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Robert C. Ousterhout, Visualizing Community: Art, Material Culture, and Settlement in Byzantine Cappadocia, Dumbarton Oaks Studies 46, Washington DC: Dumbarton Oaks Research Library and Collection, 2017. Pp. xxv, 532.

Published online by Cambridge University Press:  03 April 2019

Philipp Niewöhner
Philipp Niewöhner*
Affiliation:
Goethe-Universtität Frankfurt
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Type
Reviews
Information
Byzantine and Modern Greek Studies , Volume 43 , Issue 1 , April 2019 , pp. 135 - 136
Copyright
Copyright © Centre for Byzantine, Ottoman and Modern Greek, University of Birmingham, 2019 

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References

1 Cf. the review by R. Ousterhout, Byzantine and Modern Greek Studies 41 (2017) 176–78.

2 Cf. more recently A. L. McMichael, Rising above the Faithful: Monumental Ceiling Crosses in Byzantine Cappadocia (Diss City University of New York 2018): https://academicworks.cuny.edu/gc_etds/2553.

3 Warland, R., ‘Die byzantinische Höhlensiedlung von Gökce/Momoasson in Kappadokien: Gehöfte, Grabkapellen mit Wandmalerei und ein vermögender Salbölhändler’, Istanbuler Mitteilungen 58 (2008) 347–69Google Scholar; Kalas, V., ‘Challenging the Sacred Landscape of Byzantine Cappadocia’, in Luyster, A. & Walker, A. (eds), Negotiating Secular and Sacred in Medieval Art: Christianity, Islam, and Buddhism (Aldershot 2009) 147–73Google Scholar; Jolivet-Lévy, C., ‘The Bahattın Samanligi Kilisesi at Belisırma Revisited’, in Hourihane, C. (ed.), Byzantine Art: Recent Studies (Princeton 2009) 81–110CrossRefGoogle Scholar; Ousterhout, R., ‘Remembering the Dead in Byzantine Cappadocia: the Architectural Settings for Commemoration’, in Ioannisian, O. & Jolshin, D. (eds), Architecture of Byzantium and Kievan Rus from the 9th to 12th Centuries, Transactions of the State Hermitage Museum 53 (St Petersburg 2010) 89–100Google Scholar.