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³ Thera, v. 23, pl. 38 b; S. Marinatos, ‘᾿Ανασκαφαὶ Θὴρας V (περίοδος 1971)’, PAE 1971, 198, pl. 253 δ.

⁴ Thera, iii. 28, 61, pl. 57. 2; S. Marinatos, ‘᾿Ανασκαφαὶ Θἠρας III (περίοδος 1969)’, PAE 1969, 187, pl. 235 δ.

⁵ Thera, v. 25; Marinatos (n. 3), 200.

⁶ This and the figurine 534 are now exhibited in the National Archaeological Museum at Athens.

⁷ Thera, iii. 28; Marinatos (n. 4), 165.

⁸ I. Tzahili, ‘Τα μικροαντικεὶμενα της Δυτικὴς Ολκὶας ’, in Ακρωτὴρι Θὴρας:ΗΔυτικὴ Οικὶα (forthcoming).

⁹ Ergon 1992, 78–80, figs. 102–4; C. Doumas, ‘Ανασκαφὴ Ακρωτηρὶου Θὴρας’, PAE 1992, 181–5, pls 77 β–δ, 79 α–ε; id. ‘Ανασκαφὴ Ακρωτηρὶου Θὴρας’, PAE 1993, 176.

¹⁰ Figurines; Renfrew, in Art and Culture, 59–71.

¹¹ Thimme, ibid. 415–99.

¹² Evans, J. D. and Renfrew, C., Excavations at Saliagos near Antiparos (BSA supp. vol. 51, 1968), 66Google Scholar; fig. 88. 4–6; pl. 43, 3–5; Figurines, 5, pl. 2 a.

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¹⁵ Kykladika I, 165, pl. 11. 2; Figurines, 5, pl. 2 b.

¹⁶ Caskey, J. L., ‘Marble figurines from Ayia Irini in Keos’, Hesp. 40 (1971), 124 n. 2CrossRefGoogle Scholar; id. ‘Addenda to the marble figurines from Ayia Irini’, Hesp. 43 (1974), 79, pl. 11. K1. 237, K4. 96.

¹⁷ Xanthoudides, S., ‘Μὲγας Πρωτομινωικὸς τὰφος Πὺργου ’, A. Delt. 4 (1918), 162–4Google Scholar, fig. 14, 4th from left; Branigan, K., ‘Cycladic figurines and their derivatives in Crete’, BSA 66 (1971), 59–60Google Scholar, I. D. 1–4, fig. 1. 1; I Sakellarakis, in Art and Culture, 145–6.

¹⁸ Blegen, C. W., Caskey, J. L., and Rawson, M., Troy, ii: The Third, Fourth and Fifth Settlements (Princeton, 1951), figs. 41. Type 8; 48. 33–178; 147, 37–529, 37–68Google Scholar.

¹⁹ Hood, S., Excavations in Chios, 1938–1955: Prehistoric Emporio and Ayio Gala, ii (BSA supp. vol. 16, 1982), 655–6, pl. 136. nos. 43–50Google Scholar.

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²² Evans, A. J., Cretan Pictographs and the Prae-Phoenician Script with an account of a sepulchral deposit at Hagios Onouphrios (London, 1895), 124–7, figs. 128, 130Google Scholar; Zervos, C., L' art de la Crète Néolithique et Minoenne (Paris, 1956), fig. 109Google Scholar; S. Alexiou, ‘New light on Minoan dating: Early Minoan tombs at Lebena’, ILN 6 Aug. 1960, 226, fig. 8 right; Figurines, 27 and ill. 1. A.O, pl. 10 d–e; Sakellarakis, in Art and Culture, 151, fig. 144; Sapouna-Sakellarakis (n. 21), 51–2, nos. ГΛ 87–8, ins. pl. A, pl. 27 α–β. For the dating of the Ayios Onouphrios figurines to EM II see: Figurines, 27; Branigan (n. 17), 65–7 and fig. 1. 7; Ergon 1975, 163; I. Sakellarakis, ‘᾿Ανασκαφὴ ᾿Αρχανῶν’, PAE 1975, 303, 304, 306, 307; id. ‘Τἀ κυκλαδικὰ στοιγεῑα τω̄ν ᾿Αργανω̄ν’, AAA 10 (1977), 112 n. 117.

²³ Blegen et al. (n. 18), figs. 41. Type 5 c, 48. 34–61; Blegen, C. W., Boulter, C. G., Caskey, J. L., and Rawson, M., Troy, iv. Settlements VIIa, VIIb and VIII (Princeton, 1958), figs. 212. Type 5 c, 220, 37–429Google Scholar.

²⁴ Thimme, in Art and Culture, 432, no. 49; 434, no. 56; 448–9, nos. 108–9.

²⁵ Evans and Renfrew (n. 12), pl. 44. 1; Doumas, in Αυγή, 70, 303, no. 39.

²⁶ Thimme, in Art and Culture, 448–9, no. 109; Sapouna-Sakellarakis (n. 21), 52–3, nos. ГΛ 252–3, 257; ins. pl. A, pls 27 γ, ε 28 a.

²⁷ Dikaios, P. and Stewart, J. R., The Swedish Cyprus Expedition, vol. IV, part iA: The Stone Age and the Early Bronze Age in Cyprus (Lund, 1962), 49Google Scholar and fig. XV. 2.

²⁸ For the dating of the Louros-type figurines to the later part of EC I see: Figurines, 8 and ill. 4. III; Emergence, 159, 184, fig. 11. 8. III; Renfrew, in Art and Culture, 64; Cycladic Spirit, 91, fig. 5; Thimme, in Art and Culture, 442–5, nos. 80–94, fig. 184 on p. 416. For their dating to the transitional EC I–II phase see Burial Habits, 19 and fig. 6 g–i; D-G 1983, 39, 75–6, nos. 40–42; EC Art, 138, fig. 21 on p. 48; Sculptors, 11, fig. 3 on p. 8.

²⁹ Zervos, figs. 40–2; Papathanasopoulos 1961/62 (n. 14), 136, pl. 70 a, δ–ε; id. 1981 (n. 14), 186–7, pl. 104. 1–2, 5; Figurines, 8, III. 8, pl. 2 f, Thimme, , in Art and Culture, 444, nos. 89–90Google Scholar; D-G 1978, 44–5, nos. 29–30.

³⁰ Papathanasopoulos 1961/2 (n. 14), 136, pl. 70 γ, id. 1981 (n. 14), 186–7, pl. 104, 4; Thimme, in Art and Culture, 448–9, nos. 106, 108–9.

³¹ Ergon 1992, 78; Doumas 1992 (n. 9), 181, pl. 77 β

³² Burial Habits, 86, 89, pls 27 g, 29 l (Akrotiri on Naxos, T₃ and T₉); Kykladika I, 162, pl. 11. 15; Zervos, fig. 58 b; Figurines, 6, I. E. 1; Sculptors, pl. 2, B. 2nd row, last (Krassades on Antiparos, T₁₁₇); Kykladika I, 165; Figurines, 6, I. E. 2 [Zoumbaria on Despotikon, T₁₃₇ (NM 4885)]. For the dating see: Figurines, 5 and ill. 4. I.E; Renfrew, in Art and Culture, 64; Emergence, 161; 184, fig. 11. 8; 420, fig. 19. 4, Type I.E; Cycladic Spirit, 91, fig. 5; Burial Habits, 16 and fig. 4 b–d.

³³ Bernabò-Brea, L.,Poliochni città preistorica nell'isola di Lemnos, i. (Rome, 1964), 675Google Scholar, pl. 188. 15.

³⁴ Lloyd, S. and Mellaart, J., Beycesultans, i: The Chalcolithic and Early Bronze Age levels (Occasional publications of the British Institute of Archaeology at Ankara, no. 6, 1962), fig. F.i. 15–17Google Scholar, pl. 32, 2–3.

³⁵ Schmidt, H., Heinrich Schliemann's Sammlung trojanischer Altertümer (Berlin, 1902), 279, no. 7409Google Scholar; Blegen et al. (n. 18), figs. 41. Type 2, A–B; 48, 34–320, 34–531; 147, 36–265; Bernabò-Brea (n. 33), 675, pl. 188, 9, 11, 13–14; Höckmann, in Art and Culture, 174, fig. 176. 10, 12.

³⁶ For the form and its dating to the EC I period see: Figurines, 5 and ills. 1, 4. I. C; Emergence, 159–61; 184, fig. 11. 8; 420, fig. 19. 4, Type I.C; Cycladic Spirit, 91, fig. 5; Burial Habits, 16 and fig. 4 h.

³⁷ See n. 4.

³⁸ Doumas 1993 (n. 9), 176.

³⁹ See n. 5.

⁴⁰ Ibid.

⁴¹ Kykladika I, 159, pl. 11, 10; Zervos, fig. 57 b–c, f, j; Sculptors, pl. 2, A. 1st row, 1st, 4th, and 6th from left.

⁴² Zervos, fig. 44 d; Papathanasopoulos 1961/62 (n. 14), 143, pl. 75 β.

⁴³ Phylakopi, 194, pl. 39. 3; Figurines, 25, ‘Phylakopi 3’; Emergence, 578, pl. 8. 5.

⁴⁴ Thimme, in Art and Culture, 433–4: no. 51.

⁴⁵ Phylakopi, 194, pl. 39. 7; Figurines, 25, ‘Phylakopi 7’; Emergence, 578, pl. 8. 3.

⁴⁶ Evans and Renfrew (n. 12), 63; fig. 76. 1; pl. 43. 1; Figurines, 5, pl. 2 c; Renfrew, in Art and Culture, 60 and fig. 33; Cycladic Spirit, 40, pl. 8; Doumas, in Αυγή, 70, 303, no. 38.

⁴⁷ Evans, , PM, i. 47Google Scholar and figs. 12. 1, 13. 2.

⁴⁸ Kykladika I, 159, pl. 11. 13; Zervos, fig. 57 h; Sculptors, pl. 2, A. 2nd row, 4th.

⁴⁹ Theocharis, D., ‘῾Νὲοι κυκλαδικοὶ τὰφοι ἐν ᾿Αττικῇ ᾿’ Νὲον᾿Αθὴναιον, 1 (1955) 286, 292Google Scholar, no. 1.

⁵⁰ Thimme, in Art and Culture, 433–4: nos. 53–4; 585, Appendix 5, fig. 194.

⁵¹ Ibid. 434, no. 55; D-G 1968, col. no. 333; D-G 1978, 27, no. 10; D-G 1983, 64, no. 18.

⁵² Evans (n. 22), 124 and fig. 126; Branigan (n. 17), 60. IF. 1, 77; fig. 1. 4.

⁵³ Figurines, 8 n. 32; D-G 1978, 27, no. 10; D-G 1983, 64, no. 18; EC Art, 48, fig. 21.

⁵⁴ Thimme, in Art and Culture, 433–4, nos. 53–5.

⁵⁵ EC Art, 136, cat. no. 9.

⁵⁶ ibid.

⁵⁷ Höckmann, in Art and Culture, 175, fig. 176. 12.

⁵⁸ Sotirakopoulou, P., ‘The dating of the late Phylakopi I as evidenced at Akrotiri on Thera’, BSA 91 (1996), 130Google Scholar.

⁵⁹ Ergon 1996, 77 and fig. 63.

⁶⁰ D-G 1968, 158, col. no. 303; D-G 1978, 26, no. 5; D-G 1983, 63, no. 13; Figurines, 27 n. 111; Thimme, in Art and Culture, 432–3, no. 50; Sculptors, 145 n. 5.

⁶¹ Schmidt (n. 35), 278. nos. 7355–63; 279. nos. 7461–2; Blegen, C. W., Caskey, J. L., Rawson, M., and Sperling, J., Troy, i: General Introduction. The First and Second settlements (Princeton, 1950), figs. 127. Types 2 C and 3 G, I, FGoogle Scholar; 216, 37–372, 37–706; 360; Blegen et al. (n. 18), figs. 48, 55; Art and Culture, 176; 554–6, nos. 475–85; fig. 176, 16–17; in some Trojan examples the hair, eyes, eyebrows, and necklaces are indicated by means of incisions.

⁶² Samos, i. pls 34, 4–6, 49, 29.

⁶³ Kadish, B., ‘Excavations of prehistoric remains at Aphrodisias, 1967’, AJA 73 (1969), 65, pl. 29. fig. 30CrossRefGoogle Scholar; ead. (n. 20), 135, 139, pl. 29. fig. 33; M. Sharp Joukowsky (n. 20), 212–13, figs. 224–7, 229–30; 606, fig. 437. 2, 5–6; 623, fig. 449.

⁶⁴ Lloyd and Mellaart (n. 34), 266, 271, pl. 32. 4.

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⁶⁷ Alexiou (n. 22), 226, fig. 8, 2nd from left; Branigan (n. 17), 60 and fig. 1. 2.

⁶⁸ Evans (n. 22), 124 and fig. 124.

⁶⁹ Branigan (n. 17), 60–1.

⁷⁰ Ergon 1969, 183, fig. 228.

⁷¹ Renfrew, in Art and Culture, 62; Thimme, ibid. 432–3, no. 50; D-G 1978, 26, no. 5; D-G 1983, 63, no. 13.

⁷² Höckmann, in Art and Culture, 176.

⁷³ Sotirakopoulou (n. 58), 135.

⁷⁴ Thimme, in Art and Culture, 554–6, nos. 475–85.

⁷⁵ Höckmann, ibid. 176, 177.

⁷⁶ M. Sharp Joukowsky (n. 20), 212–13.

⁷⁷ Branigan (n. 17), 60.

⁷⁸ Ergon 1992, 78. Doumas 1992 (n. g), 181, pl. 77 δ.

⁷⁹ Kykladika II, 101, 114 and figs. 29–30; Zervos, fig. 45 a–c; Figurines, 14, VI. 1–8.

⁸⁰ Kykladika I, 161, pl. 11, 12 (erroneously written as shown on pl. 12. 12); Figurines, 14, VI. 15–17.

⁸¹ K. Stephanos, ‘῾᾿Ανασκαφαὶ ἐν Νὰξῳ ᾿’, PAE 1906, 88–9; Zervos, fig. 44 a–c; Papathanasopoulos 1961/62 (n. 14), 124–5, pl. 55 a; Figurines, 14, VI. 9–11; Marangou, L. (ed.), Κυκλαδικὸς Πολιτισμὸς Η Νὰξος στην 3η π.Χ. χιλιετὶα (N. P. Foundation, Museum of Cycladic Art; Athens, 1990), 88–9, nos. 86–7 (Spedo, T 16)Google Scholar; N. Kontoleon, ‘᾿Ανασκαφαὶ Νὰξου Νεκρὸπολις ῾Απλωμὰτων, PAE 1971, 179, pls 212–13; Marangou (see above), 105, nos. 100–1, of shell (Aplomata, T XIII); Figurines, 14, VI. 18 and ill. 1. VI (SE Naxos); Thimme, in Art and Culture, 434, no. 57, of shell (allegedly from Naxos).

⁸² Doumas, C., ‘Κυκλὰδες Κὲρος Νὰξος’, A. Delt. 19 (1964)Google Scholar, Chron., 409, pl. 480 α; Burial Habits, figs. 8 s–u, 9 e–f; Doumas, in Αυγή, 76, 304–5, nos. 51–2; EC Art, 260, cat. no. 88.

⁸³ Marthari, M., ‘Σκὰρκος ὲνας Πρωτοκυκλαδικὸς οικισμὸς στην Ιο’, in Ιδρυμα Ν. Π. Γουλανδρὴ, Μουσεὶο Κυκλαδικὴς Τὲχνης Διαλὲξεις 1986–1989 (Athens, 1990), 100Google Scholar.

⁸⁴ Figurines, 14–15 and ill. 4. VI; Emergence, 184, fig. 11. 8; 420, fig. 19. 4. VI; Cycladic Spirit, 91, fig. 5; Burial Habits, 21, figs. 8 q–u, 9 e–f; Art and Culture, 45, 70, fig. 184 on p. 416; Sculptors, 8, fig. 3.

⁸⁵ Thimme, in Art and Culture, 434–5, nos. 57–62.

⁸⁶ Metallurgy, 7, 18, pl. 4, no. 27; Figurines, 14, VI. 12.

⁸⁷ Thimme, in Art and Culture, 427–8, 431, no. 44; for the dating of the Kapros Grave D to the ‘Grotta-Pelos culture’ see Art and Culture, 446, 583.

⁸⁸ Figurines, 12; Metallurgy, 7.

⁸⁹ Renfrew, in PC 48.

⁹⁰ Metallurgy, 6–7, 18, pl. 4, nos. 26, 29; Thimme, in Art and Culture, 453, nos. 122–3.

⁹¹ Mylonas, G. E., Aghios Kosmas: An Early Bronze Age Settlement and Cemetery in Attica (Princeton, 1959), 77–8, 138Google Scholar; fig. 163; drawing 62, no. 1; Figurines, 14, VI. 13 (T 3); Mylonas (see above), 100–1, 138; fig. 163; drawing 62, no. 9; Figurines, 14, VI. 14 (T 22).

⁹² Sampson, A., Μάνικα, ii. Ο Πρωτοελλαδικὸς οικισμὸς και το νεκροταφεὶο (Athens, 1988), 32, 70Google Scholar; fig. 87, 168, 5803.

⁹³ Thimme, in Art and Culture, 434–5, nos. 58–62; D-G 1968, col. nos. 249, 352; D-G 1978, 76, no. 72; 103, no. 118; D-G 1983, 100, no. 97; 120, no. 142; Burial Habits, 21 and fig. 8 s.

⁹⁴ EC Art, 129.

⁹⁵ Thimme, in Art and Culture, 427, 445–7, nos. 95–102.

⁹⁶ Mylonas (n. 91), 75–8.

⁹⁷ Getz-Preziosi, P., ‘Risk and repair in Early Cycladic sculpture’, MMJ 16 (1981), 19–23Google Scholar, figs. 52–3, 56–7; EC Art, 83, fig. 45.

⁹⁸ EC Art, 83.

⁹⁹ Renfrew, C. and Peacey, J. Springer, ‘Aegean marble: A petrological study’, BSA 63 (1968), 48Google Scholar; GetzPreziosi, P., ‘The Male Figure in Early Cycladic sculpture’, MMJ 15 (1980), 33Google Scholar: ‘Note on provenance’; EC Art, 82; Sculptors, 30–1.

¹⁰⁰ phyiakopi, 194, pl. 39, 4, 8; Figurines, 24, VII. 1–3, pl. 7 c–e; Emergence, 159, pl. 8, 6–8.

¹⁰¹ Caskey 1971 (n. 16), 121, 124, nos. 30–6; fig. 5, pl. 22, nos. 30–6; id. 1974 (n. 16), 78–9, pl. 11, nos. 41–2; Figurines, 24, VII. 4–5, pl. 7 f–g.

¹⁰² Ergon 1992, 80; Doumas 1992 (n. 9), 181.

¹⁰³ Ergon 1992, 78; Doumas 1992 (n. 9), 181, pl. 77 γ.

¹⁰⁴ D-G 1978, 145–6, nos. 167–8; D-G 1983, 162, nos. 204–5.

¹⁰⁵ Xanthoudides, S., The Vaulted Tombs of Mesara (London, 1924), 122, no. 225Google Scholar; pl. 58. 225 a; Sapouna-Sakellarakis (n. 21), 50, ГΛ 225; ins. pl. A. A 225.

¹⁰⁶ Branigan (n. 17), 64, 77.

¹⁰⁷ Sapouna-Sakellarakis (n. 21), 71.

¹⁰⁸ Figurines, 24–6 and ill. 4. VII; Emergence, 184, fig. 11. 8; 420, fig. 19. 4; Renfrew, in Art and Culture, 70; Cycladic Spirit, 91, fig. 5; Burial Habits, 24, Fig. 13 q; Thimme, in Art and Culture, 416, fig. 184; Sculptors, 8, fig. 3.

¹⁰⁹ Davis, J. L., in EC Art, 20, 39 n. 42Google Scholar; id., ‘Review of Aegean Prehistory I: the Islands of the Aegean’, AJA 96 (1992), 735.

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¹¹³ Caskey 1971 (n. 16), 123–5.

¹¹⁴ Figurines, 24.

¹¹⁵ Renfrew, in Art and Culture, 70.

¹¹⁶ Sotirakopoulou 1990 (n. 2), 42; ead. 1991 (n. 2), 27–31, Table 1; ead. 1992 (n. 2), 186–8.

¹¹⁷ Branigan, K., The Tombs of Mesara (London, 1970), 76Google Scholar; id. (n. 17), 64.

¹¹⁸ Sapouna-Sakellarakis (n. 21), 59.

¹¹⁹ Figurines, 14; Renfrew, in Art and Culture, 70.

¹²⁰ D-G 1968, 115, col. no. 209; D-G 1978, 68, no. 62; D-G 1983, 94, no. 87.

¹²¹ Papavasileiou, G. A., Περὶ των ἐν Εὐβοὶᾳ ἀρχαὶων τὰφων (Athens, 1910), 4 and fig. 3Google Scholar; Sapouna-Sakellarakis, E., ‘Nouvelles figurines cycladiques et petite glyptique du Bronze Ancien d'Eubée’, AK 34 (1991), 6–8Google Scholar, pl. 2. 6; Sampson (n. 92), 70.

¹²² Sapouna-Sakellarakis (n. 121), 3, pl. 2. 2.

¹²³ Papavasileiou (n. 121), 4–5.

¹²⁴ Sapouna-Sakellarakis (n. 21), 51, 57, 58, pls 26 γ 29 γ–δ.

¹²⁵ Figurines, 7. ill. 2. III; D-G 1978, 44–5, nos. 29–30.

¹²⁶ See n. 28.

¹²⁷ Art and Culture, 444–5, nos. 92–3; Sculptors, pl. 3, B. 2–3.

¹²⁸ Art and Culture, 444–5. nos. 88, 90 2; Sculptors, pl. 3, B. 1, 3–4, 6.

¹²⁹ Art and Culture, 444, no. 91; Sculptors, pl. 3, B. 4.

¹³⁰ Art and Culture, 446–7, nos. 97–101.

¹³¹ Ibid. 447, no. 101.

¹³² Tsountas, C., Αὶ προϊστορικαὶ ἀκροπὸλεις Διμηνὶου καὶ Σὲσκλου (Athens, 1908), 304, pls 37. 12, 38, 3Google Scholar; Figurines, pl. 3 a; Zervos, C., Naissance de la civilisation en Grèce, ii. (Paris, 1963), figs. 467–8Google Scholar.

¹³³ Figurines, 30; Thimme, in Art and Culture, 442.

¹³⁴ Sapouna-Sakellarakis (n. 21), 57–8, ГΛ 309; ins. pl. A, pl. 29 στ

¹³⁵ Figurines, 28, ill. IV; Renfrew, in Art and Culture, 70; Thimme, in Art and Culture, 445–9, nos. 95–109; Sculptors, 11.

¹³⁶ On the dating of the Louros type figurines see n. 28.

¹³⁷ Thimme, in Art and Culture, 445–6.

¹³⁸ Ergon 1992, 80; Doumas 1992 (n. 9), 184, pl. 79 β.

¹³⁹ Ergon 1992, 80; Doumas 1992 (n. 9), 184.

¹⁴⁰ Ergon 1992, 80, fig. 104 α; Doumas 1992 (n. 9), 184.

¹⁴¹ Ergon 1992, 80, fig. 104 β; Doumas 1992 (n. 9), 184, pl. 79 γ.

¹⁴² Ergon 1992, 80; Doumas 1992 (n. 9), 184, pl. 79 γ.

¹⁴³ Ergon 1992, 80; Doumas 1992 (n. 9), 184.

¹⁴⁴ Ibid.

¹⁴⁵ Ibid.

¹⁴⁶ The figurine MN 199, which Renfrew (Figurines, 6, II. 16) reports as male, Getz-Preziosi [(n. 99), 6–7 and fig. 10 d] considers as of uncertain sex, though with masculine proportions.

¹⁴⁷ Burial Habits, 87, pl. 28 j–k; Sculptors, pls 14–15. [1]; Marangou (n. 81), 145, no. 147 (Akrotiri, T 5); Burial Habits, 93. pl. 32 f–g (Akrotiri, T 20).

¹⁴⁸ Burial Habits, 99–100, pl. 35 a–d; Sculptors, pl. 4. B (Plastiras, T 9); Kykladika I, 155, pl. 10. 4; Zervos, fig. 112; Emergence, 153, pl. 2. 2; Getz-Preziosi, P., ‘An Early Cycladic sculptor’, AK 18 (1975), 48, fig. 1Google Scholara; Sculptors, 37, fig. 15 a, pls 14–15. [9]; Doumas, in Αυγή, 74, 304, no. 47 (Glypha, T 23).

¹⁴⁹ Kykladika I, 161, pl. 10. 5; Zervos, fig. 166 (Krassades, T 112).

¹⁵⁰ See n. 146.

¹⁵¹ Art and Culture, 440, no. 75.

¹⁵² Females: Zervos, fig. 47; Art and Culture, 438, no. 68; Getz-Preziosi (n. 97), figs. 1. no. 6, 12–13; Sculptors, 51, fig. 28 a (‘Naxos’); Figurines, 6, II. 2. pl. 1 d: Emergence, 153, pl. 2. 3; Cycladic Spirit, 60. pl. 25; Sculptors, pls 14–15. [2] (‘Lefkes, Paros’); Wolters, P., ‘Marmorkopf aus Amorgos’, AM 16 (1891), 49, fig. 1Google Scholar; Figurines, 6, II. 10. pl. 1 e; Art and Culture, 439, no. 71; Sculptors, 16, fig. 8 b (‘Kapros Grave D, Amorgos’); Getz-Preziosi (n. 148), 47, pl. 19. 1–3; ead. (n. 97), figs. 1. no. 7, 14–15; Sculptors, pls 18, 20. [3] (‘Amorgos’); Bossert, H. T.. Altkreta (Berlin, 1923), pl. 14Google Scholar; Art and Culture, 438, no. 67; Sculptors, 76, fig. 33 c, pls 16 17. [3] (‘Delos’).

Males: Zervos, fig. 43; Art and Culture, 62, fig. 34; Papathanasopoulos 1981 (n. 14), 200–1, pl. 118; Figurines, 6. II. 15; Getz-Preziosi (n. 99), 31, no. 7; figs. 1. no. 7. 8–9 Sculptors, 21, fig. 11 a (‘Amorgos’); Figurines, 6, II. 14; Cycladic Spirit, 61, pl. 27; Getz-Preziosi (n. 148), 47, 49; fig. 1 b, pl. 17; ead. (n. 99), 31 and fig. 1, no. 5; EC Art, 53, fig. 24 c; Sculptors, 16, fig. 8 a; 79, fig. 34; pls 18–20. [2]; Art and Culture, 156, fig. 153; Doumas, in Αυγή, 74, 304, no. 46 (‘Amorgos’); Zervos, fig. 105; Figurines, 6, II. 13; Getz-Preziosi (n. 99). 31. no. 1; figs. 1. no. 1, 2–3; EC Art, 53, fig. 24 d; Sculptors, 21, fig. 11 b (‘Antiparos’).

¹⁵³ Females: (1) D-G 1978, 90, no. 97; D-G 1983, 70–1, no. 31; Cycladic Spirit, 61, pl. 26; (2) Art and Culture, 437, no. 65; Getz-Preziosi (n. 97), figs. 1. 4, 4–6; EC Art, 52, fig. 23; Sculptors, 10–11; figs. 4 b, 7 a, 33 a, pls 16–17. [2]; (3) Art and Culture, 437–8, no. 66; Getz-Preziosi (n. 97), figs. 1. 5, 7–11; EC Art, 54, fig. 25; Sculptors, 76, fig. 33 b, pls I. A, 16–17. [1]; (4) Art and Culture, 439, no. 70; (5) ibid. 440, no. 73; 581, fig. 191; EC Art, 132, cat. no. 5; 103, fig. 47; Sculptors, 44, fig. 23 b, pl. 4, A. 2; (6) Art and Culture, 438–9, no. 69; Sculptors, 12, fig. 5 a; (7) ibid. 50, fig. 27 b, pls 14–15. [3]; (8) Getz-Preziosi (n. 148), 47, pl. 18. 1–3; EC Art, 130–1, cat. no. 4; Sculptors, pls 18, 20. [1]; (9) Getz-Preziosi (n. 148), 49, pl. 20. 4–6; (10) ead. (n. 97), figs. 1. 9, 19–20; ead., ‘Nine fragments of Early Cycladic sculpture in southern California’, The Paul Getty Museum Journal 12 (1984), 26, fig. 5Google Scholara–b; EC Art, 54, fig. 26; (11) Getz-Preziosi (n. 99), 10, fig. 10 c; EC Art, 144, cat. no. 16.

Males: (1) Figurines, 6, II. 17; Getz-Preziosi (n. 148), 49, pl. 20. 1–3; ead. (n. 99), 31 and fig. 1, no. 3; Art and Culture, 440, no. 74; (2) ibid. 441, no. 77; Getz-Preziosi (n. 148), 49, pl. 19. 4–5; ead. (n. 99), 31 and fig. 1. 2; ead. (n. 97), figs. 1. 8, 16–18; EC Art, 53, fig. 24 a; Sculptors, pls 14–15. [4]; (3) Art and Culture, 441, no. 79; Getz-Preziosi (n. 99), 31, no. 6; figs. 1. 6, 6–7; (4) Art and Culture, 439–40, no. 72, colour pl. VI; Getz-Preziosi (n. 99), 31, no. 4; figs. 1. 4, 4–5; EC Art, 53, fig. 24 b; Sculptors, 37, fig. 15 b, colour pl. I. B.

Heads: (1) D-G 1978, 91, no. 98; D-G 1983, 71, no. 32; Doumas, in Αυγή, 75, 304, nos. 48–9; (2) P. Getz-Preziosi and S. S. Weinberg, ‘Evidence for painted details in Early Cycladic sculpture’, AK (1970), 7, pl. 1. 4; Getz-Preziosi (n. 148), 47, pl. 18. 4–6; Sculptors, pls 19–20. [4].

Leg: D-G 1978, 92, no. 99; D-G 1983, 72, no. 33.

¹⁵⁴ Figurines, 8 and ill. 4. II; Emergence, 153, 159; 184, fig. 11. 8. II; 527; Renfrew, in Art and Culture, 63, 64; Cycladic Spirit, 91, fig. 5; Burial Habits, 17 and fig. 5 e; Thimme, in Art and Culture, 436, fig. 184 on p. 416; EC Art, 48, fig. 21; Sculptors, 8, fig. 3.

¹⁵⁵ EC Art, 52; Sculptors, 20.

¹⁵⁶ Getz-Preziosi (n. 99), 6; EC Art, 52; Sculptors, 20.

¹⁵⁷ Getz-Preziosi (n. 148), pl. 17; Sculptors, pls 18–20. [2].

¹⁵⁸ Getz-Preziosi (n. 99), figs. 1. 4–5.

¹⁵⁹ Sculptors, 49.

¹⁶⁰ Art and Culture, 472, no. 183; Sculptors, 4g, fig. 26 a; D-G 1968, 150, col. no. 309; D-G 1978, 73, no. 69; D-G 1983, 98, no. 94; Cycladic Spirit, 104, pl. 65.

¹⁶¹ Getz-Preziosi (n. 99), 5–33.

¹⁶² See, for example, Papathanasopoulos 1981 (n. 14), 96–9, pls 41–5; Chourmouziadis, G. Ch., Τα Νεολιθικὰ ειδὼλια (Thessaloniki, 1994), 86–91, fig. 9, pls 1, 3–4Google Scholar; Gallis, K. and Orphanidis, L., Figurines of Neolithic Thessaly (Academy of Athens, Research Centre for Antiquity, Monograph 3; Athens, 1996), 196–7, no. 142Google Scholar.

¹⁶³ I am grateful to Professor Y. Sakellarakis for pointing this out to me and recommending that I comment on it.

¹⁶⁴ Figurines, 29–30; Thimme, in Art and Culture, 417; EC Art, 129; Sculptors, 9–10.

¹⁶⁵ (1) Art and Culture, 439, no. 71; Sculptors, 16, fig. 8 b; (2) EC Art, 130–1, cat. no. 4; Sculptors, pls 18, 20. [1]; (3) Getz-Preziosi (n. 148), 48, fig. 1 b, pl. 17; EC Art, 53, fig. 24 c; Sculptors, 16, fig. 8 a, pls 18–20. [2]; Art and Culture, 156, fig. 153.

¹⁶⁶ Thimme, in Art and Culture, 449–50; EC Art, 60–2, 145; Sculptors, 13–14.

¹⁶⁷ Renfrew, Cycladic Spirit, 92, does not accept the existence of a special class of ‘precanonical figures’ as transitional between the ‘Grotta-Pelos’ forms and the foldedarm type and regards them simply as different renderings of the five standard varieties of the folded-arm figures.

¹⁶⁸ Thimme, in Art and Culture, 450–3, nos. 110–23, fig. 184 on p. 416; Getz-Preziosi (n. 97), 16 n. 20; EC Art, 145, fig. 21 on p. 48; Sculptors, 13, fig. 3 on p. 8.

¹⁶⁹ Ergon 1992, 80; Doumas 1992 (n. 9), 184.

¹⁷⁰ Ergon 1992, 80; Doumas 1992 (n. 9), 184, pl. 79 δ.

¹⁷¹ Papavasileiou (n. 121), 4, fig. 2; Sapouna-Sakellarakis (n. 121), 8, pl. 4. 3–4.

¹⁷² N. M. Kontoleon, ‘᾿Ανασκαφαὶ Νἀξου: Νεκρὸπολις τῶν ῾Απλωμὰτων , PAE 1972, 151, pl. 135; Sculptors, 145 n. 8.

¹⁷³ Zervos, fig. 51; Thimme, in Art and Culture, 450–3, nos. 110–23; Brouscari, M., ‘Collection P. Canellopoulos (XVI): Antiquités cycladiques’, BCH 105 (1981), i. 501Google Scholar, inv. 1921, fig. 1; Getz-Preziosi (n. 97), figs. 2. no. 13, 28–30; EC Art, 146–50, cat. nos. 17–19; Sculptors, 51, fig. 28 b; Doumas, in Αυγή 77, 305, no. 53.

¹⁷⁴ The backward-tilting head is not uncommon in the precanonical idols; see, for example, Art and Culture, 450–3, nos. 112, 117, 123; Getz-Preziosi (n. 97), figs. 2. no. 13, 28–30; Sapouna-Sakellarakis (n. 121), 8, pl. 4. 3–4.

¹⁷⁵ Art and Culture, 436. See the Plastiras figures from Akrotiri discussed above as well as: (1) Figurines, 6, II. 10, pl. 1 e; Art and Culture, 439, no. 71; Sculptors, 16, fig. 8 b; (2) Sculptors, pls 16–17. [1]–[3].

¹⁷⁶ (1) Doumas, in Αυγή, 77, 305, no. 53; (2) EC Art, 146–7, cat. no. 17; (3) Art and Culture, 451, no. 115; EC Art, 150, cat. no. 19; Sculptors, 12, fig. 5 c.

¹⁷⁷ EC Art, 150, cat. no. 19.

¹⁷⁸ Ibid. 145. Compare with: (1) Art and Culture, 450–1, nos. 110–11, 114–15; Sculptors, 12, fig. 5 c; 14, fig. 6 a, d; (2) EC Art, 150, cat. no. 19; (3) Zervos, fig. 51; Getz-Preziosi (n. 97), figs. 2. no. 13, 28–30; (4) Doumas, in Αυγή, 77, 305, no. 53.

¹⁷⁹ Art and Culture, 450–1, nos. 112–15; Getz-Preziosi (n. 97), figs. 2. no. 14, 34–6; EC Art, 150, cat. no. 19; Sculptors, 12, fig. 5 c; 14, fig. 6 b, d.

¹⁸⁰ Art and Culture, 423, no. 19, fig. 184 on p. 416.

¹⁸¹ Ibid. 417, 423, no. 19.

¹⁸² For Plastiras-type figurines with hollowed ears see: Getz-Preziosi (n. 148), pls 17–18; ead. (n. 99), 31, no. 4; figs. 1. 4, 4–5; D-G 1978, 91, no. 98; Doumas, in Αυγή, 75, nos. 48–9. See also the harper in New York, of the precanonical style: Art and Culture, 495, no. 253 a–b; Getz-Preziosi (n. 99), 11, 31, no. 9; figs. 14. 9, 16–19.

¹⁸³ Art and Culture, 450–1, nos. 111, 116.

¹⁸⁴ Figurines, pl. 3 c; Art and Culture, 157, fig. 155.

¹⁸⁵ Figurines, 31; Renfrew, in Art and Culture, 67.

¹⁸⁶ Höckmann, in Art and Culture, 158; Thimme, in Art and Culture, 449.

¹⁸⁷ On the folded-arm figurines of the Kapsala variety see: Figurines, 15–16, IV. A; Cycladic Spirit, 78–9; Thimme, in Art and Culture, 457–8; EC Art, 151; Sculptors, 15–16.

¹⁸⁸ Ergon 1992, 80; Doumas 1992 (n. 9), 184, pl. 79 ε.

¹⁸⁹ Kykladika I, 152, pl. 10. 2; Figurines, 16, IV. A. 1 (Kapsala, T 5); Kykladika I, 146, 154, pl. 10. 3; Zervos, figs. 294–5; Figurines, 16, IV. A. 2 (Dokathismata, T 13).

¹⁹⁰ Bent (n. 13), 51 and fig. 8; Figurines, 12, 16, IV. A. 5–6.

¹⁹¹ Zervos, figs. 174–5; Papathanasopoulos 1961/62 (n. 14). 120. pl. 52 α; id. 1981 (n. 14). 190–1 pls 107–8; Marangou (n. 81), 150, no. 155 (Spedo, T 12); X. Kontoleon, ῾᾿Ανασκαφὴ Νὰξου: Α. Νεκροταφεῖον ῾Απλωμὰτων᾿, PAE 1970, 151, pl. 195 α (Aplomata, T IV); Ergon 1971, 184, fig. 218 α–β; Kontoleon (n. 81), 178–9; Sculptors, 60, 64–5 (Aplomata, T XIII).

¹⁹² (1–2) Metallurgy, 5, 18, nos. 15–16; pl. 3. 15–16; Figurines, 11, Φ11–12; 16, IV. A. 3–4; pl. 3 d–e; Cycladic Spirit, 112, pl. 69; Sculptors, pl. 5; (3) Figurines, 16, IV A. 7; Cycladic Spirit, 77, pl. 52; Sculptors, 12, fig. 5 e; 15, fig. 7 c; pls 21–22. [1]; Doumas, in Αυγή, 78, 305, nos. 54–5; (4) Figurines, 16, IV A. 8; Sculptors, 12, fig. 5 d.

¹⁹³ (1) Figurines, 16, IV. A. 9; (2) Thimme, in Art and Culture, 458, no. 124; Sculptors, 84, fig. 35 a, pls 21–22. [2].

¹⁹⁴ Thimme, in Art and Culture, 459, no. 129.

¹⁹⁵ (1–4) Figurines, 16, IV. A. 10; Art and Culture, 65, 457–9, nos. 125–8; EC Art, 152, cat. no. 20; (5–9 ) Getz-Preziosi and Weinberg (n. 153), pl. 2. 2–3; Getz-Preziosi, in Art and Culture, 73, fig. 40 (where, however, the figure is classed in the ‘Spedos variety’); EC Art, 153–9, cat. nos. 21–5; Sculptors, 55, fig. 29; 84, fig. 35 b; pls VI. A, 21–2. [6]; (10) D-G 1978, 97, no. 107; D-G 1983, 115, no. 131 (according to Renfrew, Cycladic Spirit, 79, this figurine combines features of both the Kapsala and Spedos varieties and can thus be considered as transitional between the two); (11) Getz-Preziosi (n. 97), figs. 2. 16, 39–42; Sculptors, pls 21–2. [5]; (12) Getz-Preziosi (n. 97), figs. 2. 15, 37–8; (13) Marangou (n. 81), 147–8, no. 152.

¹⁹⁶ Figurines, 21 and ill. 4. IV A; Emergence, 184, fig. 11. 8. IV. A; Renfrew, in Art and Culture, 67; Cycladic Spirit, 79, 90; 91, fig 5; Höckmann, in Art and Culture, 45; Thimme, in Art and Culture, 454, fig. 184 on p. 416; EC Art, 48, fig. 21; Sculptors, 8, fig. 3.

¹⁹⁷ On the Spedos variety see: Figurines, 20–1, IV. F; Cycladic Spirit, 86; Thimme, in Art and Culture, 459–80, nos. 130–213; EC Art, 160–1, cat. nos. 26–58, 73–87, colour pls 2–9; Sculptors, 16–17. For additional examples see: Zapheiropoulou, , ‘Πρωτοκυκλαδικὰ εἰδὼλια τῆς Νὰξου’, in Στὴλη, Τὸμος εἰς μνὴμην Ν. Κοντοκὲοντος (Athens, 1980) 532–40, pls 233–46Google Scholar; Brouscari (n. 173), 503–12, figs. 3–15; D-G 1983, nos. 58, 61–2, 64, 66, 70, 82, 91, 94, 96, 108–10, 118, 122, 133, 135, 148, 172–5, 177; Doumas, in Αυγή, 84–91, 100, 306–8, 310, nos. 64–75, 90.

¹⁹⁸ See n. 3.

¹⁹⁹ An ivory folded-arm figurine and three marble heads from Tholos C at Archanes [I. Sakellarakis, ‘ἈνασκαΦὴ Ἀρχανῶν’, PAE 1972, 334–5, 336–8, 341, 342, 350–1, pl. 285 α–β; id. 1977 (n. 22), 100, 102; figs. 1–3, 16–18; id. in Art and Culture, 150–1, figs. 142–3; Sakellarakis, Y. and Sakellarakis, E., Κρήτη:Αρχάνες (Athens, 1991), 118Google Scholar and figs. 93–4] were classed by I. Sakellarakis in the Spedos variety; Thimme, however, classified the ivory idol in the postcanonical figures and the three marble heads in the Koumasa variety (Art and Culture, 460).

²⁰⁰ Figurines, 21, ill. 4. IV. F; Emergence, 184, fig. 11. 8. IV. F; Renfrew, in Art and Culture, 67; Cycladic Spirit, 91, fig. 5; Thimme, in Art and Culture, 416, fig. 184; D-G 1983, 44; EC Art, 48, fig. 21; Sculptors, 8, fig. 3; Sapouna-Sakellarakis (n. 121), 8.

²⁰¹ Thimme, in Art and Culture, 459–60.

²⁰² EC Art, 160–1; Sculptors, 16–17. Getz-Preziosi, not accepting Thimme's ‘middle’ group of the Spedos variety, suggests the subdivision of the variety into an ‘early’ and a ‘late’ group on somewhat different criteria than those proposed by Thimme.

²⁰³ Art and Culture, 468, no. 166.

²⁰⁴ D-G 1968, col. nos. 107, 309; D-G 1978, 73, 100, nos. 69, III; D-G 1983, 98, 116, nos. 94, 135.

²⁰⁵ Cf. e.g. Art and Culture, 466–7, no. 163.

²⁰⁶ Cf. ibid. 471–3, nos. 181, 183–4, which, moreover, have trapezoidal upper bodies; also Zervos, fig. 255; Caskey 1971 (n. 16), 115, no. 2; 116, no. 6; pls 17. 2, 18. 6.

²⁰⁷ Art and Culture, 466, no. 161.

²⁰⁸ D-G 1968, 135, col. no. 281; D-G 1978, 60, no. 43; D-G 1983, 84, no. 64.

²⁰⁹ D-G 1968, 135, col. no. 281; D-G 1978, 60, no. 43; D-G 1983, 84, no. 64; Sculptors, 15, fig. 7 e, pls 36. [1], [27]; 39. [2], [4].

²¹⁰ Art and Culture, 472, no. 183.

²¹¹ Ibid. 480–3, nos. 216, 221–2; see also D-G 1978, 131, no. 147; D-G 1983, 146, no. 178.

²¹² Sculptors, 49.

²¹³ See the male Plastiras figurine 6858 above.

²¹⁴ Sculptors, 115–7, pls 40–1.

²¹⁵ On the Chalandriani variety see: Figurines, 17–18, IV. C; Cycladic Spirit, 82–3; Thimme, in Art and Culture, 482–5, nos. 221–31; EC Art, 210, 217–19, 222–31, cat. nos. 62–3, 65–72. On its dating see: Figurines, 22 and ill. 4. IV. C; Emergence, 184, fig. 11. 8. IV. C; Renfrew, in Art and Culture, 67; Cycladic Spirit, 90; 91, fig. 5; Hockmann, in Art and Culture, 46; Thimme, in Art and Culture, 454, 482–5, nos. 221–31; fig. 184 on p. 416; EC Art, 48, fig. 21; Sculptors, 8, fig. 3.

²¹⁶ Ergon 1992, 78–80; Doumas 1992 (n. 9), 181–5.

²¹⁷ Figurines, 17; Cycladic Spirit, 82; Getz-Preziosi, in Art and Culture, 74; ead. (n. 99), 6, 30 n. 46; ead., ‘The “Keros Hoard”: Introduction to an Early Cycladic enigma’, in Metzler, D. and Otto, B. (eds), Antidoron J. Thimme (Karlsruhe, 1982), 43–4 n. 11Google Scholar; EC Art, 78–9, 210–11; Sculptors, 18.

²¹⁸ Thimme, in Art and Culture, 487.

²¹⁹ (1) Kykladika II, 114; Zjrvos, fig. 245; Figurines, 17, IV. C. 3 (T 447); (2) Zervos, fig. 249; Figurines, 17, IV. C. 1; Sculptors, 48, fig. 25 d; (3–4) Two figurines from T 307 reported by Getz-Preziosi (Sculptors, 61), which, as she notes, it is not possible at present to identify.

²²⁰ (I)Caskey, J. L., ‘Excavations in Keos, 1963’, Hesp. 33 (1964), pl. 48 eCrossRefGoogle Scholar; id., ‘The Early Bronze Age at Ayia Irini in Keos’, Archaeology 23 (1970), 341, bottom left; id. 1971 (n. 16), 117–18, pl. 20, no. 16; Figurines, 17, IV. C. 10; (2–4) Caskey 1964 (see above), pl. 48 h–i; id. 1971 (n. 16), 114, 116–17, nos. 1, 7–9; pls 17. 1, 19. 7–9; Figurines, 18, IV. D. 1, pl. 8 f [the figurine is set here in the ‘Kea variety’, which Renfrew later discarded (Art and Culture, 64), agreeing with Getz-Preziosi (Art and Culture, 91 n. 8) that this variety is an unnecessary typological complication and should be dropped]; Sculptors, pl. 48. [2]–[3].

²²¹ (1) Figurines, 17, IV. C. 8; (2) Zervos, fig. 158; Art and Culture, 483–4, no. 225; Sculptors, 125, fig. 51 a, pls 46–7. [3]; according to Renfrew, Figurines, 26 n. 103, this is a hybrid, with features of both the Dokathismata and Chalandriani varieties.

²²² (1) EC Art, 230–1, cat. no. 72; Sculptors, 38, fig. 18 a; 125, fig. 51 b–c, pls 46–7. [1]; (2) EC Art, 228, cat. no. 70.

²²³ (1) Zapheiropoulou, Ph., ῾᾿Αρχαιὸτητες καὶ μνημεῖα Κυκλὰδων᾿, A. Delt. 25 (1970)Google Scholar, Chron., 430, pl. 374 α; (2) Art and Culture, 483, no. 224; Sculptors, pls 46–7. [6]; (3) Art and Culture, 485, no. 230; Sculptors, 50, fig. 27 g, pls 48, 50. [6]; (4) Art and Culture, 485, no. 231; Sculptors, pls 48–50. [8].

²²⁴ (1) Zervos, fig. in; Figurines, 17, IV. C. 6; Sculptors, 117, fig. 52, pls 48–50. [1]; (2) Arnott, R., ‘Early Cycladic objects from Ios formerly in the Finlay collection’, BSA 85 (1990), 7Google Scholar, no. 3, pl. 2 a.

²²⁵ Figurines, 18, IV. C. 20, pl. 5 e.

²²⁶ (1–5), Art and Culture, 482–4, nos. 221, 223, 226–8; (6) ibid. 482–3, no. 222; EC Art, 227, cat. no. 69; (7) Art and Culture, 484–5, no. 229; Sculptors, pls 48–50. [7]; (8) ibid. 12, fig. 5j, pls 48–50. [4]; (9) Figurines, 18, IV. D. 3, pl. 8 e (the figurine is classed here in the ‘Kea variety’, for which see n. 220); (10) ibid. 17, IV. C. 9; (11) EC Art, 83–4; 79, fig. 44 (male); (12–14) ibid. 217–29, cat. nos. 62, 66, 71; (15) Touloupa, E., ῾᾿Εθνικὸν Μουσεῖον Δὺο νὲα κυκλαδικὰ εἰδὼλια ᾿, AAA I (1968), 267–8Google Scholar, fig. 1; (16–17) Brouscari (n. 173), 513–5, inv. 1931, 1919; figs. 16, 18; (18) D-G 1968, 100, col. no. 105; D-G 1978, 99, no. no; D-G 1983, 116, no. 134; Doumas, in Ανγή, 104, 311, no. 96; Figurines, 17, IV. C. 5; Sculptors, 51, fig. 28 d.

²²⁷ Art and Culture, 482.

²²⁸ Zervos, figs. 316–17; Figurines, 13–14; Emergence, 525; Thimme, in Art and Culture, 496, nos. 254–5; 508, no. 299; 511, nos. 313–14; 584–5, fig. 193, colour pl. 4; Getz-Preziosi (n. 99), 11, fig. 14. nos. 13–14; 20–1, figs. 32–9; 31, nos. 13 14; Sculptors, pl. 9; Doumas, C., Them: Pompeii of the Ancient Aegean (London, 1983), 27Google Scholar. From Thera are also reported four other marble Figurines, two schematic and two of the folded-arm type, as well as three marble kandiles; for these see: Karo, G., ‘Archäologische Funde aus dem Jahre 1929 und der ersten Hälfte von 1930. Griechenland und Dodekanes’, AA 45 (1930), 135–6Google Scholar; Figurines, 18, IV. C. 20, pl. 5 e; Emergence, 524–5, Thera no. 1; Simpson, R. Hope and Dickinson, O. T. P. K., A Gazetteer of Aegean Civilisation in the Bronze Age, i. The Mainland and Islands (SIMA 52; Göteborg, 1979), 343, 345Google Scholar.

²²⁹ Renfrew and J. Springer Peacey (n. 99), 48; Getz-Preziosi, in Art and Culture, 90; ead. (n. 99), 33, ‘Note on provenance’; EC Art, 82; Sculptors, 30–1.

²³⁰ Bent (n. 13), 53; Edgar, C. C., ‘Pre-historic tombs at Pelos’, BSA 3 (1896–1897), 49–51, fig. 18Google Scholar; Metallurgy, 4–5, 18, pls 1–2, no. 1; Emergence, 318; Branigan, K., Aegean metalwork of the Early and Middle Bronze Age (Oxford, 1974), 50, 194, pl. 24. no. 3132Google Scholar; Thimme, in Art and Culture, 121 (Antiparos, Krassades?); Wolters, P., ‘Prähistorische Idole aus Blei’, AM 23 (1898), 462Google Scholar; id. ‘Prähistorische Idole aus Blei’, AM 25 (1900), 339; Metallurgy, 5; Emergence, 318; Gale, N. H. and Stos-Gale, Z. A., ‘Cycladic lead and silver metallurgy’, BSA 76 (1981), 222Google Scholar; Arnott (n. 224), 8, pl. 2 c (Ios); Kontoleon (n. 191), 151, pl. 195 β; Thimme, in Art and Culture, 493, no. 251; Arnott (n. 224), 9 n. 53; Kontoleon considered it to be a lead seal, whereas Thimme and Arnott think that it is a lead figurine which served as a seal (Aplomata T 1, Naxos); Evans (n. 22), 132 and fig. 137; Metallurgy, 5, where Renfrew writes that the origin of this figurine is not certain (Crete, said to have been found near Candia); Schliemann, H., Ilios: The City and Country of the Trojans (London, 1880), 337Google Scholar, fig. 226; Metallurgy, 5; Emergence, 318 (Troy II); ibid. 318; Branigan (see above), 50, 194, cat. no. 3133 A; Thimme, in Art and Culture, 493, nos. 251–2 (unknown provenance).

²³¹ Thimme, in Art and Culture, 430, no. 37 A; P. Getz-Preziosi, ‘Addenda to the Cycladic exhibition in Karlsruhe’, AA 1978, 2, fig. 2 (unknown provenance).

²³² Archanes, Tholos C: (1) I. Sakellarakis (n. 199), 336–7, 350–1, pl. 285 a; id. (n. 22), 102–4 and figs. 16–18; id. in Art and Culture, 150–1, fig. 143; Y. and E. Sakellarakis (n. 199), 118 and fig. 94; (2) Sakellarakis (n. 199), 334, 335; id. (n. 22), 104 n. 57; id. in Art and Culture, 151.

²³³ Wolters (n. 152), 49, fig. 4; Metallurgy, 7, 18, pl. 4. no. 26; Thimme, in Art and Culture, 453, no. 122 (Kapros Grave D, Amorgos); Metallurgy, 7, 18, pl. 4. no. 27; Figurines, 14, IV 12 Thimme, in Art and Culture, 431, no. 44 (Kapros Grave D, Amorgos); Kontoleon (n. 81), 179, pls 212–13 (Aplomata T XIII, Naxos); Thimme, in Art and Culture, 434, no. 57 (allegedly from a grave on Naxos); Figurines, 8, III. 14–19; Thimme, in Art and Culture, 444, nos. 89–91 (allegedly from a grave on Paros); Thimme, in Art and Culture, 434, no. 58; 479, no. 210 (unknown provenance).

²³⁴ D-G 1968, 151, col. no. 310; D-G 1978, 74, no. 70; D-G 1983, 98, no. 95 (unknown provenance).

²³⁵ Figurines, 19, IV. E. 10; 14 n. 51; pl. 9 b; I. Sakellarakis, in Art and Culture, 152, fig. 145 (Tekes, Crete).

²³⁶ D-G 1978, 29, no. 14; D-G 1983, 66, no. 22 (unknown provenance).

²³⁷ Sapouna-Sakellarakis, E., ῾Κυκλαδικἀ τη̑ς Σκὺρου ᾿, in Φὶλια ᾿᾿Επη εἰς Γ. Ε. Μυλωνα̑, (Athens, 1986), i. 298Google Scholar; fig. 1 δ, pl. 51 στ, ead., ‘New evidence from the Early Bronze Age cemetery at Manika, Chalkis’, BSA 82 (1987), 243, 249–50, pl. 42 a–bGoogle Scholar; ead. (n. 121), 4 6, pl. 2. 4–5; Davis (n. 109), 719, fig. 11 (Manika cemetery, Euboia); D-G 1978, 106–7, nos. 123–4, where the two figurines are said to be of green stone; D-G 1983, 123, nos. 145–6, where the figurines are said to be of bone (unknown provenance).

²³⁸ Thimme, in Art and Culture, 475–6, no. 196 (unknown provenance).

²³⁹ Ibid. 476, no. 197 (Syros); Branigan, K., ‘Early Minoan figurines in the Giamalakis collection’, BSA 67 (1972), 22Google Scholar, IV. E. 19, fig. 1 B (unknown provenance).

²⁴⁰ Sakellarakis (n. 199), 334, 335; id. (n. 22), 104 n. 57; id. in Art and Culture, 151 (Archanes, Tholos C).

²⁴¹ Barber, , in Cycladica, 11, 35Google Scholar, discussion; Sculptors, 9–10.

²⁴² Thimme, in Art and Culture, 476, no. 197.

²⁴³ Getz-Preziosi, , in Art and Culture, 72, 91 n. 3Google Scholar; ead. (n. 97), 5; EC Art, 53; Thimme, in Art and Culture, 436–7.

²⁴⁴ Ibid. 454; Sculptors, 13.

²⁴⁵ Getz-Preziosi (n. 97), 8.

²⁴⁶ Cf. ibid. 8 and figs. 4–6.

²⁴⁷ Cf. ibid. 8–10; figs. 7–11, 21–2.

²⁴⁸ Papathanasopoulos 1961/62 (n. 14), 135, pl. 70 β; Getz-Preziosi (n. 97), 15 n. 17.

²⁴⁹ Thimme, in Art and Culture, 441, no. 77; Getz-Preziosi (n. 97), 15 n. 17; 29, no. 8; fig. 18.

²⁵⁰ Ibid. 30, n.

²⁵¹ Sculptors, 25.

²⁵² Getz-Preziosi and Weinberg (n. 153), 8–10, figs. 8–9, pl. 6. 2–3.

²⁵³ EC Art, 88 n. 2g, fig. 32 on p. 61; Sculptors, 53, pls I. B, A.

²⁵⁴ EC Art, 293, cat. no. 117.

²⁵⁵ Getz-Preziosi (n. 99), 15.

²⁵⁶ Getz-Preziosi (n. 148), 48; ead., in Art and Culture, 72; Sculptors, 37.

²⁵⁷ Thimme, in Art and Culture, 436; Barber, R. L. N., The Cyclades in the Bronze Age (London, 1987), 124–5Google Scholar; Cycladic Spirit, 137, 141.

²⁵⁸ Getz-Preziosi, in Art and Culture, 72–3, 74–5, figs. 42–3 Sculptors, 38–9; Barber (n. 257), 125.

²⁵⁹ Cydadic Spirit, 137–41.

²⁶⁰ Thimme, in Art and Culture, 436, 439, no. 72; Sculptors, 38 and fig. 15 b.

²⁶¹ Kykladika I, 194, 195.

²⁶² Sculptors, 57–141.

²⁶³ See figurine 2684 above.

²⁶⁴ See n. 229.

²⁶⁵ Thera, iv. 9; Thra, v. 44–5; S. Marinates, ‘ἈνασκαΦαὶ Θήρας IV (περίοδος 1970)’, PAE 1970, 159–60; id. (n. 3), 222–3; C. Doumas, ‘ἈνασκαΦὴ Θήρας’, PAE 1978, 221 -2; id. ‘ἈνασκαΦὴ Θήρας (Ακρωτήρι)’, PAE 1984, 346–7; id. ‘ἈνασκαΦὴ Θήρας (Ακρωτήρι)’, PAE 1985, 174; id. 1992 (n. 9), 181; id. 1993 (n. 9), 176–7; Ergon 1984, 82; Ergon 1994, 62; Marthari, in PC 119–26, figs. 2, 4–5; Palyvou, in PC, 134, 146; figs. 1–2, 9; Sotirakopoulou 1991 (n. 2), 29, 41, Table 4.

²⁶⁶ Marthari, in PC, 121, 124, figs. 2, 5.

²⁶⁷ Doumas 1984 (n. 265), 346, ins. pl. H; id. 1985 (n. 265), 171–3, pl. 82 pβ ins. pl. Θ.

²⁶⁸ Sotirakopoulou (n. 58), 129–35.

²⁶⁹ Sotirakopoulou 1990 (n. 2), 42; ead. 1991 (n. 2), 27–41, Tables 1, 3–4; ead. 1992 (n. 2), 186 8; ead. (n. 58), 117–35.

²⁷⁰ Figurines, 25; Caskey 1971 (n. 16), 114–26; id. 1974 (n. 16), 77–9.

²⁷¹ Phylakopi, 194–5, Pl. 39. 1–8; Figurines, 25–6; Renfrew, C. and Wagstaff, M., An Island Polity. The Archaeology of Exploitation in Melos (Cambridge, 1982), 37Google Scholar, pl. 4.1.

²⁷² Figurines, 26; Caskey 1971 (n. 16), 123; id. 1974 (n. 16), 77, no. 19; Davis, in Cydadica, 16–18, 21 n. 24; id.Keos, v. Ayia Irini: Period V (Mainz, 1986), 97.

²⁷³ D. Schilardi, ‘ἈνασκαΦὲς οτὴν Πάρο’, PAE 1977, 370–1, pl. 188 α; id., ‘The destruction of the LH IIIB citadel of Koukounaries on Paros’, in J. L. Davis and J. F. Cherry (eds), Papers in Cycladic Prehistory (Institute of Archaeology, University of California, Monograph XIV; Los Angeles, 1979), 159.

²⁷⁴ D. Schilardi, ‘ἈνασκαΦὴς οτὴν Πάρο’, PAE 1982, 242–3, pl. 151 a.

²⁷⁵ A. Zois, ῾᾿Ανασκαφὴ εὶς Βασιλικὴν ῾Ιεραπὲτρας, 1970 και 1972’, PAE 1972, 282–3, pl. 255 a–β.

²⁷⁶ Sotirakopoulou 1990 (n. 2), 45–7, fig. 8; ead. 1991 (n. 2), 37–51, Tables 3–8; ead. 1992 (n. 2), 197.

²⁷⁷ Kykladika I, 159–60, 194–5, pl. 11. 6.

²⁷⁸ Burial Habits, 87, pl. 28 j–k (Akrotiri, T 5); ibid. 93, pl.

32 f–g (Akrotiri, T 20); Papathanasopoulos 1961/62 (n. 14), 112, pl. 43 γ (Karvounolakkoi, T 6); ibid. 120, pl. 52 a (Spedo, T 12); ibid. 123–4, Pl. 54 β (Spedo, T 14); Kontoleon (n. 172), 151, pl. 136 β (Aplomata, T XIX).

²⁷⁹ Kykladika I, 154, pl. 10. 1.

²⁸⁰ Papavasileiou (n. 121), 4, fig. 2.

²⁸¹ Xanthoudides (n. 105), 21–2, pl. 21. nos. 123, 126–7.

²⁸² Ibid. 121, pl. 15. no. 224.

²⁸³ Evans (n. 22), 126, fig. 131.

²⁸⁴ Tzedakis, , ῾᾿Ανασκαφὴ σπηλαὶου Πλατυβὸλας ᾿ , A. Delt. 22 (1967)Google Scholar, Chron. 505, pl. 378 fβ.

²⁸⁵ Figurines, 19, IV. E. 8, pl. 6 c; Sakellarakis, in Art and Culture, 149, fig. 139.

²⁸⁶ Kontoleon (n. 191), 151, pls 194 α, 195 α.

²⁸⁷ Mylonas (n. 91), 141; fig. 163. 1–6, 9.

²⁸⁸ Sakellarakis (n. 199), 334–44, pls 284 β, 285 β 286 a, 287 a–β, 288 β id. (n. 22), 100, 104 n. 57; figs. 1–6, 8–10; id. in Art and Culture, 148, 150, 151; figs. 136, 141–2; Y. and E. Sakellarakis, ῾᾿Ανασκαφὴ ᾿Αρχανῶν᾿, PAE 1976, 389, 392, 393, 395, pls 219 γ–δ, 220 α–β eid. ῾᾿Ανασκαφὴ ᾿Αρχανῶν᾿, PAE 1978, 320, 321, pl. 195 α–β, ε eid. ῾᾿Ανασκαφὴ ᾿Αρχανῶν PAE 1980, 390, 399; eid. ῾᾿Ανασκαφὴ ᾿Αρχανῶν᾿ PAE 1981, 445, 446, pl. 266 ft eid. (n. 199), 118, 135 and fig. 93; Ergon 1981, 72 and fig. 119; Ergon 1982, 55 and fig. 133.

²⁸⁹ Bent (n. 13), 52.

²⁹⁰ Kykladika I, 161, pl. 10. 5.

²⁹¹ Kontoleon (n. 172), 151, pl. 135.

²⁹² Evans (n. 2a), 124, 127; fig. 132; Sakellarakis, in Art and Culture, 151, fig. 144, top left.

²⁹³ Wolters (n. 152), 47; Zervos, fig. 297; Art and Culture, 39, fig. 22; Papathanasopoulos 1981 (n. 14), 193, pl. 111.

²⁹⁴ Kykladika I, 152, pl. 10. 2.

²⁹⁵ Ibid. 154, 193, pl. 10. 3.

²⁹⁶ Ibid. 161–2, pl. 11. 19.

²⁹⁷ Papathanasopoulos 1961/62 (n. 14), 115, 123–4, Pls 46 β 54 β.

²⁹⁸ Kykladika I, 155, pl. 10. 4.

²⁹⁹ Zervos, fig. 245.

³⁰⁰ Zapheiropoulou, Ph., ῾Πρωτοκυκλαδικὰ εὐρὴματα ὲξ ῾᾿Ανω Κουφονησὶου ᾿, AAA 3 (1970), 48, fig. 2, leftGoogle Scholar; ead.(n. 223). 429.

³⁰¹ Kykladika I, 154, 193.

³⁰² Kontoleon (n. 8i), 178–9.

³⁰³ Höckmann, in Art and Culture, 50; Cycladic Spirit, 101.

³⁰⁴ Doumas (n. 82), 409, pl. 480 α; Zapheiropoulou, Ph., ῾Κυκλὰδες. ᾿Ανασκαφικαὶ ἒρευναι-περιοδεῖαι ᾿ , A. Delt. 23 (1968)Google Scholar, Chron. 381, pls 333 δ, 334 β; ead., ‘Cycladic finds from Keros’, AAA 1 (1968), 98Google Scholar and figs. 2–4.

³⁰⁵ Doumas (n. 82), 409–10; Thimme, in Art and Culture, 588, Appendix 8; 85, fig. 71.

³⁰⁶ Cycladic Spirit, 99, 101.

³⁰⁷ See n. 270–1.

³⁰⁸ Thimme, in Art and Culture, 588, Appendix 8; Getz-Preziosi (n. 97), 24; Sculptors, 32; Y. and E. Sakellarakis (n 199). 118.

³⁰⁹ Thimme, in Art and Culture, 456–7, 588, Appendix 8.

³¹⁰ Renfrew, in Cycladica, 26, 30 n. 22.

³¹¹ Cycladic Spirit, 101.

³¹² Mellink, M. J., ‘Excavations at Karataş-Semayük in Lycia, 1963’, AJA 68 (1964), 277, pl. 82. figs. 24–5CrossRefGoogle Scholar; ead. (n. 65), 253, 254, pl. 77. figs. 13–15; Höckmann, in Art and Culture, 180.

³¹³ Id.ibid. 46-8, 51 n. 18.

³¹⁴ Mylonas (n. 91), 141-2.

³¹⁵ Davis, in Cydadica, 19.

³¹⁶ See n. 270-1.

³¹⁷ Xanthoudides (n. 105). 24; D-G 1968, 92, n. 109; D-G 1978, 20; Burial Habits. 62 3; Caskey 1971 (n. 16), 125; Emergence, 424; Renfrew, in Art and Culture, 70; id. in Cydadica, 26-9; Cycladic Spirit, 98–9, 101, 102; Barber, in Cydadica, 11 13-14; id. (n. 257), 82, 130.

³¹⁸ Id. in Cydadica, 13 14; id. (n. 257), 82, 132; Cycladic Spirit, 98–9, 105.

³¹⁹ Renfrew, in Cydadica, 26, 32, Discussion; Cycladic Spirit, 97.

³²⁰ Höckmann, in Art and Culture, 46, 48, 50; Thimme, in Art and Culture, 455. According to both Höckmann and Thimme, the abstract schematic idols, such as the pebble and simple violin figurines, probably originally served as amulets (Art and Culture, 44, 427). Höckmann also thinks that the Plastiras and Eouros figures, which are represented in an erect posture and can stand on their own, and in particular the large forward facing Plastiras figures, seem especially well suited for display, as in domestic shrines (Art and Culture, 44-5).

³²¹ Mylonas (n. 91), 142; Getz-Preziosi (n. 148), 50 n. 17; ead. (n. 97), 23; Sculptors, 31-2.

³²² Getz-Preziosi (n. 148), 50 n. 17; ead. (n. 97), 23; Sculptors, 31–2.

³²³ See n. 272.

³²⁴ Getz-Preziosi, in ^Cycladica, 32, Discussion.

³²⁵ See n. 315.

³²⁶ Caskey 1971 (n. 16), 117, no. 10; 121, nos. 34-5; 123.

³²⁷ L. Marangou, ῾Κυκλαδικὸ εἰδὼλιο ἀπὸ τὴν Μινὼα ᾿Αμοργοῦ ᾿, Arch. Eph. 1990, 161, fig. 1.

³²⁸ See n. 3.

³²⁹ Marinatos, Thera, ii. 26, pl. 24. 1-2.

³³⁰ Höckmann, in Art and Culture, 48.

³³¹ Davis (n. 272), 97.

³³² See n. 275.

³³³ Y. and E. Sakellarakis 1980 (n. 288), 400, pl. 223 β.

³³⁴ Warren, in Cycladica, 31, Discussion.

³³⁵ Ergon 1984, 82; Ergon 1985, 64-5; Ergon 1992, 78-80; Doumas 1984 (n. 265), 346-7; id. 1985 (n. 265), 173; id. 1992 (n. 9), 181-4.

³³⁶ Similar slabs are known from Naxos; see Doumas, C., ῾Κορφὴ τ ᾿ Αρωιοῦ Μικρὴ ἀνασκαφικὴ ε̆ρευνα ἐν Νὰξῳ ᾿, A.Delt. 20 (1965)Google Scholar, A, Meletai, 63, pls 40 γ, 41 β–γ, id. in Marangou (n. 81), 158-60, no. 164.

³³⁷ Ergon 1985, 64-5; Ergon 1992, 78-80; Doumas 1985 (n. 265), 174; id. 1992 (n. 9), 184-5.

³³⁸ Thera, iii. 19-24; Marinatos (n. 4), 161-3.

³³⁹ Information given to me by the zooarchaeologist Dr K. Trantalidou after examination of the material.

³⁴⁰ Sotirakopoulou (n. 58), 129-35.

³⁴¹ For the figurines see the respective types in the Catalogue above; the known examples of marble kandiles which have come from systematic excavations are the following: Burial Habits, 86–7, pl. 28 h (Akrotiri on Naxos, T 5); ibid. 105–ii, 108, 112, 118, pls 36 a, 37 b, 47 c (Agioi Anargyroi on Naxos, T 6, T 20 and cemetery area); ibid. 122, pl. 49 b (Lakkoudes A on Naxos, T 2); Papathanasopoulos 1961/62 (n. 14), 109-10, pl. 41 α–β (Karvounolakkoi on Naxos, T 1); Zervos, figs. 7, 16; Papathanasopoulos 1961/62 (n. 14), 121, pl. 52 β, δ; id. 1981 (n. 14), 170, pl. 90 (Spedo on Naxos, T 12); id. 1961/62 (n. 14), 145, pl. 78 a (Apollonas on Naxos, T 38 B); Kontoleon (n. 14), 191), 151, pl. 192 β, 2; Art and Culture, 104, fig. 85. 23 (Aplomata on Naxos, T IV); Burial Habits, 98, 99, pl. 34 a–b, d–e (Plastiras on Paros, T 6, T 7 and T 9); Kykladika I, 155, pl. 10. 16; Zervos, fig. 6; Papathanasopoulos 1981 (n. 14), 170, pl. 92 (Glypha on Paros, T 22 and T 24); Kykladika I, 158; NM inventory (Panayia on Paros, T 66, T 67 and T 73); Kykladik I, 160, pl. 10. 17 (Pyrgos on Paros, T 104); ibid. 161 (Krassades on Antiparos, T 113); Zapheiropoulou (n. 223), 429, pl. 372 β (Ano Kouphonissi, cemetery at Simidalas field).

³⁴² Doumas, in Marangou (n. 81), 158.