Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Note on Transliteration
- Introduction
- Chapter 1 The War Theme in Poetry 1914–1941
- Chapter 2 Soviet Poetry 1941–1945: A Chronological Survey
- Chapter 3 Heroes and Leaders: Socialist Realism in Wartime Poetry
- Chapter 4 The Common Man
- Chapter 5 Women in Poetry and Women Poets
- Chapter 6 ‘No-one is Forgotten and Nothing is Forgotten’: The War in Post-war Poetry
- Conclusion
- Bibliography
- Index
Chapter 6 - ‘No-one is Forgotten and Nothing is Forgotten’: The War in Post-war Poetry
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Note on Transliteration
- Introduction
- Chapter 1 The War Theme in Poetry 1914–1941
- Chapter 2 Soviet Poetry 1941–1945: A Chronological Survey
- Chapter 3 Heroes and Leaders: Socialist Realism in Wartime Poetry
- Chapter 4 The Common Man
- Chapter 5 Women in Poetry and Women Poets
- Chapter 6 ‘No-one is Forgotten and Nothing is Forgotten’: The War in Post-war Poetry
- Conclusion
- Bibliography
- Index
Summary
Boris Slutskii pointed out that there was one section of Soviet society which had gained something from the war. While others had lost limbs, writers had acquired an assortment of things:
… Κто—память, кто—воспоминания.
Κто—нервный смех, кто чутий сон.
Κто—просто список поминаний
На сто, на пятьдесят нерсон.
Κто—ϕабулы.
Κто—лросто темы.
Κто—чувство долга и вины
пред рано умершими,
теми невозврашеннами с войны.(Some—memory. Some—recollections. Some—nervous laughter, some light sleep. Some—just a list of the dead, fifty or a hundred persons. Some—plots. Some—just themes. Some—a sense of duty and guilt before those who died early, those who did not return from the war.)
Of this list, it is the final item, the awareness of the debt owed by the living to the dead, which receives most of Slutskii's attention in this poem. The memory of the war dead and the commemoration of the victory they had died to bring about is a constant theme in post-war poetry, one shared by the literary establishment and those on its margins, though each group naturally had its own interpretation of the theme. The war as a literary theme should not be considered as being the exclusive property either of conformist writers or of writers critical of the state. That the defeat of fascism had been a tremendous achievement, and that the people of the Soviet Union had undergone terrible suffering was beyond debate.
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- Written with the BayonetSoviet Russian Poetry of World War Two, pp. 257 - 292Publisher: Liverpool University PressPrint publication year: 1996