^{page 117 note 1} Proem, 2.

^{page 117 note 2} i. 22. The purely verbal echoes are άτερпέστερον/τερпνόν, κτῆμα ἐς όεί/κτῆμα пᾶσιν ἀνθρώпοις.

^{page 118 note 1} Preface to Shakespeare.

^{page 118 note 2} On the title-page of his translation.

^{page 118 note 3} Republic, 515a, 517a.

^{page 118 note 4} Proem, 2.

^{page 118 note 5} Idyll viiGoogle Scholar, Eclogues i, ix.Google Scholar The earliest prose allegory in Greek was the Choice of Herakles, by Prodikos, a contemporary of Sokrates.

^{page 118 note 6} ii. 7.

^{page 119 note 1} Ephesiaka, Book i.

^{page 119 note 2} Tintern Abbey, 96.Google Scholar

^{page 119 note 3} i. 10–II.

^{page 119 note 4} i. 15.

^{page 119 note 5} ii. 8.

^{page 119 note 6} ii. 9.

^{page 120 note 1} iv. 40.

^{page 120 note 2} i. 9–10.

^{page 121 note 1} i. 11–13.

^{page 121 note 2} i. 20.

^{page 121 note 3} iii. 15–19.

^{page 121 note 4} 1. 30–31.

^{page 121 note 5} i. 29–30.

^{page 121 note 6} Marriage of Heaven and Hell.

^{page 121 note 7} iii. 19.

^{page 121 note 8} 31. This Latin novel is generally thought to be an adaptation of a lost Greek original, possibly by Xenophon of Ephesos.

^{page 121 note 9} i. 32.

^{page 122 note 1} ii. 26–29.

^{page 122 note 2} ii. 2.

^{page 122 note 3} ii. 23.

^{page 122 note 4} ii. 2O.

^{page 122 note 5} ii. 34.

^{page 122 note 6} ii. 39.

^{page 122 note 7} iii. 20.

^{page 122 note 8} iii. 23.

^{page 122 note 9} Cf. ii. 34: ‘But she laughed at his love, and said she didn't want a lover who was neither one thing nor the other—neither a goat nor a man.’

^{page 122 note 10} iii. 34.

^{page 123 note 1} iv. 39.