: Longman
Burt, Ramsay 1995. The Male Dancer: Bodies, Spectacle, Sexualities. London and New York, NY: Routledge
Butler, Judith 1990. Gender Trouble: Feminism and the Subversion of Identity. London: Routledge
Butler, Judith 1993. Bodies that Matter: On the Discursive Limits of ‘Sex’. London and New York, NY: Routledge
Butler, Judith 1997. Excitable Speech: A Politics of the Performative. London and New York, NY: Routledge
Callens, Johan (ed.) 2000. Degrés 28: 101 (special issue on intermediality)
Canning, Charlotte 1996. Feminist Theaters in the USA: Staging Women's Experience. London: Routledge
Carlson, Marvin 1984. Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present (2nd and expanded edn, 1993). Ithaca, NY: Cornell University Press
Carlson, Marvin 1987. ‘Histoires des codes’, in Helbo, André and Carlson, Marvin (eds.). Théâtre: Modes d'approche. Brussels: Labor: 65–75
Carlson, Marvin 1989. Places of Performance: The Semiotics of Theatre Architecture. Ithaca, NY: Cornell University Press
Carlson, Marvin 1996. Performance: A Critical Introduction. London: Routledge
Carlson, Marvin 2003. The Haunted Stage: The Theatre as Memory Machine. Ann Arbor, Mich.: University of Michigan Press
Carroll, Noël 1996. Theorizing the Moving Image. Cambridge and New York, NY: Cambridge University Press
Carter, Alexandra (ed.) 1998. The Routledge Dance Studies Reader. London: Routledge
Case, Sue-Ellen 1988. Feminism and Theatre. Basingstoke: Macmillan
Cassirer, Ernst 1955. The Philosophy of Symbolic Forms: Vol. 2 Mythical Thought, tr. Mannheim, Ralph. New Haven, Conn.: Yale University Press
Causey, Matthew 1999. ‘Postorganic Performance: The Appearance of Theatre in Virtual Spaces’, in Ryan, Marie-Laurie (ed.). Cyberspace Textuality: Computer Technology and Literary Theory. Bloomington, Ind.: Indiana University Press: 182–202
Chapple, Freda and Kattenbelt, Chiel (eds.) 2006. Intermediality in Theatre and Performance. Amsterdam and New York, NY: Rodopi
Cohen-Cruz, Jan and Schutzman, Mady (eds.) 1994. Playing Boal: Theatre, Therapy and Activism. London: Routledge
Cole, Toby and Chinoy, Helen Krich (eds.) 1970 [1949]. Actors on Acting: The Theories, Techniques, and Practices of the Great Actors of All Times as Told in their Own Words. New York, NY: Crown Publishers
Collier, Jeremy 1972 [1698]. A Short View of the Immorality and Profaneness of the English Stage. London: Garland Reprint
Conquergood, Dwight 1991. ‘Rethinking Ethnography: Towards a Critical Cultural Politics’, Communication Monographs 58: 179–94
Cremona, Vicky Ann, Eversmann, Peter, Maanen, Hans, Sauter, Willmar and Tulloch, John (eds.) 2004. Theatrical Events: Borders, Dynamics, Frames. Amsterdam: Rodopi
Davis, Tracy 1991. Actresses as Working Women: Their Social Identity in Victorian Culture. London: Routledge
Davis, Tracy and Thomas, Postlewait (eds.) 2003. Theatricality. Cambridge: Cambridge University Press
Marinis, Marco 1985. ‘A Faithful Betrayal of Performance: Notes on the Use of Video in the Theatre’, New Theatre Quarterly 1(4): 383–89
Derrida, Jacques 1978 [1968]. Writing and Difference, tr. Bass, Alan. Chicago, Ill.: University of Chicago Press
Desmond, Jane C. (ed.) 1997. Meaning in Motion: New Cultural Studies of Dance. Durham, NC: Duke University Press
Diamond, Elin 1997. Unmaking Mimesis: Essays on Feminism and Theatre. London: Routledge
Dillon, Janette 2000. Theatre, Court and City, 1595–1610: Drama and Social Space in London. Cambridge: Cambridge University Press
Dillon, Janette 2006. The Cambridge Introduction to Early English Theatre. Cambridge: Cambridge University Press
Dixon, Steve and Smith, Barry 2007. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge, Mass.: MIT Press
Dolan, Jill 2001. Geographies of Learning: Theory and Practice, Activism and Performance. Middletown, NJ: Wesleyan University Press
Dollimore, Jonathan and Sinfield, Alan (eds.) 1994. Political Shakespeare: Essays in Cultural Materialism, 2nd revised edn. Manchester: Manchester University Press
Dukore, Bernard F. (ed.) 1974. Dramatic Theory and Criticism: Greeks to Grotowski. New York, NY: Holt, Rinehart and Winston
Elam, Keir 1980. The Semiotics of Theatre and Drama. London: Methuen
Elsaesser, Thomas (ed.) 1997. Early Cinema: Space, Frame, Narrative. London: BFI Publications
Erven, Eugene 2001. Community Theatre: Global Perspectives. London: Routledge
Eversmann, Peter 2004. ‘Introduction to Part Two’, in , Cremonaet al. (eds.): 133–8
Fischer-Lichte, Erika 1992. The Semiotics of Theatre, tr. Gaines, Jeremy and Jones, Doris L.. Bloomington, Ind.: Indiana University Press
Fischer-Lichte, Erika 1994. ‘Theatre Historiography and Performance Analysis: Different Fields – Common Approaches?’, Assaph C 10: 99–112.
Fischer-Lichte, Erika 1997. ‘King Lear in Frankfurt’, in Martin and Sauter: 191–211.
Fischer-Lichte, Erika 2005. Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre. London: Routledge
Fortier, Mark 2002. Theory/Theatre: An Introduction, 2nd edn. London: Routledge
Foster, Susan Leigh 1986. Reading Dancing: Bodies and Subjects in Contemporary American Dance. Berkeley, Calif.: University of California Press
Foucault, Michel 1979. Discipline and Punish: The Birth of the Prison, tr. Sheridan, Alan. Harmondsworth: Penguin
Fraleigh, Sandra Horton and Hanstein, Penelope (eds.) 1999. Researching Dance: Evolving Modes of Inquiry. Pittsburgh, Pa.: University of Pittsburgh Press
Frost, Anthony and Yarrow, Ralph 2007. Improvisation in Drama, 2nd edn. Houndsmills: Palgrave
Fuchs, Elinor 1996. The Death of Character: Perspectives on Theatre after Modernism. Bloomington, Ind.: Indiana University Press
Gebauer, Gunter and Wulf, Christoph 1995. Mimesis: Culture, Art, Society. tr. Don Reneau. Berkeley, Calif.: University of California Press
Geertz, Clifford 1973. The Interpretation of Cultures: Selected Essays. New York, NY: Basic Books
Geertz, Clifford 1990. ‘History and Anthropology’, New Literary History 21(2): 321–35.
Gerould, Daniel (ed.) 2003. Theatre/Theory/Theatre: The Major Critical Texts from Aristotle and Zeami to Soyinka and Havel. New York, NY: Applause Books
Goffman, Erving 1974. Frame Analysis: An Essay on the Organisation of Experience. Cambridge, Mass.: Harvard University Press
Gombrich, Ernst 1960. Art and Illusion: A Study in the Psychology of Pictorial Representation. New York, NY: Pantheon Books
Gordon, Mel 1987. The Stanislavsky Technique. New York, NY: Applause Books
Greenberg, Clement 1961. Art and Culture. Boston, Mass.: Beacon Press
Groos, Arthur (ed.) 1988. Reading Opera. Princeton, NJ: Princeton University Press
Grotowski, Jerzy 1969. Towards a Poor Theatre. London: Methuen
Gurr, Andrew 2004. Playgoing in Shakespeare's London, 3rd edn. Cambridge: Cambridge University Press
Halliwell, Stephen 1998. Aristotle's Poetics, 2nd edn. Chicago, Ill.: University of Chicago Press
Hanna, Judith Lynne 1988. Dance, Sex and Gender. Chicago, Ill.: Chicago University Press
Harbage, Alfred 1941. Shakespeare's Audience. New York, NY: Columbia University Press
Hartnoll, Phyllis 1968. A Concise History of the Theatre. London: Thames & Hudson
Harvie, Jen 2002. ‘DV8's Can We Afford This? The Cost of Devising on Site for Global Markets’, Theatre Research International 27(1): 68–77
Herrmann, Max 1914. Forschungen zur deutschen Theatergeschichte des Mittelalters und der Renaissance [The History of German Theatre in the Middle Ages and the Renaissance]. Berlin: Weidmann
Herrmann, Max 1931. ‘Das theatralische Raumerlebnis’ [The Experience of Theatrical Space], Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft (Beiheft) 25: 152–63
Higgins, Dick 1984. Horizons, the Poetics and Theory of the Intermedia. Carbondale, Ill.: Southern Illinois University Press
Higgins, Dick 1997. Modernism since Postmodernism: Essays on Intermedia. San Diego, Calif.: San Diego State University Press
Home, Henry, , Lord Kames, 1762. Elements of Criticism, 3 vols. Edinburgh: A. Millar. Eighteenth Century Collections Online, Gale Group: http://gale.cengage.com/EighteenthCentury/index.htm, last accessed 10 March 2008
Horace, 1965. ‘On the Art of Poetry’, in Classical Literary Criticism, tr. Dorsch, T. S.. Harmondsworth: Penguin
Howard, Pamela 2002. What Is Scenography?London and New York, NY: Routledge
Hughes, Catherine 1998. Museum Theatre: Communicating with Visitors through Drama. Portsmouth, NH: Heinemann
Huston, Hollis 1992. The Actor's Instrument: Body, Theory, Stage. Ann Arbor: University of Michigan Press
Ibsen, Henrik 1923. A Doll's House. Haldeman-Julius, E. (ed.), Girard, Kans.: Haldeman-Julius Company: www.gutenberg.org/files/15492/15492.txt, last accessed 26 February 2008
Ingarden, Roman 1973. The Literary Work of Art: An Investigation on the Borderlines of Ontology, Logic and the Theory of Literature. With an Appendix on the Functions of Language in the Theater. Evanston, Ill.: Northwestern University Press
Iser, Wolfgang 1978. ‘Readers and the Concept of the Implied Reader’, in Iser, Wolfgang, The Act of Reading: A Theory of Aesthetic Response. Baltimore, Md.: Johns Hopkins University Press: 27–38
Issacharoff, Michael and Jones, Robin F. (eds.) 1988. Performing Texts. Philadelphia, Pa.: University of Pennsylvania Press
Jackson, Anthony R. (ed.) 1993. Learning through Theatre: New Perspectives on Theatre in Education, 2nd revised edn. London: Routledge
Jackson, Anthony R. 2007. Theatre, Education and the Making of Meanings: Art or Instrument?Manchester: Manchester University Press
Jackson, Anthony R., Johnson, , Paul, , Leahy, Helen Rees and Walker, Verity 2002. Seeing It for Real: An Investigation into the Effectiveness of Theatre and Theatre Techniques in Museums: www.plh.manchester.ac.uk/research/resources/Seeing_It_For_Real.pdf, last accessed 1 March 2008
Jackson, Shannon 2001. Lines of Activity: Performance, Historiography, and Hull-House Domesticity. Ann Arbor, Mich.: University of Michigan Press
Jackson, Shannon 2004. Professing Performance: Theatre in the Academy from Philology to Performativity. Cambridge: Cambridge University Press
Jameson, Fredric 2004. Professing Performance: Theatre in the Academy from Philology to Performativity. Cambridge: Cambridge University Press
Jameson, Fredric 1991. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham, NC: Duke University Press
Johnstone, Keith 1979. Impro: Improvisation and the Theatre. London: Methuen
Jones, Emrys 1971. Scenic Form in Shakespeare. Oxford: Clarendon Press
Karnad, Girish 1995. ‘Introduction’ to Three Plays. Delhi: Oxford University Press
Katritzky, M. A. 2006. The Art of Commedia: A Study in the Commedia dell'Arte 1560–1620 with Special Reference to the Visual Records. Amsterdam: Rodopi
Kaye, Nick 2000. Site-specific Art: Performance, Place and Documentation. London: Routledge
Kaye, Nick 2007. Multi-media: Video – Installation – Performance. London: Routledge
Kerckhove, Derrick 2007. Multi-media: Video – Installation – Performance. London: Routledge
Kerckhove, Derrick 1982. ‘Theatre as Information-processing in Western Cultures’, Modern Drama 25(1): 143–53
Kerman, Joseph 1988. Opera as Drama, new and revised edn. Berkeley and Los Angeles, Calif.: University of California Press
Kirby, Michael (ed.) 1965. Happenings: An Illustrated Anthology. New York, NY: Dutton
Kirby, Michael 1972. ‘On Acting and Non-acting’, The Drama Review 16(1): 3–15
Knapp, Mary E. 1972. ‘On Acting and Non-acting’, The Drama Review 16(1): 3–15
Knapp, Mary E. 1961. Prologues and Epilogues of the Eighteenth Century. New Haven, Conn.: Yale University Press
Knowles, Ric 2004. Reading the Material Theatre. Cambridge: Cambridge University Press
Kowzan, Tadeusz 1968. ‘The Sign in the Theater: An Introduction to the Semiology of the Art of the Spectacle’, tr. Pleasance, Simon, Diogenes 61: 52–80
Kowzan, Tadeusz 1985. ‘Theatre Iconography/Iconology: The Iconic Sign and Its Referent’, tr. Walker, Scott, Diogenes 130: 53–70
Kuppers, Petra 1985. ‘Theatre Iconography/Iconology: The Iconic Sign and Its Referent’, tr. Walker, Scott, Diogenes 130: 53–70
Kuppers, Petra 2007. Community Performance: An Introduction. London: Routledge
Kuppers, Petra and Robertson, Gwen (eds.) 2007. The Community Performance Reader. London: Routledge
Laurel, Brenda 1993. Computers as Theatre. Reading, Mass.: Addison-Wesley
Leacroft, Richard and Leacroft, Helen 1984. Theatre and Playhouse: An Illustrated Survey of Theatre Building from Ancient Greece to the Present Day. London: Methuen
Lehmann, Hans-Thies 2006. Postdramatic Theatre, tr. Jürs-Munby, Karen. London: Routledge
Lepage, Robert and Brassard, Marie 1997. Polygraph, tr. Raby, Gyllian. London: Methuen
Lepecki, André 2005. Exhausting Dance: Performance and the Politics of Movement. London: Routledge
Lessing, Gotthold 1962. Hamburg Dramaturgy, tr. Zimmern, Helen, new introduction by Victor Lange. New York, NY: Dover
Levin, David J. (ed.) 1993. Opera through Other Eyes. Stanford, Calif.: Stanford University Press
Lillo, George 1974. The London Merchant, in Hampden, John (ed.). The Beggar's Opera and Other Eighteenth Century Plays. London: Dent
Lindenberger, Herbert 1984. Opera: The Extravagant Art. Ithaca, NY: Cornell University Press
Lough, John 1972 [1957]. Paris Theatre Audiences in the Seventeenth and Eighteenth Centuries. London: Oxford University Press
Loxley, James 2007. Performativity. London: Routledge
Mackrell, Judith 1995. ‘Truly, Badly, but Terribly Manly’, review of Enter Achilles, The Guardian, 22 September 1995: www.dv8.co.uk/stage/enter.achilles/press/tg_22.9.95.html, last accessed 3 March 2008
Martin, Jacqueline and Sauter, Willmar 1997. Understanding Theatre: Performance Analysis in Theory and Practice. Stockholm: Almqvist & Wiksell
Matthews, Brander (ed.) 1958. Papers on Acting. New York, NY: Hill and Wang
Mauss, Marcel 1973. ‘Techniques of the Body’, Economy and Society 2(1): 70–88
McAuley, Gay 1999. Space in Performance: Making Meaning in the Theatre. Ann Arbor, Mich.: University of Michigan Press
McConachie, Bruce 1985. ‘Towards a Post-positivist Theatre History’, Theatre Journal 37: 465−86
McDonnell, Bill and Shellard, Dominic 2006. Social Impact Study of UK Theatre. Arts Council England: www.artscouncil.org.uk/publications, last accessed 3 March 2008
McKenzie, Jon 1997. ‘Laurie Anderson for Dummies’, The Drama Review 41(2): 30–50
McKenzie, Jon 2001. Perform or Else: From Discipline to Performance. London: Routledge
McLuhan, Marshall 2001. Perform or Else: From Discipline to Performance. London: Routledge
McLuhan, Marshall 1964. Understanding Media: The Extensions of Man. London: Routledge
Mda, Zakes 1993. When People Play People: Development Communication through Theatre. London: Zed Books
Merlin, Bella 2007. The Complete Stanislavsky Toolkit. London: Nick Hern Books
Meyer-Dinkgrafe, Daniel 2001. Approaches to Acting: Past and Present. London: Continuum
Meyerhold, Vsevolod 1969. Meyerhold on Theatre, tr. and ed. Braun, Edward. London: Methuen
Moreno, Jacob Levy 1972. Psychodrama, Vol. I, 4th edn. Beacon, NY: Beacon House
Müller, Heiner 1984 [1977] Hamletmachine and other Texts for the Stage, tr. and ed. Weber, Carl. New York, NY: PAJ Publications
Mulvey, Laura 1986 [1975]. ‘Visual Pleasure and Narrative Cinema’, in Mulvey, Laura. Visual and Other Pleasures. Bloomington, Ind.: Indiana University Press: 14–26
Newson, Lloyd 1996. ‘Reply’, Dance Europe 2 (February/March): 31: www.dv8.co.uk/stage/enter.achilles/press/de_3.96.html, last accessed 3 March 2008
Nicholson, Helen 2005. Applied Drama: The Gift of Theatre. Basingstoke and New York, NY: Palgrave Macmillan
Nicoll, Allardyce 1966. The Development of the Theatre: A Study of Theatrical Art from the Beginnings to the Present Day. London: Harrap
Oddey, Alison and White, Christine A. (eds.) 2006. The Potentials of Spaces: The Theory and Practice of Scenography and Performance: International Scenography and Performance for the 21st Century. Bristol: Intellect Books
Parker, Roger (ed.) 1994. The Oxford Illustrated History of Opera. Oxford: Oxford University Press
Pavis, Patrice 1981. ‘The Interplay between Avant-garde Theatre and Semiology’, Performing Arts Journal 5(3): 75–86
Pavis, Patrice 1982. Languages of the Stage: Essays in the Semiology of Theatre. New York, NY: Performing Arts Journal Publications
Pavis, Patrice 1992. ‘From Page to Stage: A Difficult Birth’, in Pavis, Patrice. Theatre at the Crossroads of Culture. London: Routledge: 24–47
Pavis, Patrice 1998. Dictionary of the Theatre: Terms, Concepts, and Analysis, tr. Shantz, Christine. Toronto, ON: University of Toronto Press
Pavis, Patrice 2003. Analyzing Performance: Theater, Dance, and Film, tr. Williams, David. Ann Arbor, Mich.: University of Michigan Press
Pearson, Mike 1982. Languages of the Stage: Essays in the Semiology of Theatre. New York, NY: Performing Arts Journal Publications
Pearson, Mike 1992. ‘From Page to Stage: A Difficult Birth’, in Pavis, Patrice. Theatre at the Crossroads of Culture. London: Routledge: 24–47
Pearson, Mike 1998. Dictionary of the Theatre: Terms, Concepts, and Analysis, tr. Shantz, Christine. Toronto, ON: University of Toronto Press
Pearson, Mike 2003. Analyzing Performance: Theater, Dance, and Film, tr. Williams, David. Ann Arbor, Mich.: University of Michigan Press
Pearson, Mike 1992. ‘From Page to Stage: A Difficult Birth’, in Pavis, Patrice. Theatre at the Crossroads of Culture. London: Routledge: 24–47
Pearson, Mike 1998. Dictionary of the Theatre: Terms, Concepts, and Analysis, tr. Shantz, Christine. Toronto, ON: University of Toronto Press
Pearson, Mike 2003. Analyzing Performance: Theater, Dance, and Film, tr. Williams, David. Ann Arbor, Mich.: University of Michigan Press
Pearson, Mike 1998. Dictionary of the Theatre: Terms, Concepts, and Analysis, tr. Shantz, Christine. Toronto, ON: University of Toronto Press
Pearson, Mike 2003. Analyzing Performance: Theater, Dance, and Film, tr. Williams, David. Ann Arbor, Mich.: University of Michigan Press
Pearson, Mike 2003. Analyzing Performance: Theater, Dance, and Film, tr. Williams, David. Ann Arbor, Mich.: University of Michigan Press
Pearson, Mike and Shanks, Michael 2001. Theatre/Archaeology: Disciplinary Dialogues. London: Routledge
Peirce, Charles Sanders 1985. ‘Logic as Semiotic: The Theory of Signs’, in Innis, Robert E. (ed.). Semiotics: An Anthology. Bloomington, Ind.: Indiana University Press: 5
Peters, Julie Stone 2000. Theatre of the Book, 1480–1880: Print, Text, and Performance in Europe. Oxford: Oxford University Press
Pfister, Manfred 1988. The Theory and Analysis of Drama, tr. Halliday, John. Cambridge: Cambridge University Press
Pitches, Jonathan 2006. Science and the Stanislavsky Tradition of Acting. London: Routledge
Plato, 1955. The Republic, tr. Lee, H. D. P.. Harmondsworth: Penguin
Postlewait, Thomas 1988. ‘The Criteria for Periodization in Theatre History’, Theatre Journal 40(3) (October): 299–318
Postlewait, Thomas and McConachie, Bruce (eds.) 1989. Interpreting the Theatrical Past: Essays in the Historiography of Performance. Iowa City, IA: University of Iowa Press
Postman, Neil 1985. Amusing Ourselves to Death. London: Heinemann
Priromprintr, Art 2004. ‘Revitalizing “La Bohème”. Baz Luhrmann Works to Make Italian Opera Relevant to a Modern Audience’, Daily Trojan Online, 22 January, 151(6): 7–10: www.dailytrojan.com, last accessed 28 February 2008.
Pronko, Leonard 1967. Theatre East and West. Berkeley, Calif.: University of California Press
Rangacharya, Adya 1996. The Nātyasāstra. English Translation with Critical Notes. New Delhi: Munshiram Manoharial Publishers
Reid, Gilbert 1994. ‘Computers and Theatre: Mimesis, Simulation and Interconnectivity’, Canadian Theatre Review 81: 10–15
Reinelt, Janelle G. and Roach, Joseph R. (eds.) 1992. Critical Theory and Performance. Ann Arbor, Mich.: University ofMichigan Press
Revermann, Martin 2006. Comic Business: Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy. Oxford: Oxford University Press
Richards, Robert J. 1998. ‘Rhapsodies on a Cat-piano, or Johann Christian Reil and the Foundations of Romantic Psychiatry’, Critical Inquiry 24(3) (Spring): 700–36
Rimer, J. Thomas, and Masakazu, Yamazaki (trs. and eds.) 1984. On the Art of the Nō Drama: The Major Treatises of Zeami. Princeton, NJ: Princeton University Press
Roach, Joseph 1985. The Player's Passion: Studies in the Science of Acting. Ann Arbor, Mich.: The University of Michigan Press
Roach, Joseph 1996. Cities of the Dead: Circum-Atlantic Performance. New York, NY: Columbia University Press
Rousseau, Jean-Jacques 1968. Politics and the Arts: Letter to M. D'Alembert on the Theatre, translated and introduced by Allan Bloom. Ithaca, NY: Cornell University Press
Sauter, Willmar 2000. The Theatrical Event: Dynamics of Performance and Perception. Iowa City, IA: University ofIowa Press
Schechner, Richard 2003. Performance Theory, revised and expanded edn. London: Routledge
Schechner, Richard 2006. Performance Studies: An Introduction, 2nd revised edn. London: Routledge
Schoenmakers, Henri 1990. ‘The Spectator in the Leading Role: Developments in Reception and Audience Research with Theatre Studies: Theory and Research’, in Sauter, Willmar (ed.), Nordic Theatre Studies: Special International Issue. New Directions in Theatre Research, Stockholm: 93–106
Schramm, Wilbur 1971 [1954]. ‘How Mass Communication Works’, in Schramm, Wilbur and Roberts, Donald (eds.). The Process and Effects of Mass Communication. Urbana, Ill.: University of Illinois Press: 3–26
Schrum, Stephen A. (ed.) 1999. Theatre in Cyberspace: Issues of Teaching, Acting and Directing. New York, NY: Lang
Scolnicov, Hanna 1987. ‘Theatre Space, Theatrical Space, and the Theatrical Space Without’, in Redmond, James (ed.), The Theatrical Space (Themes in Drama, Vol. IX). Cambridge: Cambridge University Press: 11–26
Selbourne, David 1982. The Making of A Midsummer Night's Dream: An Eye-witness Account of Peter Brook's Production from First Rehearsal to First Night. London: Methuen
Shakespeare, William 1963. Hamlet, First Folio edn: http://etext.virginia.edu/shakespeare/folio, last accessed 26 February 2008
Shellard, Dominic 2004. Economic Impact Study of UK Theatre. Arts Council England: www.artscouncil.org.uk/publications
Shepherd, Simon and Wallis, Mick 2004. Drama /Theatre/Performance. London: Routledge
Siegfried, Kristy 2007. ‘Ambushing Commuters with Life-saving Messages’, Saifaid News 11 (June): 7–8: www.safaids.net/publications/SAFAIDSNewe_June2005.pdf, last accessed 4 March 2008.
Simon, Henry W. 1989. 100 Great Operas and their Stories: Act-by-act Synopses. New York, NY: Anchor Books. Abridged from Festival of Opera (1957)
Singer, Millon (ed.) 1959. Traditional India: Structure and Change. Philadelphia, Pa.: American Folklore Society
Smith, SusanValeria, Harris 1984. Masks in Modern Drama. Berkeley, Calif.: University of California Press
Sorell, Walter 1981. Dance in Its Time. Garden City, NY: Anchor Press
Southern, Richard 1962. The Seven Ages of Theatre. London: Faber & Faber
States, Bert O. 1985. Great Reckonings in Little Rooms: On the Phenomenology of Theatre. Berkeley and Los Angeles, Calif.: University of California Press
Stelarc, 2007: www.stelarc.va.com.au, last accessed 3 March 2008
Styan, John Louis 1963. The Elements of Drama. Cambridge: Cambridge University Press
Styan, John 1967. Shakespeare's Stagecraft. Cambridge: Cambridge University Press
Styan, John 1975. Drama, Stage and Audience. Cambridge: Cambridge University Press
Sutcliffe, Tom (ed.) 2000. The Faber Book of Opera. London: Faber & Faber
Szondi, Peter 1987. Theory of the Modern Drama, tr. and ed. Hays, Michael. Minneapolis, Minn.: University of Minnesota Press
Taplin, Oliver 1977. The Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek Tragedy. Oxford: Clarendon Press
Taplin, Oliver 1993. Comic Angels and Other Approaches to Greek Drama through Vase-paintings. Oxford: Clarendon Press
Taplin, Oliver 2007. Pots and Plays: Interactions between Tragedy and Greek Vase-painting of the Fourth Century BC. Los Angeles, Calif.: Getty Museum Publications
Taylor, Philip 2003. Applied Theatre: Creating Transformative Encounters in the Community. Portsmouth, NH: Heinemann
Thomas, Helen 1995. Dance, Modernity and Culture: Explorations in the Sociology of Dance. London: Routledge
Thompson, James 2003. Applied Theatre: Bewilderment and Beyond. Oxford: Peter Lang
Tulloch, John 2005. Shakespeare and Chekhov in Production and Reception: Theatrical Events and Their Audiences. Iowa City, IA: University of Iowa Press
Turkle, Sherry 1995. Life on the Screen: Identity in the Age of the Internet. New York, NY: Simon & Schuster
Turner, Victor 1987. The Anthropology of Performance. New York, NY: PAJ Publications
Vince, Ronald W. 1989. ‘Theatre History as an Academic Discipline’, in Postlewait and McConachie: 1–18
Watson, Keith 1995. ‘From Sexual Paranoia to Bar-room Violence, DV8 Physical Theatre Explore the Terrors of Testosterone’, The Observer Review, September 10
Weibel, Peter and Druckrey, Timothy (eds.) 2001. Net Condition: Art and Global Media. Cambridge, Mass.: MIT Press
West, Shearer 1991. The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. London: Pinter
White, Hayden 1973. Metahistory: The Historical Imagination in Nineteenth-century Europe. Baltimore, Md.: Johns Hopkins University Press
Wiles, David 2003. A Short History of Western Performance Space. Cambridge: Cambridge University Press
Wilkie, Fiona 2002. ‘Mapping the Terrain: A Survey of Site-specific Performance in Britain’, New Theatre Quarterly 70(18): 140–60
Williams, Raymond 1972 [1954]. Drama in Performance. Harmondsworth: Penguin
Williams, Raymond 1975. Drama in a Dramatised Society: An Inaugural Lecture. Cambridge: Cambridge University Press
Williams, Raymond 1980. Problems in Materialism and Culture: Selected Essays. London and New York, NY: Verso
Williams, Raymond 1989 [1975]. ‘Drama in a Dramatised Society’, in O'Connor, Alan (ed.). Raymond Williams on Television. London: Routledge: 3–13.
Winston, Joe 1996. ‘Emotion, Reason and Moral Engagement in Drama’, Research in Drama Education 1(2): 189–200
Winston, Joe 2005. ‘Between the Aesthetic and the Ethical: Analysing the Tension at the Heart of Theatre in Education’, Journal of Moral Education 34(3): 309–23
Winton, Dean 2005. ‘Between the Aesthetic and the Ethical: Analysing the Tension at the Heart of Theatre in Education’, Journal of Moral Education 34(3): 309–23
Winton, Dean 1990. Essays on Opera. Oxford: Clarendon Press
Worthen, William B. 1984. The Ideal of the Actor: Drama and the Ethics of Performance. Princeton, NJ: Princeton University Press
Worthen, William B. (ed.) 1999. The Harcourt Brace Anthology of Drama, 3rd edn. Fort Worth, Tex.: Harcourt College Publishers
Zarrilli, Phillip B. (ed.) 2002. Acting (Re)Considered: A Theoretical and Practical Guide, 2nd edn. London: Routledge
Zarrilli, Phillip B., McConachie, , Bruce, , Williams, Gary Jay and Sorgenfrei, Carol Fischer 2006. Theatre Histories: An Introduction. New York, NY: Routledge
Encyclopedias and dictionaries
The Cambridge Guide to Theatre. Banham, Martin (ed.). Cambridge: Cambridge University Press 1995
The Concise Oxford Companion to the Theatre. Hartnoll, Phyllis and Found, Peter (eds.), 2nd edn. Oxford: Oxford University Press 1992
International Dictionary of Ballet. Bremser, Martha (ed.). 2 Vols. London and Detroit, Mich.: St. James Press 1993
International Dictionary of Theatre. Hawkins-Dady, Mark (ed.). Vol. I. Plays, Vol. II: Playwrights; Vol. III: Actors, Directors and Designers. Chicago, Ill.: St James Press 1992–6
An International Dictionary of Theatre Language. Trapido, Joel (ed.). Westport, Conn.: Greenwood Press 1985
International Encyclopedia of Dance. Cohen, Selma Jeanne (ed.). 6 Vols. Oxford and New York, NY: Oxford University Press 1998
The Metropolitan Opera Encyclopedia. Hamilton, David (ed.). London: Thames and Hudson 1987
The New Grove Dictionary of Opera. Sadie, Stanley (ed.). 4 Vols. London: Macmillan 1992
The Oxford Encyclopedia of Theatre and Performance. Kennedy, Dennis (ed.). 2 Vols. Oxford: Oxford University Press 2003
Pavis, Patrice. Dictionary of the Theatre: Terms, Concepts and Analysis, tr. Shantz, Christine. Toronto, ON: University of Toronto Press 1998
World Encyclopedia of Contemporary Theatre. Rubin, Dan (ed.). Vol. I: Europe; Vol. 2: The Americas; Vol. 3: Africa; Vol. 4: The Arab World; Vol. 5: Asia/Pacific. London: Routledge 1995–9
Bibliographies
Bibliographic Guide to Theatre Arts. Boston, Mass.: G. K. Hall 1975
Innes, C.Twentieth-century British and American Theatre: a Critical Guide to Archives. Aldershot: Ashgate 1999
International Bibliography of Theatre. New York, NY: IBT 1985
Performing Arts Books 1876–1981. London and New York, NY: Bowker 1981
Whalon, M. K.Performing Arts Research: A Guide to Information Sources. Detroit, Mich.: Gale Research 1976

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.