Hostname: page-component-cd9895bd7-hc48f Total loading time: 0 Render date: 2024-12-27T14:09:46.017Z Has data issue: false hasContentIssue false
  • English
  • Français

Connoisseurship in context

Published online by Cambridge University Press:  02 January 2015

David Gill
David Gill*
Affiliation:
Department of Classics & Ancient History, University of Wales Swansea, Swansea SA2 8PP, Wales. E-mail: D.W.J.Gill@Swansea.ac.uk
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review articles
Information
Antiquity , Volume 70 , Issue 270 , December 1996 , pp. 988 - 991
Copyright
Copyright © Antiquity Publications Ltd. 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Boardman, J. 1996. Review of Gill & Vickers 1994, in Classical Review 46.1:123-6.Google Scholar
Boardman, J. 1985. The Parthenon and its sculptures. London: Thames & Hudson.Google Scholar
Coldstream, J. N. 1968. Greek Geometric pottery: a survey of ten local styles and their chronology. London: Methuen.Google Scholar
Connelly, J. B. 1996. Parthenon and Purthenoi: a mythological interpretation of the Parthenon frieze, American Journal of Archaeology 100: 53–80.Google Scholar
Cook, R. M. 1972. Greek painted pottery. London: Methuen.Google Scholar
Elsner, J. 1990. Significant details: systems, certainties and the art-historian as detective, Antiquity 64: 950–52.Google Scholar
Engelmann, H. 1987. “Wie nie Euphronios”, Zeitschrift für Papyrologie und Epjgraphik 129-34.Google Scholar
FRANKFURT AM MAIN EXHIBITION CATALOGUE 1990. Polyklet. Der Bildhauer der griechischen Klassik. Mainz am Rhein: Philipp von Zabern.Google Scholar
Gill, D.W.J. 1993. Art and vases vs. craft and pots, Antiquity 67:452–5.Google Scholar
Gill, D.W.J. & Chippindale, C.. 1993. Material and intellectual consequences of esteem for Cycladic figures, American Journal of Archaeology 97: 601–59.Google Scholar
Gill, D.W.J. & Vigkers, M.. 1995. They were expendable: Greek vases in the Etruscan tomb, Revue des Etudes Anciennes 97:225–49.Google Scholar
Jenkins, I. 1994. The Parthenon Frieze. London: British Museum Press.Google Scholar
Johnston, A. W. 1988. Amasis and the vase trade, in True, M. (ed.), Papers on the Amasis painter and his world: 125-9. Malibu (CA): J.Paul Getty Museum.Google Scholar
Shefton, B. B. 1982. The krater from Baksy, in Kurtz, D. C. & Sparkes, B. A. (ed.), The Eye of Greece. Cambridge: Cambridge University Press.Google Scholar
Sparkes, B. A. 1991. Greek pottery: an introduction. Manchester: Manchester University Press. Google Scholar
Sparkes, B. A. 1995. Sparkling stuff?. Antiquity 69:619-21.Google Scholar
Sparkes, B. A. & Talcott, L.. 1970. Blackand plain pottery of the sixth, fifth and fourth centuries BC. Princeton (NJ): American School of Classical Studies. The Athenian Agora 12.Google Scholar
Tanner, J. 1994. Shifting paradigms in Classical art history, Antiquity 68: 650–55.Google Scholar
Tyrrell, W. B. 1984. Amazons: a study in Athenian mythmaking. Baltimore (MD): Johns Hopkins University Press.Google Scholar
Vickers, M. & Gill, D.. 1994. Artful crafts: ancient Greek silverware and pottery. Oxford: Clarendon Press.Google Scholar
Vitelli, K. D. 1992. Pots vs. vases, Antiquity 66: 550–53.Google Scholar
Williams, C. K. 1987. The refounding of Corinth: some Roman religious attitudes, in Macready, S. & Thompson, F. H. (ed.), Roman architecture in the Greek world: 26–37. London: Society of Antiquaries.Google Scholar