Hostname: page-component-586b7cd67f-dlnhk Total loading time: 0 Render date: 2024-11-24T06:03:12.200Z Has data issue: false hasContentIssue false

Audacity in Conteporary Art

Published online by Cambridge University Press:  01 July 2024

Rights & Permissions [Opens in a new window]

Extract

Core share and HTML view are not available for this content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.

The aim of this article is to examine the growing predominance of audacity, or that which audaciously seeks to be taken as such, in all the manifestations of the art of our time. To do that, and to be able to agree or disagree with any meaning, it would be best to start by limiting ourselves to a definition which sets certain boundaries for the word audacity, which, by its very nature, defies that kind of qualification. The Petit Larousse can't help us out because it very cautiously defines audacity with such synonyms as boldness and daring, and for boldness and daring gives the definition of audacity, which once again proves that a dictionary is no more than an ingenious collection of tautologies. In order to break that vicious circle I venture to propose, without much rashness on my part, that we understand by audacity that attitude which consists of ignoring what is expected of you and daring to what no one else dares to do.

Type
Research Article
Copyright
Copyright © 1969 Fédération Internationale des Sociétés de Philosophie / International Federation of Philosophical Societies (FISP)