Marchenoir in Le Désespéré is generally taken as the prototype of the writer. In this character Léon Bloy draws the portrait of a man of intense and burning faith, but given to passion and governed not by reason, but by feeling; he gives the picture of an unrecognised and embittered artist, of one who with the vision of a saint could not practise even ordinary virtue, and who, driven to despair by the consequences of his acts, becomes almost insane through his capacity for suffering. This portrait, however, is neither exact nor complete; Léon Bloy himself was far more of a Christian and far less of a lunatic than Marchenoir.

Round this saint manqué, this vagabond accompli, this grotesque figure surrounded by poverty and degradation, the prey of passion, and yet dispenser of spiritual gifts, a peculiar interest centres to-day. To deny Léon Bloy’s spiritual influence would be not only injurious but unjust. He was responsible for some of the most remarkable conversions of the last fifty years, those of Jacques Maritain and de la Meer Walcheren among others.