In his perceptive book, Cavafy’s Alexandria (Cambridge, Mass., 1976), Edmund Keeley describes how Cavafy’s major poetic preoccupation during the years 1911 to 1921 was the delineation of a mythical city called Alexandria and of the Greek, or Hellenic, way of life it represents. An essential element in this way of life is its erotic style, which is explicitly homosexual; and it is through his poems on erotic themes that Cavafy slowly and deliberately builds his image of Alexandria as the Sensual City. His method of doing this is particular. In depicting other features of his mythical city Cavafy locates his poems in that ancient Hellenistic world of which Alexandria was the centre. Most of his erotic poetry, on the other hand, speaks of episodes and relationships in contemporary Alexandria, the city in which Cavafy actually lived. Indeed, all the poetry which Cavafy wrote that is located in contemporary Alexandria deals with erotic themes to the exclusion of all others. And it is with the help of this poetry that Cavafy builds up his image.