Regular Article
‘Innsbruck, ich muss dich lassen’: Cesti, Orontea, and the Gelone problem
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- 09 January 2002, pp. 179-217
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Research Article
Musical setting and scenic movement: chorus and chœur dansé in eighteenth-century Parisian Opéra
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- 20 March 2001, pp. 1-28
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The Roman intermezzo and Sacchini's La contadina in corte
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- 15 June 2001, pp. 91-107
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Research Article
A newly discovered accompanied recitative to Mozart's ‘Vado, ma dove’, K.583
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- 20 March 2001, pp. 29-50
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Mozart in Turkey
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- 09 January 2002, pp. 219-235
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Marschner's villains, monomania, and the fantasy of deviance
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- 15 June 2001, pp. 109-134
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Mozart or not? The musical evidence
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- 20 March 2001, pp. 51-54
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Racial essences and historical invisibility: Chinese opera in New York, 1930
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- 15 June 2001, pp. 135-162
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Picturing Cio-Cio-San: House, screen, and ceremony in Puccini's Madama Butterfly
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- 09 January 2002, pp. 237-259
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Review
Review
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- 09 January 2002, pp. 261-266
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Research Article
Music drama on the concert stage: voice, character and performance in Judith Weir's The Consolations of Scholarship
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- 20 March 2001, pp. 55-79
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Regular Article
Here comes nobody: a dramaturgical exploration of Luciano Berio's Outis
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- 15 June 2001, pp. 163-178
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Review
Steven Huebner, French Opera at the Fin de Siècle: Wagnerism, Nationalism, and Style. Oxford: Oxford University Press, 1999. xvii+526pp.
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- 20 March 2001, pp. 81-89
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