Hostname: page-component-745bb68f8f-cphqk Total loading time: 0 Render date: 2025-01-09T15:36:18.196Z Has data issue: false hasContentIssue false
  • English
  • Français

Meanings and Messages

Published online by Cambridge University Press:  14 October 2009

Nigel Spivey
Nigel Spivey
Affiliation:
Faculty of Classics, University of Cambridge, Sidgwick Avenue, Cambridge, CB3 9DA
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Articles
Information
Cambridge Archaeological Journal , Volume 5 , Issue 2 , October 1995 , pp. 314 - 322
Copyright
Copyright © The McDonald Institute for Archaeological Research 1995

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bal, M., 1985. Narratology: Introduction to the Theory of Narrative. Toronto: University of Toronto.Google Scholar
Barthes, R., 1970. S/Z . Paris: Éditions du Seuil.Google Scholar
Barthes, R., 1982 [1966]. Introduction to the structural analysis of narratives, in A Barthes Reader, ed. Sontag, S.. London: Cape, 251–95.Google Scholar
Barthes, R., 1990. The Pleasure of the Text. Oxford: Blackwell.Google Scholar
Brilliant, R., 1963. Gesture and Rank in Roman Art. New Haven (CT): American Academy at Rome.Google Scholar
Foucault, M., 1969. Qu'est-ce qu'un auteur? Bulletin de la Société française de Philosophie 63, 73–104.Google Scholar
Gombrich, E.H., 1960. Art and Illusion. London: Phaidon.Google Scholar
Lepper, F. & Frere, S.S., 1988. Trajan's Column. Stroud: Alan Sutton.Google Scholar
Luttwak, E.N., 1976. The Grand Strategy of the Roman Empire. Baltimore (MD): John Hopkins University Press.Google Scholar
Richmond, I.A., 1982. Trajan's Army on Trajan's Column. London: British School at Rome.Google Scholar
Schnapp, A., 1994. Are images animated: the psychology of statues in ancient Greece, in The Ancient Mind, eds. Renfrew, C. & Zubrow, E.. Cambridge: Cambridge University Press, 40–44.CrossRefGoogle Scholar
Settis, S., 1989. Fuga e morte di Decebalo, in Festschrift für Nikolaus Himmelmann: Beitrage zur Ikonographie und Hermeneutik, eds. Cain, H-U., Gabelmann, H. & Salzmann, D.. Mainz: von Zabern, 377–83.Google Scholar
Shapiro, H.A., 1994. Myth into Art. London: Routledge.Google Scholar
Snodgrass, A.M., 1982. Narration and Allusion in Archaic Greek Art. London: Leopard's Head Press.Google Scholar
Snodgrass, A.M., 1987. An Archaeology of Greece. Berkeley (CA): University of California Press.CrossRefGoogle Scholar
Veyne, P., 1988. Conduct without belief and works of art without viewers. Diogenes 143, 1–22.CrossRefGoogle Scholar