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C. SERGIUS ORATA AND THE RHETORIC OF FISHPONDS*
Published online by Cambridge University Press: 16 April 2014
Extract
C. Sergius Orata was famous for the oysters that he raised on the Lucrine lake, where he also bought and renovated villas, reselling them at a profit. His oysters changed the market for gourmet seafood by creating a new standard in taste around 100 b.c., and he grew rich enough from this trade to enjoy the luxuries that he purveyed. He was a path-breaking entrepreneur in luxury goods, ‘the first Campanian speculator to cater to the leisure of the great grandees’, as D'Arms described him. Instructive as this interpretation is, it does not address the way Orata is presented in the sources. While the ‘facts’ may be reliable enough to establish a biographical sketch, their presentation has another story to tell because Orata is known from rhetorically coloured portraits that reveal less about him as an individual than about elite identity generally. Fish and fishponds were a favourite target of Roman moralizers concerned with elite behaviour and attitudes. Oysters in particular have a long history as a signal luxury. Orata is a prime example in this tradition, and his name became nearly a trope: ‘Orata’, as I will write when I mean this reputation and not the man himself. A cognomen was a sign of family identity, but it also could be used as an indicator of character. Although Kajanto rejects this interpretation of Orata's name because of its association with fish, it is the very association with fish that made his name powerful as a literary example, whether or not it reflects anything about his actual personality. No more can be said about the Orata family reputation because he is the only man with this cognomen in our sources. For Roman moralizers, ‘Orata’ represented the contested relationship between wealth, commerce and status, because his oyster ponds were both a symbolic luxury and a commercial success.
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Footnotes
For helpful criticism, warm thanks to Jane Chaplin, Sander Goldberg and David Potter, and also to the editor and readers for CQ.
References
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73 Val. Max. 9.1.1: C. Sergius Orata pensilia balnea primus facere instituit. quae impensa <a> levibus initiis coepta ad suspensa caldae aquae tantum non aequora penetravit. idem, videlicet ne gulam Neptuni arbitrio subiectam haberet, peculiaria sibi maria excogitavit, aestuariis intercipiendo fluctus pisciumque diversos greges separatim molibus includendo, ut nulla tam saeva tempestas inciderit, qua non Oratae mensae varietate ferculorum abundarent. aedificiis etiam spatiosis et excelsis deserta ad id tempus ora Lucrini lacus pressit, quo recentiore usu conchyliorum frueretur: ubi dum se publicae aquae cupidius immergit, cum Considio publicano iudicium nanctus est. in quo L. Crassus, adversus illum causam agens, errare amicum suum Considium dixit, quod putaret Oratam remotum a lacu cariturum ostreis: namque ea, si inde petere non licuisset, in tegulis reperturum.
74 Balneae: Cic. Hort. fr. 40 I = Non. p. 194.12; tegulis: fr. 42 = Non. p. 216, 14. In Straume-Zimmermann et al. (n. 25), Hort. fr. 40 II = Val. Max. 9.1.1.
75 Heurgon and Guiraud (n. 52), 3.113 (connecting the glasses from Baiae, Varro and Valerius Maximus). See also. Higginbotham, J., Piscinae: Artificial Fishponds in Roman Italy (Chapel Hill, 1997), 188–9Google Scholar (glasses from Baiae), and for examples of compartmentalized fishponds, 131–5, 143–50, 163–7. See Fagan (n. 26), 60–1 on the design of Orata's fishponds.
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79 Cic. Hort. fr. 42, with Wikander (n. 1), 181 n. 27.
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87 For the epic flavour of nobilitare, see e.g. Pac. trag. 120 For reputation informed by aesthetic merits, see Cic. Tusc. 1.34 (poets), Plin. HN 35.2 (paintings) and 14.25 (wines); note the ambivalence in Cic. Off. 2.26 (Phalaris' cruelty) and Plin. HN 14.56 (correlating quality with price).
88 Nobilitare occurs only here in HN 9, but nobilis and nobilitas appear always meaning ‘aristocratic’ and also ‘famous’: 9.60 (the acipenser, possibly ‘sturgeon’), 9.64 (the noble class of fish), 9.141 (purple dye), 9.170 (senatorial fishpond owners), 9.173 (snails from Solitana), cf. 9.97 ignobiliora of less well known varieties of crab. Nobilis and its cognates are used by Pliny most frequently of Italy in HN 3 (twelve times), of art and artists in HN 34 (twenty times) and HN 35 (twenty-one times). Aside from these books, there are a few clusters of nobilis and cognates, like the digression on fishponds, where one use of the word seems to trigger its repetition.
89 Pliny's acquaintance with Varro is suggested when he reports that Murena provided a model for other fishpond owners, exemplum nobilitas secuta est (HN 9.170), namely Hortensius, Philippus and Lucullus.
90 See e.g. Dyck (n. 1), 579; Münzer (n. 3), p. 1713.
91 Hölkeskamp (n. 7), 111; Adams (n. 10), 149–50.
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