THE PRE-RAPHAELITE ARTISTS

FROM THE TIMES, MAY 13, 1851

Sir,—Your usual liberality will, I trust, give a place in your columns to this expression of my regret that the tone of the critique which appeared in the Times of Wednesday last on the works of Mr. Millais and Mr. Hunt, now in the Royal Academy, should have been scornful as well as severe.

I regret it, first, because the mere labour bestowed on those works, and their fidelity to a certain order of truth, (labour and fidelity which are altogether indisputable,) ought at once to have placed them above the level of mere contempt; and, secondly, because I believe these young artists to be at a most critical period of their career—at a turning-point, from which they may either sink into nothingness or rise to very real greatness; and I believe also, that whether they choose the upward or the downward path, may in no small degree depend upon the character of the criticism which their works have to sustain. I do not wish in any way to dispute or invalidate the general truth of your critique on the Royal Academy; nor am I surprised at the estimate which the writer formed of the pictures in question when rapidly compared with works of totally different style and aim: nay, when I first saw the chief picture by Millais in the Exhibition of last year, I had nearly come to the same conclusion myself.