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Book contents
- Frontmatter
- Contents
- Preface and Acknowledgments
- Chapter One Capitalism, Imperialism, Race and Ethnicity, the Repressive State and the Ideological State Apparatuses, and the Formation of Modern America
- Chapter Two Counterformations to Capitalism, Imperialism, Modern America and Its Repressive State and Ideological State Apparatuses, and the Formation of Modern American Literature, Art, and Culture
- Chapter Three Sinclair Lewis's Babbitt: An Ethnographic Look at the Middle-Class, Individuated Subject in America in the 1920s
- Chapter Four Nick Carraway's Complicated Retreat from Modernity and the Construction of the Modern Gatsby in Fitzgerald's The Great Gatsby
- Chapter Five The African American Subaltern, Rearticulated African American Folklore, Modernity, and Hurston's Their Eyes Were Watching God
- Chapter Six Trickster Narrator, Multinarrative Perspectives, and D'Arcy McNickle's The Surrounded
- Chapter Seven Intersectionality, Inoperative Community, Trauma, Social Justice, and Agnes Smedley's Daughter of Earth
- Chapter Eight Theosophy, Plural Subjectivity, and Djuna Barnes's Nightwood
- Chapter Nine Exile, Cosmopolitanism, Modernity, and Younghill Kang's East Goes West
- Chapter Ten Conclusion
- Bibliography
- Index
Chapter Seven - Intersectionality, Inoperative Community, Trauma, Social Justice, and Agnes Smedley's Daughter of Earth
Published online by Cambridge University Press: 23 January 2020
- Frontmatter
- Contents
- Preface and Acknowledgments
- Chapter One Capitalism, Imperialism, Race and Ethnicity, the Repressive State and the Ideological State Apparatuses, and the Formation of Modern America
- Chapter Two Counterformations to Capitalism, Imperialism, Modern America and Its Repressive State and Ideological State Apparatuses, and the Formation of Modern American Literature, Art, and Culture
- Chapter Three Sinclair Lewis's Babbitt: An Ethnographic Look at the Middle-Class, Individuated Subject in America in the 1920s
- Chapter Four Nick Carraway's Complicated Retreat from Modernity and the Construction of the Modern Gatsby in Fitzgerald's The Great Gatsby
- Chapter Five The African American Subaltern, Rearticulated African American Folklore, Modernity, and Hurston's Their Eyes Were Watching God
- Chapter Six Trickster Narrator, Multinarrative Perspectives, and D'Arcy McNickle's The Surrounded
- Chapter Seven Intersectionality, Inoperative Community, Trauma, Social Justice, and Agnes Smedley's Daughter of Earth
- Chapter Eight Theosophy, Plural Subjectivity, and Djuna Barnes's Nightwood
- Chapter Nine Exile, Cosmopolitanism, Modernity, and Younghill Kang's East Goes West
- Chapter Ten Conclusion
- Bibliography
- Index
Summary
Agnes Smedley's Daughter of Earth was published in 1929, just months before the October 1929 economic crash on Wall Street, ushering in the Depression. The experimental, self- questioning, reflective, and healing autobiographical novel has an intricate publication history, enshrouded in all the social and political issues and movements of the time. Smedley, an avowed communist, feminist, antiracist, and anticolonialist, wrote the novel, whose original title was Outcast, in Denmark at the home of her friend, Danish novelist Karen Michaelis. She had moved to Berlin in the early 1920s with her Asian Indian partner, Chatto, of the Berlin Indian Revolutionary Committee, an anticolonial organization. She was teaching at Berlin University. The relationship eventually falls apart and Smedley has a psychological breakdown, going into Freudian psychoanalysis for treatment. In August 1925, Smedley accepts an invitation from Karen to come to Denmark and write her book, locating what trauma theorist Judith Herman calls a “safe” place for recovery.
Smedley completes the first draft of her novel in November 1925, five years after the ratification of the 19th Amendment to the US Constitution, giving women the right to vote, and eight years after the Bolshevik socialist revolution, providing the consciousness for a working- class revolution around the world, including the United States. Smedley finishes the novel with “Karen Michaelis and the exiled Russian- born anarchist Alexander Berkman, acting as midwives.” Karen looks for a Danish publisher, and Smedley's friend, Emma Goldman, who, because of her labor activism, was deported from the United States, looks for a publisher in Great Britain, but to no avail. When Smedley resumes her teaching post at Berlin University in the spring of 1926, she, now out of psychoanalysis and somewhat recovered from the traumatic breakup of her marriage and the trauma of her past, had revised the entire manuscript twice, retitling it The Struggle of Earth. While still in Germany, her lawyer, Gilbert Roe, looks for a US publisher. By 1927, Smedley is based in China, but in early 1928 Gilbert Roe places the novel with Coward- McCann, a start- up publishing house in New York City. The novel is slated to appear on the company's first list that fall, alongside works by Thornton Wilder, Alexander Woollcott, and Joseph Herbst.
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- Information
- A Theoretical Approach to Modern American History and LiteratureAn Issue of Reconfiguration and Re-representation, pp. 179 - 204Publisher: Anthem PressPrint publication year: 2020