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St Peter's Columns

Published online by Cambridge University Press:  24 September 2024

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On entering St Peter’s the eye of the visitor is almost immediately caught and held by the great canopy sheltering the papal altar which, according to an ancient tradition, stands over the burial place of St Peter. The arresting feature of the canopy is the shape of the columns which stand like gigantic old-fashioned sticks of barley sugar in the heart of Christendom. This canopy, executed in bronze and standing on the immense piers necessary to carry its great weight, was made in the sixteenth century by Bernini on the instructions of Pope Urban VIII, and it is, perhaps, one of the most remarkable features of a remarkable church.

The recent excavations under St Peter’s have thrown much light on the tradition that the papal altar marks the place where St Peter was buried, and they have illumined much that has hitherto been obscure. The archaeological evidence resulting from the excavations does not, it is true, provide conclusive proof of the authenticity of the tradition, but it is entirely consistent with it. It is certain, however, that from very early times it was the firm belief of the Church that the apostle was buried on the traditional site. This site was in a pagan cemetery adjoining the road which ran near the Circus of Gaius and Nero; it is this cemetery which has now been partly excavated. The early Christians erected a shrine there to mark the place and to honour the remains of the apostle. There can be little doubt that this shrine was the τροπαιον seen by the Roman priest, Gaius, on the Vatican Hill in the third century.

Type
Research Article
Copyright
Copyright © 1957 Provincial Council of the English Province of the Order of Preachers

References

1 Gaius's description is quoted by Eusebius, , Hist. Eedes., ii, 25, 6, 7Google Scholar.

2 The Liber Pontificalis contains, with some exceptions, the lives of the Popes from St Peter to Stephen VI (d. 891); see L. Duchesne, ed., Le Liber Pontificalis: texte, introduction et commentaire (vol. i, 1884‐6; vol. ii, 1889‐92). The Pola casket is a fifth‐century ivory‐casket which was found at Salmagher, near Pola in Istria, in 1906, and which is now in the museum at Pola. On one side of it there is a representation of the shrine in Constantine's church; an identification that has been made certain by the recent excavations.

3 According to the Liber Pontificalis, these pilasters were of porphyry.

4 The object must be the golden lamp, shaped in the form of a crown, which, according to the Liber Ponlificalis, was among the gifts made by Constantine and which hung before the shrine of the apostle.

5 The remains of this may still be seen in the covered confessio and the Capella Clementina.

6 Raphael's cartoons are now in the Victoria and Albert Museum.