Skip to main content Accessibility help
×
  • Cited by 13
Publisher:
Cambridge University Press
Online publication date:
September 2009
Print publication year:
2002
Online ISBN:
9780511483714

Book description

This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives.

Reviews

"...an energetic discussion...provides an always interesting argument about what Elizabethan and Jacobean drama "assumes of its audience and how its audience experiences it and responds to it"." Susan Bennett, University of Calgary, Theatre Journal

"Lopez gives us illuminating new readings of a number of Shakespearian and other plays. Highly recommended." Bibliotheque d'humanisme et Renaissance

"Fascinating." Studies in English Literature

"I came away enriched by having been taken through a well-conceived, carefully constructed, and clear presentation." Medieval and Renaissance Drama in England Alan Dessen

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Works cited
Anon., Daiphantus, ed. Alexander B. Grossart (Manchester: Charles Simms), 1880
Anon., “An Excellent Actor,” in The “Conceited Newes” Of Sir Thomas Overbury And His Friends: A Facsimile Reproduction of the Ninth Impression of 1616 of Sir Thomas Overbury His Wife, ed. James E. Savage (Gainesville, FL: Scholars' Facsimiles & Reprints, 1968
Anon., A Short Treatise of Stage Plays, London, 1625
Anon., A Treatise of Miraclis Pleyinge, ed. Clifford Davidson (Kalamazoo: Western Michigan University Press, 1993
Adams, J. Q., “Thomas Heywood and How a Man May Choose a Good Wife from a Bad,”Englische Studien 45 (1912): 30–9
Anderson, Norman, “Studies in the Elizabethan Domestic Tragedies, 1592–1607,” University of Oregon, 1943
Arnold, Judd, “The Double Plot in Volpone: A Note on Jonsonian Dramatic Structure,”Seventeenth-Century News 23 (1965): 47–52
Aristophanes, Women at the Thesmophoria, trans. Jeffrey Henderson, in Three Plays by Aristophanes (New York: Routledge), 1996
Baldwin, T. W., The Organization and Personnel of the Shakespearean Company (Princeton: Princeton University Press), 1927
Barber, C. L., Shakespeare's Festive Comedy (Princeton: Princeton University Press), 1959
Barbour, Richmond, “‘When I Acted Young Antinous’: Boy Actors and the Erotics of Jonsonian Theater,”PMLA 110.5 (1995): 1,006–22
Barish, Jonas, “The Double Plot in Volpone,”Modern Philology 51 (1953): 83–92
Barish, Jonas The Antitheatrical Prejudice (Berkeley: University of California Press), 1981
Baskervill, C. R., “Sources and Analogues of How a Man may Choose a Good Wife from a Bad,”PMLA 24 (1909): 711–30
Bednarz, Shakespeare and the Poets’ War (New York: Columbia University Press), 2001
Bentley, G. E., The Jacobean and Caroline Stage (Oxford: Clarendon), 1941
Berek, Peter, “Artifice and Realism in Lyly, Nashe, and Love's Labor's Lost,”Studies in English Literature 23.2 (1983): 207–21
Berger, Harry, Jr., Imaginary Audition: Shakespeare on Stage and Page (Berkeley: University of California Press), 1989
Bevington, David, From Mankind to Marlowe (Cambridge, MA: Harvard University Press), 1962
Bly, Mary, “Bawdy Puns and Lustful Virgins: The Legacy of Juliet's Desire in Comedies of the Early 1600s,”Shakespeare Survey 49 (1996): 97–110
Bly, Mary Queer Virgins and Virgin Queans on the Early Modern Stage (Oxford: Oxford University Press), 2000
Boehrer, Bruce, Monarchy and Incest in Renaissance England (Philadelphia: University of Pennsylvania Press), 1992
Booth, Stephen, “On the Value of Hamlet,” in Reinterpretations of Elizabethan Drama, ed. Norman Rabkin (New York: Columbia University Press), 1969
Booth, Stephen King Lear, Macbeth, Indefinition, and Tragedy (New Haven: Yale University Press), 1983
Booth, Stephen “Close Readings Without Readings,” in Shakespeare Reread: The Texts in New Contexts, ed. Russ McDonald (Ithaca, NY: Cornell University Press), 1994
Booth, Stephen “Syntax as Rhetoric in Richard II,”Mosaic 10.3 (1997): 87–103
Booth, Stephen Precious Nonsense: The Gettysburg Address, Ben Jonson's Epitaphs on his Children, and Twelfth Night (Berkeley: University of California Press), 1998
Bowden, William R., “The Bed Trick, 1603–1642: Its Mechanics, Ethics, and Effects,”Shakespeare Studies 5 (1969): 112–23
Bradbrook, Muriel, Themes and Conventions of Elizabethan Tragedy (Cambridge: Cambridge University Press), 1960
Bueler, Lois E., “The Structural Uses of Incest,” in Renaissance Drama 15 (1984): 115–45
Butler, Samuel, Hudibras, ed. John Wilders (Oxford, Clarendon), 1967
Cartwright, Kent, “The Confusions of Gallathea: John Lyly as Popular Dramatist,”Comparative Drama 32.2 (1998): 207–39
Colley, John Scott, John Marston's Theatrical Drama (Salzburg: Salzburg Studies in English Literature), 1974
Cook, Ann Jennalie, The Privileged Playgoer in Shakespeare's London (Princeton: Princeton University Press), 1981
Desens, Marliss C., The Bed Trick in English Renaissance Drama (Newark: University of Delaware Press), 1994
Dessen, Alan, “Night and Darkness on the Elizabethan Stage,” in Renaissance Papers (1978): 23–30
Dessen, Alan Jonson's Moral Comedy (Evanston, IL: Northwestern University Press), 1971
Dessen, Alan Elizabethan Stage Conventions and Early Modern Interpreters (Cambridge: Cambridge University Press), 1984
Dessen, Alan and Leslie Thomson, A Dictionary of Stage Directions in English Drama, 1580–1642 (Cambridge: Cambridge University Press), 1999
Dollimore, Jonathan, Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare and his Contemporaries (Chicago: University of Chicago Press), 1984
Doran, Madeline, Endeavors of Art (Madison: University of Wisconsin Press), 1954
Ellis, Herbert A., Shakespeare's Lusty Punning in Love's Labour's Lost (The Hague: Mouton), 1973
Ellis-Fermor, Una, The Jacobean Drama (London: Methuen), 1936
Forker, Charles R., “‘A Little More Than Kin, and Less Than Kind’: Incest, Intimacy, Narcissism, and Identity in Elizabethan and Stuart Drama,”Medieval and Renaissance Drama in England 1 (1984): 13–51
Freeburg, Victor, Disguise Plots in Elizabethan Drama (New York: Columbia), 1915
Freeman, Arthur, Thomas Kyd: Facts and Problems (Oxford: Clarendon), 1967
Fried, Debra, “Rhyme Puns,” in On Puns, ed. Jonathan Culler (Oxford: Blackwell), 1988
Gair, Reavely, The Children of Paul's (Cambridge: Cambridge University Press), 1982
Gosson, Stephen, The School of Abuse, ed. Edward Arber (London: Alex Murray), 1868
Greenblatt, Stephen, “The False Ending of Volpone,”Journal of English and Germanic Philology 75.1 (1976): 90–104
Gruber, William, “Building a Scene: The Text and its Representation in The Atheist's Tragedy,”Comparative Drama 19.3 (1985): 193–208
Gurr, Andrew, Playgoing in Shakespeare's London (Cambridge: Cambridge University Press), 1987
Gurr, Andrew The Shakespearean Stage 1574–1642 (Cambridge: Cambridge University Press), 1992
Harbage, Alfred, Shakespeare's Audience (New York: Columbia University Press), 1941
Harbage, Alfred Shakespeare and the Rival Traditions (New York: Macmillan), 1952
Hattaway, Michael, Elizabethan Popular Theatre (London: Routledge), 1982
Hayashi, Tetsumaro, A Textual Study of Robert Greene's Orlando Furioso, with an Elizabethan Text (Muncie, IN: Ball State University Press), 1973
Henke, James T., Renaissance Dramatic Bawdy (Salzburg: Salzburg Studies in English Literature), 1975
Henslowe, Philip, Diary, ed. R. A. Foakes and R. T. Rickert (Cambridge: Cambridge University Press), 1961
Heywood, Thomas, Apologie for Actors (London, 1612)
Hunter, G. K., John Lyly: The Humanist as Courtier (Cambridge, MA: Harvard University Press), 1962
I. G., A Refutation of the Apologie for Actors, ed. Richard H. Perkinson (New York: Scholars’ Facsimiles and Reprints), 1941
Joseph, B. L., Elizabethan Acting (New York: Octagon), 1979
Kemper, Susan C., “Dramaturgical Design in Lyly's Gallathea,”Thoth 16.3 (1976): 19–31
Lake, David, The Canon of Thomas Middleton's Plays (Cambridge: Cambridge University Press), 1975
Leggatt, Alexander, Jacobean Public Theatre (London: Routledge), 1992
Leggatt, Alexander An Introduction to Renaissance Comedy (Manchester: Manchester University Press), 1999
Levin, Richard, The Multiple Plot in English Renaissance Drama (Chicago: University of Chicago Press), 1971
Litt, Dorothy E., “Unity of Theme in Volpone,”Bulletin of the New York Public Library 73 (1969): 218–26
Lodge, Thomas, A Defence of Poetry, Music, and Stage Plays, ed. David Laing (London: Shakespeare Society), 1853
Love, Genevieve, “‘As from the waste of Sophonisba’, or What's Sexy about Stage Directions,” forthcoming in Renaissance Drama
Lucking, David, “‘Each word made true and good’: Narrativity in Hamlet,”Dalhousie Review 76.2 (1996): 177–96
Maclutyre, Jean, “Production Resources at the Whitefriars Playhouse, 1609–1612,”Early Modern Literary Studies 2:3 (1996): 1–15
Marchitell, Howard, “Desire and Domination in Volpone,”Studies in English Literature 31.2 (1991): 287–308
McCabe, Richard A., Incest, Drama and Nature's Law 1550–1700 (Cambridge: Cambridge University Press), 1993
McMillin, Scott and Sally-Beth MacLean, The Queen's Men and their Plays (Cambridge: Cambridge University Press), 1998
Milton, John, Paradise Lost, ed. Alastair Fowler (London: Longman), 1968
Northbrook, John, A Treatise against Dicing, Dauncing, Plays, and Interludes, with Other idle Pastimes, ed. J. P. Collier (London: Shakespeare Society), 1853
Ovid, Metamorphoses, trans. Rolfe Humphries (Bloomington: Indiana University Press), 1955
Parker, Patricia, “Interpreting through Wordplay,” in Teaching with Shakespeare, ed. Bruce McIver and Ruth Stevenson (Newark: University of Delaware Press), 1994
Parker, Patricia, Shakespeare from the Margins (Chicago: University of Chicago Press), 1996
Partridge, Eric, Shakespeare's Bawdy (New York: E. P. Dutton), 1948
Pincombe, Michael, The Plays of John Lyly: Eros and Eliza (Manchester: Manchester University Press), 1996
Powell, Jocelyn, “John Lyly and the Language of Play,” in Elizabethan Theatre (New York: St. Martin's), 1966
Prynne, Wlliam, Histrio-Mastix, London, 1633
Rackin, Phyllis, “Androgyny, Mimesis, and the Marriage of the Boy Heroine on the English Renaissance Stage,”PMLA 102.1 (1987): 29–41
Reynolds, George Fullmer, The Staging of Elizabethan Plays at the Red Bull Theater (New York: Modern Language Association), 1940
Ribner, Irving, “Greene's Attack on Marlowe: Some Light on Alphonsus and Selimus,”Studies in Philology 52 (1955): 162–71
Roberts, Josephine A., “Daiphantus (1604): a Jacobean Perspective on Hamlet's Madness,”Library Chronicle 42.2 (1978): 128–37
Schücking, Levin L., Character Problems in Shakespeare's Plays (London: George G. Harrap, 1922)
Scott, Michael, John Marston's Plays: Theme, Structure, and Performance (London: Macmillan), 1978
Shakespeare, William, Sonnets, ed. Stephen Booth (New Haven: Yale University Press), 1977
Shapiro, Michael, Children of the Revels (New York: Columbia University Press), 1977
Sidney, Philip, Astrophil and Stella, ed. William A. Ringler, Jr, in The Poems of Sir Philip Sidney (Oxford: Clarendon), 1962
Sidney, Philip A Defence of Poetry, ed. J. A. Van Dorsten (Oxford: Oxford University Press), 1966
States, Bert, Great Reckonings in Little Rooms: On the Phenomenology of Theater (Berkeley: University of California Press), 1985
States, Bert Hamlet and the Concept of Character (Baltimore: Johns Hopkins University Press), 1992
Stubbes, Philip, The Anatomie of Abuses, ed. Frederick J. Furnivall. (London: N. Trubner & Co.), 1877–9
Sturgess, Keith, Jacobean Private Theatre (London: Routledge), 1987
Sweeney, John, “Volpone and the Theater of Self-Interest,”English Literary Renaissance 12.2 (1982): 220–41
Taylor, Gary, Moment by Moment in Shakespeare (London: Macmillan), 1985
Taylor, Gary, Paul, Mulholland, and Macdonald, P. Jackson, “Thomas Middleton, Lording Barry, and The Family of Love,”PBSA 93:2 (1999): 213–41
Thompson, Elbert N. S., The Controversy Between the Puritans and the Stage (New York: Henry Holt), 1903
Watson, Robert N., Ben Jonson's Parodic Strategy (Cambridge, MA: Harvard University Press), 1987
Weimann, Richard, Shakespeare and the Popular Tradition in the Theater: (Baltimore: Johns Hopkins University Press), 1978
Wharton, T. F., The Critical Fall and Rise of John Marston (Columbia, SC: Camden House), 1994
Williams, Gordon, A Glossary of Shakespeare's Sexual Language (London: Athlone), 1997
Wixson, Christopher, “Cross-Dressing and John Lyly's Gallathea,”Studies in English Literature 41.2 (2001): 241–56

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.