Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-k7p5g Total loading time: 0 Render date: 2024-07-10T06:31:30.063Z Has data issue: false hasContentIssue false

13 - Journeys to the Catacombs: Forbidden People and Spaces in Modern Madrid (1900–36)

from PART III - REACTIONS: FEAR IN THE CITY

Published online by Cambridge University Press:  21 August 2019

Fernando Vicente Albarrán
Affiliation:
received his PhD from the Universidad Complutense de Madrid in 2011
Samuel Llano
Affiliation:
University of Manchester
Get access

Summary

In his book Rue des maléfices, Jacques Yonnet considered how one could not get to know the city of Paris without first becoming familiar with ‘sus fantasmas, impregnarse de sus grises, confundirse con la sombra indecisa, ser el hermano silencioso y distante del mendigo, del borracho incluso’ (its ghosts, sinking oneself in its grey colourings, becoming one with its indefinite shadows, being the silent and distant brother of the beggar, even of the drunkard) (Yonnet 1954: 14–15). Yonnet was a journalist and illustrator who regarded visiting the Parisian underworld almost as an occupation in itself. His work invites us to immerse ourselves in the darkest corners of reality during the years of the Nazi occupation of Paris, to go exploring in the depths and shadows of contemporary society, to look squarely at the fear and panic that arose from this society itself.

From the 1990s onwards, work on the history of urban societies has emphasized the multiple and contradictory nature of the processes of modernization before the Second World War. Massive movements of migration with the concomitant processes of industrialization and urbanization, the modernization and expansion of systems of transport and communication, the appearance of new forms of social living and social organization of space all combined to bring about improvements in the life of the individual and ways of collective living. They also brought about adaptations, even full-blown metamorphoses, in the fears, problems and objects of hatred of the past. The process of modernization gave birth to its own dark side, produced by its multifaceted, changeable and unstable nature, able to provoke reactions of both fascination and repugnance. All of these phenomena became more acute from the end of the nineteenth century, and spread to the majority of large cities in the West, above all in the interwar period (Lees and Lees 2007; Whitehand and Carr 2001).

The city of our times, a laboratory for the elaboration of modernity, has become the locus for the contradictions, tensions and resistance to the processes of change in lifestyles and social behaviour, in the exercise of new systems of values and the codification of new forms of social representation.

Type
Chapter
Information
Writing Wrongdoing in Spain, 1800–1936
Realities, Representations, Reactions
, pp. 237 - 256
Publisher: Boydell & Brewer
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×