Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-25T17:36:45.684Z Has data issue: false hasContentIssue false
  • English
  • Français

James Stirling’s post-avant-garde collage: the flatbed picture plane & the pursuit of virtuality

Published online by Cambridge University Press:  06 April 2022

Francesco Proto Open the ORCID record for Francesco Proto [Opens in a new window]
Francesco Proto*
Affiliation:
f.proto@brookes.ac.uk
Rights & Permissions [Opens in a new window]

Extract

Core share and HTML view are not available for this content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.

The second decade of the twenty-first century has been distinguished by a renewed interest in James Stirling and his architectural heritage – a sort of ‘James Stirling Renaissance’ – with many authors characterising Stirling predominantly as a late modernist architect.

Type
History
Information
arq: Architectural Research Quarterly , Volume 25 , Issue 3 , September 2021 , pp. 231 - 244
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
© The Author(s), 2022. Published by Cambridge University Press