Book contents
- Frontmatter
- Contents
- List of illustrations
- Notes on contributors
- Acknowledgments
- Introduction
- 1 Filming an unfinished novel: The Last Tycoon
- 2 The texts behind The Killers
- 3 The Day of the Locust: 1939 and 1975
- 4 Ship of Fools: from novel to film
- 5 Intruder in the Dust and the southern community
- 6 Dramatizing The Member of the Wedding
- 7 Film and narration: two versions of Lolita
- 8 World War II through the lens of Vietnam: adapting Slaughterhouse-Five to film
- 9 John Huston's Wise Blood
- 10 Genre and authorship in David Cronenberg's Naked Lunch
- 11 Screening Raymond Carver: Robert Altman's Short Cuts
- 12 The Color Purple: translating the African-American novel for Hollywood
- 13 The specter of history: filming memory in Beloved
- 14 Filming the spiritual landscape of James Jones's The Thin Red Line
- Filmography
- Index
Index
Published online by Cambridge University Press: 12 January 2010
- Frontmatter
- Contents
- List of illustrations
- Notes on contributors
- Acknowledgments
- Introduction
- 1 Filming an unfinished novel: The Last Tycoon
- 2 The texts behind The Killers
- 3 The Day of the Locust: 1939 and 1975
- 4 Ship of Fools: from novel to film
- 5 Intruder in the Dust and the southern community
- 6 Dramatizing The Member of the Wedding
- 7 Film and narration: two versions of Lolita
- 8 World War II through the lens of Vietnam: adapting Slaughterhouse-Five to film
- 9 John Huston's Wise Blood
- 10 Genre and authorship in David Cronenberg's Naked Lunch
- 11 Screening Raymond Carver: Robert Altman's Short Cuts
- 12 The Color Purple: translating the African-American novel for Hollywood
- 13 The specter of history: filming memory in Beloved
- 14 Filming the spiritual landscape of James Jones's The Thin Red Line
- Filmography
- Index
- Type
- Chapter
- Information
- Twentieth-Century American Fiction on Screen , pp. 258 - 267Publisher: Cambridge University PressPrint publication year: 2007