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Achaean pottery of the Late Geometric period: the Impressed Ware workshop1
Published online by Cambridge University Press: 27 September 2013
Abstract
The technical and morphological features of the products of the Late Geometric Achaean Impressed Ware workshop as well as its connection with the contemporary fine painted ware and Thapsos ware are presented in the present article.
Apart from Ano Mazaraki, where the products of the workshop form one of the most important categories of dedications to the goddess, impressed pottery so far has been found at two other sites in Achaea: Aigio and Trapeza Hill in the village of Koumari near Aigio. Outside Achaea, products of the impressed pottery workshop have come to light at the sanctuary of Artemis at Lousoi (ancient Arcadia) and also at Delphi.
The characteristic shapes produced by the Impressed Ware workshop are handleless cylindrical and biconical vases, pyxides, small skyphoi and also models of granaries and possibly tables, tripod legs and human figurines.
The recognition and identification of the unique Impressed Ware workshop reflect the skills and productivity of Achaean potters during the Late Geometric period. The study of the products of this workshop has led to the recognition of its Achaean identity and its direct relations with the contemporary Achaean fine painted-ware. Furthermore comparison of Impressed Ware with the Thapsos Class vases found so far in Achaea has led us to identify important issues of fabric similarity, close contextual associations, motifs, and decorative syntax which link the above wares, and allow Impressed Ware pottery to make a significant contribution to the argument for an Achaean Thapsos Class production centre.
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Footnotes
I wish to thank the editors of the Annual of the British School at Athens for accepting this paper for publication. I also express my gratitude to Dr M. Petropoulos, head of the 6th Ephorate of Prehistoric and Classical Antiquities of Patras and director of the excavation of the sanctuary site at Ano Mazaraki, who conceded me the publication rights of this pottery. I am also grateful to the Psycha Foundation which has financed the drawings and photographs presented here. I address my sincere thanks to Dr I. Zervoudaki, former Ephor of Antiquities of the National Museum of Athens, who read the paper and made useful remarks. Last but not least, I would like to thank Professor N. Kourou of the University of Athens, who encouraged me to study the impressed-ware workshop.
References
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39 Gadolou 2000, 242–90, where the metal objects from the shrine at Ano Mazaraki as well as these that have derived from the excavations of the graves are presented and discussed.
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53 Gadolou 2000, 163–4, K47–50 for examples mainly of Protogeometric date. K1, K98, K103, K102, K101, K105, K134, K83, K89. In the above examples dating from the Late Geometric and Early Archaic period, the design and arrangement of the vertical wavy lines and zigzags are identical with those on impressed ware vessels.
54 Gadolou in press, K51 α–δ, K157–8, K94 from the Painted Ware and K17–18, K20, K149 from Thapsos Class.
55 M. Petropoulos (n. 2), pl. 11. 12 for the bronze examples.
56 Exhibition catalogue, ‘῾Οι Ετρούσκοι του Βορρά’’ (Thessaloniki, 1986), 98 no. 117Google Scholar. Items nos. 100–3 in the catalogue are stated to come from a single workshop, have repoussè decoration, and are contemporary with no. 117, but in my opinion are not to be associated with the Achaean Impressed Ware workshop.
57 Ibid. 14–15.
58 Gadolou in press. Actually the tall and broad types of kantharos are the most characteristic vessels of the Achaean Geometric workshop. This favourite drinking vessel of the Achaeans is also represented among the oldest deposits found at Sybaris, (‘Satyrion: scavi e ricerche nel luogo del più antico insediamento laconico in Puglia’, NSc 18 (1964), 177–279, esp. 227Google Scholar, fig. 48 and Ibid., supp. 1–2 (1969), 95, fig. 82 no. 216 a). It is also present among the pottery found at Francavilla Marittima, presented by G. Tomay in Convegno (n.11). Note also the recent article by Papadopoulos, J., ‘Magna Achaea: Late Geometric and Archaic pottery in South Italy and Sicily’, Hesp. 70 (2001), 373–460 CrossRefGoogle Scholar, on the significance of the dissemination in southern Italy of the black-glaze kantharos at the end of the 8th c. BC, one of the most characteristic shapes of the Achaean workshop.
59 A full presentation of the Thapsos Class vases found in Achaea is made in Gadolou 2000. There the elements linking the Thapsos-ware vases with the Achaean fine painted and impressed wares are fully discussed.
60 Vordos (n. 5), 53–4.
61 Gadolou in press.
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64 All measurements are in metres. The motifs are all impressed except as indicated. RAK = Rakita museum catalogue no., AMN = Aigio museum catalogue no. Colours follow Munsell Soil Color Charts (Baltimore, 1975).
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