Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-20T04:12:16.682Z Has data issue: false hasContentIssue false

The Great Migration: Los Angeles Salsa Speculations and the Performance of Latinidad

Published online by Cambridge University Press:  25 March 2014

Abstract

“The Great Migration” considers danced formations of latinidad in Los Angeles. Through close analysis of the spectacularized “migration” within one east Los Angeles County nightclub, the author argues that the politics of Mexican migration interlock with salsa dance practices.

Type
Articles
Copyright
Copyright © Congress on Research in Dance 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Aparicio, Frances R. 1998. Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures. Hanover, NH: Wesleyan University Press.Google Scholar
Aparicio, Frances R. and Chávez-Silverman, Susana. 1997. Tropicalizations: Transcultural Representations of Latinidad. Hanover, NH: University Press of New England.Google Scholar
Arrizón, Alicia. 1999. Latina Performance. Traversing the Stage. Bloomington, IN: Indiana University Press.Google Scholar
Berríos-Miranda, Marisol. 2000. The Significance of Salsa to National and Pan-Latino Identity. Dissertation. University of California, Berkeley.Google Scholar
Boggs, Vernon W. 1992. Salsiology: Afro-Cuban Music and the Evolution of Salsa in New York City. New York: Excelsior Music Publishing Company.Google Scholar
Camacho, Alicia Schmidt. 2008. Migrant Imaginaries: Latino Cultural Politics in the U.S.–Mexico Borderlands. New York: New York University Press.Google Scholar
Colón, Willie. 1999. “Foreword.” In ¡Música! The Rhythm of Latin America: Salsa, Rumba, Merengue, and More, by Sue Steward, 67. San Francisco: Chronicle Books.Google Scholar
Concepción, Alma. 2002. “Dance in Puerto Rico: Embodied Meanings.” In Caribbean Dance: From Abakuá to Zouk: How Movement Shapes Identity, edited by Sloat, S., 165–75. Gainsville, FL: University of Florida Press.Google Scholar
Dávila, Arlene. 2001. Latinos Inc.: The Marketing and Making of a People. Berkeley, CA: University of California Press.Google Scholar
De Certeau, Michel. 1988. The Practice of Everyday Life. Berkeley, CA: University of California Press.Google Scholar
De Genova, Nicholas, and Ramos-Zayas, Ana Yolanda. 2003. Latino Crossings: Mexicans, Puerto Ricans and the Politics of Race and Citizenship. New York: Routledge.Google Scholar
Delgado, Celeste Fraser, and Muñoz, José Esteban. 1997. “Rebellions of Everynight Life.” In Everynight Life: Culture and Dance in Latin/o America, edited by Delgado, C. F. and Muñoz, J. E., 932. Durham, NC: Duke University Press.CrossRefGoogle Scholar
García, Cindy. 2008. “Don't Leave Me, Celia! Salsera Homosociality and Pan-Latina Corporealities.” Women and Performance: A Journal of Feminist Theory, 18(3): 199213.Google Scholar
García, Cindy. 2013. Salsa Crossings: Dancing Latinidad in Los Angeles. Durham, NC: Duke University Press.Google Scholar
Laó-Montes, Agustín, and Dávila, Arlene. 2001. Mambo Montage: The Latinization of New York. New York: Columbia University Press.Google Scholar
Limón, José. 1994. Dancing with the Devil: Society and Cultural Poetics in Mexican-American South Texas. Madison, WI: University of Wisconsin Press.Google Scholar
López, Ana M. 1997. “Of Rhythms and Borders.” In Everynight Life: Culture and Dance in Latin/o America, edited by Delgado, Celeste Fraser and Muñoz, José Esteban, 310344. Durham, NC: Duke University Press.Google Scholar
Mendible, Myra, editor. 2007. From Bananas to Buttocks: The Latina Body in Popular Film and Culture. Austin, TX: University of Texas Press.Google Scholar
Ngai, Mae M. 2004. Impossible Subjects: Illegal Aliens and the Making of Modern America. Princeton, NJ: Princeton University Press.Google Scholar
Ospina, Hernando Calvo. 1996. Salsa: Esa Irreverente Alegría. Nafarroa, Euskal Herria: Editorial Txalaparta S. L.Google Scholar
Peña Ovalle, Priscilla. 2011. Dance and the Hollywood Latina: Race, Sex, and Stardom. Piscataway, NJ: Rutgers University Press.Google Scholar
Piedra, José. 1997. “Hip Poetics.” In Everynight Life: Culture and Dance in Latin/o America, edited by Delgado, Celeste Fraser and Muñoz, José Esteban, 93140. Durham, NC: Duke University Press.Google Scholar
Pietrobruno, Sheenagh. 2006. Salsa and Its Transnational Moves. Lanham, MD: Lexington Books.Google Scholar
Quintero Rivera, Ángel G. 1998. ¡Salsa, Sabor y Control! Sociología de la musica “tropical.” México, D.F.: Premio Casa de las Américas.Google Scholar
Renta, Priscilla. 2004. “Salsa Dance: Latino/o History in Motion.” Centro Journal XVI(2): 139–57.Google Scholar
Rivera-Servera, Ramón H. 2004. “Choreographies of Resistance: Latina/o Queer Dance and the Utopian Performative.” Modern Drama 157(2): 269–89.Google Scholar
Rivera-Servera, Ramón H.. 2011. “Dancing Reggaetón with Cowboy Boots: Social Dance Clubs and the Politics of Dance in the Latino Southwest.” In Transnational Encounters: Music and Performance at the U.S.-Mexico Border, edited by Madrid, Alejandro, 373–92. London: Oxford University Press.Google Scholar
Roberts, John Storm. [1979] 1999. The Latin ‘Tinge’: The Impact of Latin American Music on the United States. Oxford: Oxford University Press.Google Scholar
Rodríguez, Olavo Alén. 1994. De lo Afrocubano a la Salsa: Géneros Musicales de Cuba. La Habana: Ediciones ARTEX S. A.Google Scholar
Román, David, and Sandoval, Alberto. 1995. “Caught in the Web: Latinidad, AIDS, and Allegory in Kiss of the Spider Woman, the Musical.” American Literature 67(3): 554–85.Google Scholar
Rondón, César Miguel. 1985. “Cero Salsa (o salsa cero).” Comunicación y Cultura (July): 94105.Google Scholar
Sterngold, James, and Martin, Mark. 2005. “Governor Signals He'd Welcome Minutemen on the California Border.” San Francisco Chronicle. April 30. http://www.sfgate.com/default/article/Governor-signals-he-d-welcome-Minutemen-on-2637959.php.Google Scholar
Ulloa, Alejandro. 1992. La Salsa en Cali. Cali, Colombia: Centro Editorial Universidad del Valle.Google Scholar
Waxer, Lise. 2002. Situating Salsa: Global Markets and Local Meaning in Latin Popular Music. New York: Routledge.Google Scholar
Wilkerson, Isabel. 2010. The Warmth of Other Suns: The Epic Story of America's Great Migration. New York: Vintage Books.Google Scholar